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STRING
ORCHESTRA
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CLASSICAL SELECTIONS medium-advanced & advanced
Allegro Moderato—W.A. Mozart/arr. Robert
D. McCashin. The first movement from Mozart's
"Symphony No. 29" contains that delicate balance
between his graceful lyricism and his signature
tempestuous energy. This shockingly authentic
arrangement allows your string students to
experience all the intensity of the original without
having to bring in wind players.
10454282 String Orchestra . . . . . . .MA 60.00
10454315 Additional Score . . . . . . . . . . . .6.00
Allegro Moderato—Camille Saint-Saens/arr.
Deborah Baker Monday. This movement of the
famous "Organ Symphony" includes two of the most
memorable themes ever penned by Saint-Saens.
This arrangement includes the highly energetic
string theme and the beautiful fugue based on his
four-note theme which cycles throughout the entire
symphony. The two contrasting sections of this
arrangement offer two extremes of bowing style:
one requiring heavy strokes at the frog and the
other using legato, expressive, full bowing.
10752882 String Orchestra . . . . . . .MA 65.00
10752883 Additional Score . . . . . . . . . . . .5.00
Anvil Chorus—Giuseppe Verdi/arr. Deborah
Baker Monday. This iconic piece by Giuseppe Verdi
is presented here in B minor and G major. This
allows the violins to really shine while all parts have
melodic interest. True to the original, the optional
percussion parts add a true symphonic flair and the
anvil parts are easy enough to be played by a parent
or guest.
11202316 String Orchestra . . . . . . .MA 56.00
11202317 Additional Score . . . . . . . . . . . .7.00
Apocalyptic—Anton Bruckner/arr. Kirk Moss.
All the power and force of the Finale of Bruckner's
Eighth Symphony is masterfully captured in this
authentic and first-ever arrangement for string
orchestra. Mature players will have the opportunity
to expand on their shifting and vibrato technique
as well as overall musicianship by exploring varying
bow weights and speeds to create the wide variety
of tone and dynamics that are required. An optional
timpani part greatly enhances the intensity. A great
addition to the classical repertoire!
11349253 String Orchestra,
Percussion Optional . . . .MA 60.00
11349270 Additional Score . . . . . . . .MA 9.00
Aurora's March—Peter Ilyich Tchaikovsky/arr.
Caryn Wiegand Neidhold. Peter Ilyich Tchaikovsky's
three masterpiece ballet scores, including Sleeping
Beauty, are known for their timeless music. This
arrangement for string orchestra captures the
enduring melodies and great depth of Tchaikovsky's
genius. Because much of Tchaikovsky's style is
not written with articulations, students will need
assistance with the bow stroke in order to perform
this incredible piece. This march, which follows the
overture in the ballet, was renamed Aurora's March
for this arrangement.
11402301 String Orchestra . . . . . . .MA 60.00
11402302 Additional Score . . . . . . . . . . .12.00
Capriccio Espagnol—Nikolai Rimsky-Korsakov/
arr. Robert D. McCashin. This resetting for string
orchestra has successfully kept the composer's
intent, and to a great extent, the sounds and colors
of the original orchestration. While requiring some
substantial string forces, it's fully approachable
by able high school groups. It consists of five
connected movements based on Spanish themes.
A terrific addition as a primary work for any concert!
10500790 String Orchestra . . . . . . .MA 95.00
10500791 Additional Score . . . . . . . . . . .12.00
Capriol Suite—Peter Warlock. This staple of the
string orchestra repertoire, composed in 1927,
is based on a suite of six Renaissance dances.
Each dance offers a different mood and rhythm,
and together they form an excellent concert work.
Original edition.
427864 String Orchestra . . . . . . . . A 50.00
7180581 Additional Score . . . . . . . . . . . .7.50
Charterhouse Suite—Ralph Vaughan Williams/
arr. James Brown. Ralph Vaughan Williams'
charming suite of dances in the English style is a
mainstay of the string orchestra concert repertoire.
Adapted in collaboration with the composer from
the 1921 Suite of Six Short Pieces. The scoring
is colorful and lighthearted, providing artistic and
pedagogical opportunities for moderately advanced
students. New edition and engraving.
10873332 String Orchestra . . . . . . . . A 90.00
5022231 Additional Score . . . . . . . . . . .27.00
Concerto in D Minor—J. S. Bach/arr. Larry
Moore. Everyone is familiar with this one! The
standard piece known as the "Bach Double"
features two capable violin soloists. Arranged for
string orchestra with optional piano (or harpsichord),
the viola, cello and bass sections play throughout
as the two solo violin parts alternate between tutti
sections and solo sections.
2445864 String Orchestra
1st Movement. . . . . . . . .MA 45.00
5962279 Additional Score . . . . . . . . . . . .5.00
Dance of the Tumblers—Nikolai Rimsky-
Korsakov/arr. Todd Parrish. Shifting is required for
1st violins, cellos, and basses, while 2nd violins and
violas get exceptionally rich parts of sixteenth notes
and melody throughout. This energetic dance will
be a welcome challenge for advanced orchestras.
10453655 String Orchestra . . . . . . .MA 62.00
10453704 Additional Score . . . . . . . . . . . .8.00
Danse Negre from African Suite, Op. 35,
No. 4—Samuel Coleridge-Taylor/arr. Deborah
Baker Monday. Samuel Coleridge-Taylor was
extraordinary in his use of themes from African
American folk music, and his success contributed
to the empowerment of African American
musicians and composers who came after him.
The final movement from a larger work, this
high-energy piece is one spectacular example of
Coleridge-Taylor's talent. Fingerings are clearly
marked to facilitate technical passages. This is a
perfect concert closer!
11398760 String Orchestra . . . . . . .MA 60.00
11398774 Additional Score . . . . . . . . . . . .9.00
Danza Final from "Estancia"—Ginastera/arr.
Robert Longfield. Now available for strings, Alberto
Ginastera's well-known finale to his "Estancia"
ballet is steeped in South American folk style.
The familiar cross rhythms give this malambo an
infectious feel - a classic work for contest and
festival consideration.
10059481 String Orchestra,
Percussion Optional . . . .MA 55.00
10083437 Additional Score . . . . . . . . . . . .5.00
Day of Wrath—Giuseppe Verdi/arr. Deborah
Baker Monday. Day of Wrath (translated from the
Latin "Dies Irae") with its dramatic extremes of
emotion is a great choice for any concert or festival.
This setting by Verdi in his Requiem Mass was first
performed in 1874. Repeated 16th notes are used
extensively along with divided parts to create a full,
sonorous effect with huge dynamic contrasts from
the fortissimo opening to the morendo ending.
10738939 String Orchestra . . . . . . .MA 49.00
10738971 Additional Score . . . . . . . . . . . .9.00
Elsa's Procession to the Cathedral—Richard
Wagner/arr. Matthew Moreno. Introduce your
orchestra and audience to this passionate
arrangement from Wagner's famous opera,
"Lohengrin." This transcription keeps the textures
and colors amazingly true to the full operatic
score while featuring solo violin and cello. Equally
powerful for chamber orchestras or large string
orchestras, this work is sure to make a profound
impact at your performance. Stunning!
10366801 String Orchestra . . . . . . .MA 65.00
10366802 Additional Score . . . . . . . . . . . .5.00
Fantasia Espanola—Issac Albeniz, Francisco
Tarrega & Manuel de Falla/arr. Bob Phillips. A
spellbinding exploration of the music of Spain,
these four exciting yet contrasting sections offer
challenging parts for all players. From unrelenting
rhythmic drive to beautifully lyric emotion, three of
Spain's most famous composers are represented in
this rewarding medley of Asturias Leyenda; Tango
in D; Adelita and Danza Ritual del Fuego. (5:45)
11400516 String Orchestra . . . . . . .MA 60.00
11400517 Additional Score . . . . . . . . . . .10.00
Fantasia on Greensleeves—Ralph Vaughan
Williams/arr. Ralph Greaves. Here is the original and
beloved fantasia that calls for string orchestra, harp,
and two soloists-usually flutes but often substituted
with violins. This lush arrangement of the English
folksong is a classic in the string repertoire and a
wonderful example of the Vaughan Williams sound.
A must-have for every orchestra library!
5051438 String Orchestra Includes
strings 4/4/3/4/2 . . . . . .MA 31.25
8059068 Violin 1 part. . . . . . . . . . . .MA 1.75
8059069 Violin 2 part. . . . . . . . . . . .MA 1.75
8059067 Viola part . . . . . . . . . . . . .MA 1.75
8059064 Cello part . . . . . . . . . . . . .MA 1.75
8059063 Bass part . . . . . . . . . . . . .MA 1.75
8059065 Flute 1 and 2 part . . . . . . .MA 1.75
8059066 Harp part . . . . . . . . . . . . .MA 1.75
625509 Additional Score . . . . . . . . . . . .7.25
BEST
SELLERS
String Orchestra
Classical
Medium-Advanced
& Advanced
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Fidelio Overture—
Ludwig van Beethoven/arr. Todd Parrish.
11202215 String Orchestra. . . . . . . . . . . MA 60.00
11202216 Additional Score. . . . . . . . . . . . . . . . 9.00
The Inner Planets
(Themes from Mercury, Venus, and Mars)—
Gustav Holst/arr. Carrie Lane Gruselle.
11203131 String Orchestra. . . . . . . . . . . MA 65.00
11203132 Additional Score. . . . . . . . . . . . . . . . 6.00
Apocalyptic (Finale from "Symphony No. 8")
—Anton Bruckner/arr. Kirk Moss.
11349253 String Orchestra,
Percussion Optional . . . . . . . . MA 60.00
11349270 Additional Score. . . . . . . . . . . . MA 9.00
Capriol Suite—Peter Warlock.
427864 String Orchestra. . . . . . . . . . . . .A 50.00
7180581 Additional Score. . . . . . . . . . . . . . . . 7.50
Allegro Moderato (from "Symphony No. 3")
—Camille Saint-Saens/
arr. Deborah Baker Monday.
10752882 String Orchestra. . . . . . . . . . . MA 65.00
10752883 Additional Score. . . . . . . . . . . . . . . . 5.00
Summer from "The Four Seasons"
(Mvt. 3, Presto)—
Antonio Vivaldi/arr. Jennifer Meckler.
11204511 Multi-Level Orchestra. . . . . B-MA 85.00
11204531 Additional Score. . . . . . . . . . . . . . . 30.00
11204546 String Pack/Additional String Set . . 55.00
Charterhouse Suite—
Ralph Vaughan Williams/arr. James Brown.
10873332 String Orchestra. . . . . . . . . . . . .A 90.00
5022231 Additional Score. . . . . . . . . . . . . . . 27.00
Adagio for Strings—Samuel Barber.
427328 String Orchestra. . . . . . . . . . . . .A 55.00
7180532 Additional Score. . . . . . . . . . . . . . . . 9.99
Academic Festival Overture—
J. Brahms/arr. Robert D. McCashin.
2480768 String Orchestra. . . . . . . . . . . MA 65.00
2482047 Additional Score. . . . . . . . . . . . . . . . 6.00
Hoe Down (from Rodeo)—Aaron Copland.
167221 String Orchestra. . . . . . . . . . . . .A 45.50
2476148 Additional Score. . . . . . . . . . . . . . . . 8.95
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