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ORIGINAL CONCERT WORKS medium-easy
Air for Buenos Aires—Chris Thomas. Feature a
guitar soloist or any member of the orchestra (or
even a combination of players!). This work paints
a portrait of a sleepy, late night in Brazil as a lone
tango dancer walks the streets. Every member
of the orchestra has the solo printed on the back
of their section part, giving directors incredible
flexibility with choosing a soloist or combination of
soloists. This piece provides a perfect vehicle for
reinforcing legato and hooked bowings, vibrato, and
light chromaticism. A powerful and beautiful work.
11349036 String Orchestra . . . . . . . . . . .60.00
11349037 Additional Score . . . . . . . . . . . .5.00
American Landscape—Soon Hee Newbold. Soon
Hee Newbold has created wonderful music based
on Gypsy music, Spanish music, Asian music, and
now turns to a more open and rugged American
sound, and succeeds!Drawing from the diverse
and unique scenes of the United States, this soaring
work pays tribute to majestic mountains, vast plains,
lush forests, and more.Give your players a chance to
capture this evocative American sound. Breathtaking!
10008710 String Orchestra . . . . . . . . . . .50.00
10008711 Additional Score . . . . . . . . . . . .5.00
Ante Meridian—Todd Parrish. Inspired by a
painting of the same name, this engaging work
features memorable rhythmic patterns of sixteenth
notes, flat-key fingerings, and varied articulations.
The original painting evokes the awesome, eternal
nature of the sea, depicted musically with constant
motion and majestic themes.
10986317 String Orchestra . . . . . . . . . . .49.00
10986319 Additional Score . . . . . . . . . . . .9.00
Archaic Voices—Doug Spata. Archaic Voices was
written at the request of a friend of the composer
who wanted an easy piece she could use to
introduce low first-finger B flats. Her students really
responded to the aggressive style, approachable
rhythms, and quick tempo. Part independence
is kept to a minimum to help young players stay
together, and the wide dynamic range adds to the
drama of the piece. This is a bold selection that
students and teachers can both appreciate.
10738927 String Orchestra . . . . . . . . . . .49.00
10738959 Additional Score . . . . . . . . . . . .9.00
Arco Polo for Multi-Level Orchestra—Ingrid
Koller. This engaging piece for string orchestra is
appropriate for any time of the year but is especially
fun for a summer orchestra concert. Arco Polo is a
musical depiction of the well-known swimming-pool
game Marco Polo. The piece begins tutti pizzicato,
but then the instruments "call out" to each other
using their bows. This is a multilevel piece which
makes it a practical choice for an orchestra with
students at varying skill levels. It can stand alone
as a Level 1.5 piece, but with the addition of the
advanced violin, viola, and cello parts it becomes
even more challenging and fun. For yet another
layer of fun, there is an optional improvisational
section where students are randomly (perhaps
secretly) selected to be the "caller" and the rest of
the orchestra answers. As an extra surprise for the
orchestra and audience, an audience member can
be cued to literally call out to the orchestra.
11399763 Multi-Level Orchestra . . . . . . .40.00
11399764 Additional Score . . . . . . . . . . . .7.00
Arith-Metric No. 1 for Strings—Brian
Balmages. An exciting piece that explores self-
paced developing music for any combination of
string instruments. Inspired by Terry Riley's In C,
the piece includes short fragments that performers
move through at their own pace. Explore pacing,
development, and orchestration with this piece that
works in a variety of performance settings!
11219891 String Orchestra Full Flex. . . . .45.00
Avalon Rising—Doug Spata. This dramatic
concert overture in D minor focuses on loure
bowing, part independence, and approachable
syncopation. The sweeping cinematic melodies
make for an exciting concert selection. Includes
extra parts for Viola in treble clef and Violin 2 in alto
clef for flexible ensembles.
11175139 String Orchestra . . . . . . . . . . .49.00
11175140 Additional Score . . . . . . . . . . . .7.00
Baile de la Primavera—Dennis Eveland. A
spirited country dance with a catchy melody and
plenty of lively sixteenth-note and syncopated
rhythms. All sections enjoy interesting parts. Violin
2 briefly shifts into third position at the end. Sure to
have the audience's toes tapping!
11390052 String Orchestra . . . . . . . . . . .55.00
11390065 Additional Score . . . . . . . . . . .10.00
Battle of the Bows—Chris Thomas. Experience
a contest of strength, bravery, and determination.
With constant momentum and energy, the music
explores a range of articulations and dynamics as
each section competes for supremacy. Bravado,
dynamic contrast, independence, excitement - it's
all here and ready to showcase your orchestra!
11399632 String Orchestra . . . . . . . . . . .60.00
11399633 Full Score . . . . . . . . . . . . . . . .10.00
Blue-Fire Fiddler—Soon Hee Newbold. This
kickin' fiddle tune is energetic, exciting and fun. The
fast and furious fiddling sounds much harder than it
really is. Riffs, finger patterns and bowings are very
idiomatic and lend themselves to fast playing. This
is sure to be the hit of the concert!
2474322 String Orchestra . . . . . . . . . . .60.00
9505195 Additional Score . . . . . . . . . . . .5.00
Blue Rhythmico—Kirt N. Mosier. Like the title
implies, there's a powerful rhythm and some jazzy
blue notes, nothing subtle here!This original uses
guitar-like riffs and a driving ostinato bass line in
the low strings to build up to a powerful sound.
2481200 String Orchestra . . . . . . . . . . .45.00
10000751 Additional Score . . . . . . . . . . .10.00
Blue Ridge Reel—Brian Balmages. This musical
homage to the Blue Ridge Mountains is fully
adaptable for flexible string orchestra and will be an
instant hit! Written in the style of an Irish reel, this
work reflects the influences of bluegrass and even
New Orleans march style. The fusion culminates
in a spirited groove for your orchestra. Get out the
washboards and spoons and prepare to have a
great time!
11219890 String Orchestra,
Percussion Optional . . . . . . . .45.00
11300110 Additional Score . . . . . . . . . . . .6.00
11166954 Video-Blue Ridge Reel Multi Media
Video - Digital Or Audio
With Synchronization
Software Link . . . . . . . . . . . . .50.00
Carpe Diem—Richard Meyer. Full of energy
and excitement, this overture makes the perfect
concert opener or closer.Tuneful melodies and
shifting moods explore a wide variety of string
playing techniques, while the colorful orchestration
gives every section a chance in the spotlight.
This A B A work opens with a high-spirited main
theme followed by a more lyrical second theme.
The contrasting middle section is a tender lullaby
introduced first by solo violin, and then taken
up with great emotion by the entire ensemble.
The opening section returns, refreshingly re-
orchestrated for added interest.The piece ends in a
flurry of excitement.Playable by middle-level groups
but definitely mature enough for the advanced
string orchestra.
10027605 String Orchestra . . . . . . . . . . .56.00
10032383 Additional Score . . . . . . . . . . . .7.00
Cathode Rays—Matthew Gelfer. This original
work explores the dark and rich timbre of the string
orchestra in its low register. Heavy syncopated
rhythms and sharp dynamic and articulation
contrasts are the fuel that drives the intensity. Good
for teaching 3 and for note slurs as well as fingering
patterns that come with the key of A minor.
11393523 String Orchestra . . . . . . . . . . .55.00
11393524 Additional Score . . . . . . . . . . . .7.00
Circle of Rhythm—Reynard Burns. Inspired by
the rhythms and melodies of African culture, this
inspiring original work features melodies built around
a four-bar rhythmic motif. Perfect for teaching
varying rhythm patterns to the young middle school
orchestra. All sections are given the melody. Optional
percussion part for sogo or hand drum.
11339406 String Orchestra . . . . . . . . . . .49.00
11339407 Additional Score . . . . . . . . . . . .7.00
The Code—Alan Lee Silva. Like the underscore
of an international spy movie, this piece promises
drama from the opening bar. The evocative
harmonies, plus tight moving lines and syncopated
rhythms, immediately catch the ear. Pulsating
eighth-note patterns drive the piece all the way
through to the spirited conclusion. Sure to have
everyone on the edge of their seat.
10278001 String Orchestra . . . . . . . . . . .55.00
10278003 Additional Score . . . . . . . . . . . .6.50
Colors of Home—Alan Lee Silva. A loving
portrait of life growing up in the pastoral foothills of
Northern California, Colors of Home conveys a warm
Americana feeling, featuring beautifully nuanced
melodic themes and carefully crafted harmonies.
11100043 String Orchestra . . . . . . . . . . .55.00
11100044 Additional Score . . . . . . . . . . . .7.00
Coming Back—Tyler Arcari. This beautiful
original work employs a wide array of musical
techniques including dramatic dynamic contrasts,
varying bowing techniques, and tempo changes
along with rich harmonies and scoring to create
an emotional depiction of hope and optimism.
An excellent opportunity to teach lyrical playing,
phrasing, and ensemble playing. A highly
rewarding musical experience!
11346152 String Orchestra . . . . . . . . . . .50.00
11346153 Additional Score . . . . . . . . . . . .7.00
Conquistador—Deborah Baker Monday.
A dramatic work with a hint of romance,
Conquistador! depicts the life and adventures
of the Spanish explorers. Rhythmic motives in A
minor provide a glimpse into life on the trail, and
the softer, lyrical section depicts a quiet night under
the stars. It's a great way to bring history into the
music rehearsal!
2703086 String Orchestra . . . . . . . . . . .62.00
10005171 Additional Score . . . . . . . . . . . .9.00
Contrasts in E Minor—Francis Feese. This unique
and interesting work is divided into three sections.
It begins with a catchy, "spy-sounding" opening
theme, which is contrasted with an emotional
slower section, and ends with an exciting 6/8 time
signature galop that features the lower strings. It
is standard string orchestra literature that comes
highly recommended for intermediate level groups.
2136216 String Orchestra . . . . . . . . . . .45.00
6049142 Additional Score . . . . . . . . . . . .6.50
Corozal Nights—Doug Spata. This exciting
Latin dance for intermediate orchestra features
approachable syncopation, catchy rhythms, and
low first-finger patterns in every section of the
orchestra. The exotic D minor tonality and optional
percussion parts add authentic Latin flavor. The set
includes viola parts in treble clef and violin 2 parts
in alto clef for ensemble flexibility. A captivating
concert selection!
10981242 String Orchestra,
Percussion Optional . . . . . . . .47.00
10981243 Additional Score . . . . . . . . . . . .6.00
Creatures—Brian Balmages. It's great for
year-round use, but would be especially scary at
Halloween. The composer describes it as "a dark
and sinister night full of strange happenings and
ghoulish encounters." Opening with a menacing
march as creatures emerge from the darkness,
dissonances soon appear in upper strings,
including the chance to play any pitch in the chaos!
Finally the audience hears footsteps in retreat from
the coming dawn.
10027353 String Orchestra . . . . . . . . . . .50.00
10027354 Additional Score . . . . . . . . . . . .5.00
Curse of the Rosin Eating Zombies—Richard
Meyer. The sequel to the popular Rosin Eating
Zombies From Outer Space! Students and directors
will enjoy giving blood curdling screams, knocking
on instruments, and bowing behind the bridge for
that iconic "psycho sound." Pizzicato, tremolo, trills,
munching noises, and zombie-talk are sure to be a
scarily funny hit!
2472802 String Orchestra . . . . . . . . . . .56.00
5976451 Additional Score . . . . . . . . . . . .6.00
The Dance of Iscariot—Kirt N. Mosier. A
rhythmically-charged composition for students. All
parts playable in first position.
2382380 String Orchestra . . . . . . . . . . .48.00
5630207 Additional Score . . . . . . . . . . . .7.00
Danse Infernale—Elliot Del Borgo. Starting off as
a driving modal work, the "Infernal Dance" soon
turns to a warm cantabile middle section, giving
your strings a chance to show their flexibility. Del
Borgo uses string sonorities such as harmonics,
mutes, basic third position, and more to get the
most out of your orchestra.
2474323 String Orchestra . . . . . . . . . . .60.00
2702595 Additional Score . . . . . . . . . . . .5.00
Danza—Vaclav Nelhybel. Nelhybel's intriguing
work is divided into three sections, Adagio; Allegro,
and Vivo. Nelhybel's contribution to the world of
music is fast becoming recognized worldwide.
Recorded by Michigan State University Orchestra
on the CD, Teaching Music Through Performance
in Orchestra Volume 1 - Pepper #5973728.
2065894 String Orchestra . . . . . . . . . . .65.00
6049043 Additional Score . . . . . . . . . . . .7.50
Danza de mi Corazon—Steven L. Rosenhaus.
This flexible instrumentation adaptation captures
the energy and drama of the original. Well-
developed themes, strong rhythmic writing, solid
ensemble scoring, and colorful harmonies will
inspire you to dance!
11315880 String Orchestra . . . . . . . . . . .45.00
11315881 Additional Score . . . . . . . . . . . .7.00
Danza de mi Corazon—Steven L. Rosenhaus.
This music is intended to connect emotionally with
players and audiences alike. This energetic work
does that and makes you want to dance, too! The
fiery tango in D minor is both a solid teaching piece
and truly a "dance of the heart."
11100047 String Orchestra . . . . . . . . . . .50.00
11100048 Additional Score . . . . . . . . . . . .7.00
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