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70
FULL
ORCHESTRA
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CLASSICAL SELECTIONS medium-advanced & advanced /
ORIGINAL CONCERT WORKS easy & medium-easy
Peer Gynt Suite No.1, Op. 46—Edvard Grieg/
arr. Chris M. Bernotas. A stunning arrangement
of the incredible masterwork! Perfect for string
orchestra alone or with added instruments up to
full orchestra. This setting offers the opportunity
to explore the entire suite. All four movements are
presented in approachable keys and are abridged
to the perfect length and difficulty level for your
next concert. Playable as a full suite or as separate
movements: I./II. Morning Mood/Ase's Death; III.
Anitra's Dance; IV. In the Hall of the Mountain King.
11400582 Full Orchestra . . . . . . . . .MA 75.00
11400583 Additional Score . . . . . . . . . . .10.00
Rhapsody in Blue—George Gershwin/arr. Jerry
Brubaker. Finally, this classic work is now available
for full orchestra, with or without piano! All solo
piano parts are covered within the orchestra but
can also be played with a soloist. One of the most
popular concert works ever, this transcription for full
orchestra will be a new favorite. It's seven minutes
long and includes all the major themes - for the
advanced or community orchestra!
10032785 Full Orchestra
Piano optional . . . . . . . . .MA 75.00
10032786 Additional Score . . . . . . . . . . . .9.00
Romeo and Juliet Overture—P.I. Tchaikovsky/
arr. Jerry Brubaker. A lovely transcription with
tasteful reductions that allow the advanced
orchestra or community orchestra to experience
Tchaikovsky's masterpiece in about half the
duration of the original. A must for any library!
10370686 Full Orchestra . . . . . . . . .MA 73.00
10370689 Additional Score . . . . . . . . . . . .8.00
Symphony No. 5 Finale—Dimitri Shostakovich/
arr. Stephen Bulla. One of the most notable
movements from Dimitri Shostakovich is
transformed into this superb new edition that is
well within the reach of most orchestras. Stephen
Bulla's arrangement is appropriately truncated and
carefully altered with key, range and technique,
with orchestration considerations for today's school,
festival and regional orchestras.
10042883 Full Orchestra . . . . . . . . .MA 95.00
10054684 Additional Score . . . . . . . . . . .10.00
Toccata—Girlamo Frescobaldi/arr. Hans Kindler.
Girolamo Frescobaldi composed this now-famous
melody in the 1600s. For over 300 years, the
Frescobaldi Toccata has been performed and
loved by generations! This transcription presents
a bold rendition that uses broad harmonic support
for the melody.
134015 Full Orchestra . . . . . . . . .MA 69.00
2365484 Additional Score . . . . . . . . . . . .9.00
Original Concert Works
Easy & Medium-Easy
Ancient Echoes of Time—Douglas E. Wagner.
Expansive harmonies and soaring tunes combine
to present an imaginative musical landscape that
explores the tonal facets of the orchestra. This
dynamic and colorfully scored original is playable
by strings alone or full orchestra.
10522573 String or Full Orchestra . .ME 55.00
10522574 Additional Score . . . . . . . . . . . .9.00
Appalachian Morning—Robert Sheldon.
Acknowledge the Scottish and Irish pioneers of
Appalachia with a musical walk through the woods
and mountains of the Cumberland Gap. This lovely
composition allows for a moment of reflection and
lyrical expression on any concert program.
10522599 Full Orchestra . . . . . . . . .ME 65.00
10522600 Additional Score . . . . . . . . . . .10.00
11166951 Video-Appalachian Morning
Multi Media Video - Digital Or Audio
With Synchronization
Software Link . . . . . . . . . . . . .50.00
Cumberland Cross—Carl Strommen. Sure to
delight, the central portion of this original piece
brings the unrestrained exuberance of bluegrass
fiddling to the orchestra. In a lovely contrast, the
piece opens and closes with a slow chorale, bringing
to mind sunset and sunrise over the mountains.
10522571 Full Orchestra . . . . . . . . .ME 59.00
10522572 Additional Score . . . . . . . . . . . .9.00
Dark Adventure—Ralph Ford. It's ghostly! It's
creepy! Your orchestra will love it! From the driving
opening motives to the quirky gypsy-sounding
theme, this is haunted-house music at its best! You
can play this with either full or string orchestra, but
the percussion section is really vital and should be
used in both cases.This is recommended and will
thrill and delight your audience! A winner!
2466837 String or Full Orchestra . .ME 59.00
5972599 Additional Score . . . . . . . . . . . .8.00
Engines of Resistance—Larry Clark. You will
want to program this thrilling music often! As the
title implies, there is dramatic tension between
opposing forces in the orchestra: a light ostinato
pattern opposes a heavy, aggressive melody; bursts
of percussion ring out against quieter moments in
the orchestra, and all these conflicting elements
come together for an incredible finish! Can be
performed as strings and percussion, or as a full
orchestra. A contest winner!
2416675 String or Full Orchestra . . . E 59.00
5800651 Additional Score . . . . . . . . . . . .8.00
Lost Tomb of the Incas—Michael Story. This
exciting piece will transport your intermediate
orchestra to the ancient civilization of the Incas.
Featuring full-sounding melodies, interesting
rhythmic accompaniments, and exciting percussion
parts, this piece can be performed by string
orchestra alone or with as many added winds and
percussion as possible, up to a full orchestra.
11200177 String or Full Orchestra . .ME 60.00
11200178 Additional Score . . . . . . . . . . . .9.00
Millennium—Richard Meyer. This contemporary-
sounding overture is extremely powerful and full
of emotion from beginning to end. Colorful and
imaginative scoring features every section of the
symphony orchestra, resulting in a wonderfully
mature-sounding, yet playable, tour de force for
the student orchestra.
2397792 Full Orchestra . . . . . . . . .ME 73.00
5730296 Additional Score . . . . . . . . . . . .9.00
Second Storm—Robert W. Smith. Inspired by the
devastating hurricane season during the summer
of 2004, this begins with a melodic "calm before
the storm" introduction; and as the fury of Mother
Nature is unleashed, the work develops using
strong unison impacts with driving rhythmic figures
to capture the intensity of the event in sound.Your
intermediate orchestra will sound big and bold.
2481119 String or Full Orchestra . .ME 65.00
10005397 Additional Score . . . . . . . . . . . .9.00
Slingshot—Michael Story. This flexible original
work will provide the opportunity for an entire
instrumental program to perform together. Also
perfect for a first full orchestra experience with
plenty of doubling, it can be performed by string
orchestra alone or with almost any combination of
winds or percussion. Includes optional piano.
11000120 Full Orchestra . . . . . . . . . . E 51.00
11000122 Additional Score . . . . . . . . . . . .9.00
Vivid—Peter Sciaino. Endless sonic colors
communicate a joyful celebration of life and the
bright and deep shades that enhance our world.
This full orchestra setting seeks to find vitality
and strength while exploring concepts of clarity
and vibrancy. The piece offers younger students
a vehicle to experiment with the concept of taking
music beyond the page and, ultimately, delivering
heart and soul to their audience.
11401014 Full Orchestra . . . . . . . . . . E 70.00
11401084 Additional Score . . . . . . . . . . . .8.00
Warrior Legacy—Soon Hee Newbold. Explore
the heroes and warriors of myth and legend in an
epic work for full orchestra. Additional wind parts
are included with the set, making it suitable for
combined strings and full band. The cinematic-type
score features various solos throughout, finishing
with a riveting 12/8 section. Intense!
10366890 Full Orchestra with opt.
Concert Band parts . . . .ME 100.00
10366891 Additional Score . . . . . . . . . . . .9.00
BEST
SELLERS
Full Orchestra
Original Concert Works
All Levels
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Warrior Legacy—Soon Hee Newbold.
10366890 Full Orchestra with opt.
Concert Band parts . . . . . . . ME 100.00
10366891 Additional Score. . . . . . . . . . . . . . . . 9.00
American Landscape—Soon Hee Newbold.
10752884 Full Orchestra . . . . . . . . . . . . . M 80.00
10752885 Additional Score. . . . . . . . . . . . . . . . 5.00
Genesis—Rossano Galante.
11354952 Full Orchestra . . . . . . . . . . . . . M 70.00
11354953 Additional Score. . . . . . . . . . . . . . . . 9.00
Cumberland Cross—Carl Strommen.
10522571 Full Orchestra . . . . . . . . . . . . ME 59.00
10522572 Additional Score. . . . . . . . . . . . . . . . 9.00
On Top of the World—Brian Balmages.
10752898 Full Orchestra . . . . . . . . . . . MA 120.00
10752899 Additional Score. . . . . . . . . . . . . . . 14.00
Slingshot—Michael Story.
11000120 Full Orchestra . . . . . . . . . . . . . . E 51.00
11000122 Additional Score. . . . . . . . . . . . . . . . 9.00
On a Hymnsong of Philip Bliss—
David Holsinger.
11315256 Full Orchestra . . . . . . . . . . . . . M 60.00
11391365 Additional Score. . . . . . . . . . . . . . . 10.00
Alpha and Omega—Soon Hee Newbold.
11203090 Full Orchestra . . . . . . . . . . . MA 120.00
11203091 Additional Score. . . . . . . . . . . . . . . . 9.00
Appalachian Morning—Robert Sheldon.
10522599 Full Orchestra . . . . . . . . . . . . ME 65.00
10522600 Additional Score. . . . . . . . . . . . . . . 10.00
Lux Aurumque—Eric Whitacre.
10678236 Full Orchestra . . . . . . . . . . . . M 125.00
10678238 Full Score . . . . . . . . . . . . . . . . . . . 35.00
Symphony Performance Folio
Symphony
Performance Folio
14 Progressive and
Flexible Arrangements for
Strings, Woodwinds, Brass,
and Percussion
Deborah Baker Monday.
A valuable collection of folk
tunes and classical works flexibly
arranged! These fourteen pieces can
be performed as a full orchestra,
string orchestra alone, concert
band alone, woodwind or brass
ensemble, string ensemble, or
any combination of instruments.
A percussion book is also included
but not required. The pieces in
the book progress from grade 2
to grade 4, creatively arranged for
concerts or classroom training.
11208711 Conductor . . . . E-M 24.95
11208712 Flute . . . . . . . . . . E-M 5.95
11208713 Oboe. . . . . . . . . . E-M 5.95
11208714 Bassoon . . . . . . . E-M 5.95
11208715 Clarinet 1 . . . . . . E-M 5.95
11208716 Clarinet 2 . . . . . . E-M 5.95
11208717 Alto Sax . . . . . . . E-M 5.95
11208718 Tenor Sax. . . . . . E-M 5.95
11208719 Trumpet 1. . . . . . E-M 5.95
11208720 Trumpet 2. . . . . . E-M 5.95
11208721 F Horn. . . . . . . . . E-M 5.95
11208722 Trombone
or Baritone . . . . . E-M 5.95
11208723 Tuba . . . . . . . . . . E-M 5.95
11208724 Percussion . . . . . E-M 5.95
11208725 Violin 1 . . . . . . . . E-M 5.95
11208726 Violin 2 . . . . . . . . E-M 5.95
11208727 Viola . . . . . . . . . . E-M 5.95
11208728 Cello . . . . . . . . . . E-M 5.95
11208729 String Bass. . . . . E-M 5.95
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