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STRING
ORCHESTRA
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ORIGINAL CONCERT WORKS medium-easy
Serenade for String Orchestra—Norman Leyden.
Known for his thousands of film, radio, and
symphonic arrangements, prolific composer
Norman Leyden published this suite for string
orchestra in 1971. The four brief, contrasting
movements blend classical/baroque tradition with
stylistic harmonies popular to the era. Movements
include: I. Prelude II. Fugue III. Nocturne IV.
Cakewalk. An excellent choice for intermediate
ensembles.
10017851 String Orchestra Set C. . . . . . .95.00
10017861 Full Score . . . . . . . . . . . . . . . . .5.00
10017863 Violin 1 . . . . . . . . . . . . . . . . . . .5.00
10017866 Violin 2 . . . . . . . . . . . . . . . . . . .5.00
10017865 Viola . . . . . . . . . . . . . . . . . . . . .5.00
10017862 Cello . . . . . . . . . . . . . . . . . . . . .5.00
10017864 Bass . . . . . . . . . . . . . . . . . . . . .5.00
2473308 String Orchestra Set A. . . . . . .35.00
4091872 String Orchestra Set B. . . . . . .60.00
Shadow Defenders—Katie O'Hara LaBrie. From
the first note of this thrilling piece, a sense of
suspense feeds an intense desire to protect and
avenge, leaving listeners to wonder what is looming
around the corner. Let students imagine a world of
possibilities in this cinematic work while developing
their skills with independent rhythms, shifting, and
interlaced syncopations that propel this journey
through the shadows.
11399672 String Orchestra . . . . . . . . . . .65.00
11399673 Full Score . . . . . . . . . . . . . . . .10.00
Shifting Sands—Bob Phillips. Teach shifting with
this beautiful melody perfectly suited for the concert
stage. The moderate, lyric tempo provides students
the time to make successful shifts. Musically, this
piece is very accessible so students can focus on
left-hand technique.
11202692 String Orchestra . . . . . . . . . . .50.00
11202693 Additional Score . . . . . . . . . . . .9.00
The Siege—Christian A. Williams. Feel the
intensity and anticipation of attack in this exciting
work for intermediate string orchestra! A battle-
march rhythm persists beneath a determined and
resolute melody in the upper strings. Set in the dark
key of E minor with interesting parts for all sections,
the set includes Viola parts in treble clef and Violin
2 parts in alto clef for ensemble flexibility.
10981273 String Orchestra . . . . . . . . . . .47.00
10981274 Additional Score . . . . . . . . . . . .6.00
Skeleton Waltz—Katie O'Hara LaBrie. This
educationally sound programmatic work
incorporates chromatic harmony and special
effects to create a fun and spooky setting that
is reminiscent of the orchestrations of Berlioz
and Saint-Saens. This work offers an excellent
opportunity to teach several bowing techniques.
Increase the tempo for a suitable challenge for
more advanced ensembles.
11339422 String Orchestra . . . . . . . . . . .49.00
11339423 Additional Score . . . . . . . . . . . .7.00
Sleepy Hollow—Leonard Ingrande. This exciting
original work delivers exactly what you would expect
from the title: tension-filled melodic writing, driving
and relentless rhythms, dissonances, and an array
of dynamics and articulations. A suitable piece to
develop your orchestra's technique.
11398680 String Orchestra . . . . . . . . . . .55.00
11398723 Additional Score . . . . . . . . . . .12.00
Sparks—Chris M. Bernotas. Light up the concert
hall with energy and excitement! A variety of
textures and techniques are featured while
everyone in the string orchestra has an important
role. Well suited as a concert closer or festival
piece, your students will want to play this one again
and again.
10872143 String Orchestra . . . . . . . . . . .49.00
10872144 Additional Score . . . . . . . . . . . .8.00
Sparta—Todd Parrish. Take a trip back to
Ancient Greece with this fun and energetic work!
Students will encounter two-note to six-note slurs,
pizzicato, staccato and legato bowings, rhythms
in 3/4 time, and dynamic contrast, along with an
emphasis on playing octaves. The powerful melody
is carefully woven throughout all parts while the
accompaniment reinforces anchoring the first finger
for better intonation.
10696546 String Orchestra . . . . . . . . . . .47.00
10696547 Additional Score . . . . . . . . . . . .6.00
Spartacus—Brian Balmages. Return to the time
of the Roman Empire and Spartacus! The opening
signifies the harsh life of a gladiator while a fast,
energetic section pays homage to his brilliance as
a military tactician. Explosive rhythms, memorable
melodies, and innovative harmonies all combine
to make this piece unforgettable! Thrilling and
highly recommended!
10047935 String Orchestra . . . . . . . . . . .50.00
10047936 Additional Score . . . . . . . . . . . .5.00
Spiccato Palooza!—Richard Meyer. Written to
help students develop their spiccato bow stroke,
this energetic piece is a joyful celebration from
the very first measure. The left-hand challenges
are minimal, allowing the players to focus on
controlling their bows on and off the string.
A contrasting call-and-response B section in
minor mode briefly slows the pace down before
the party resumes again. Over time, the tempo
can be increased as students become more
and more proficient with this all-important bow
technique. (2:30)
11400608 String Orchestra . . . . . . . . . . .50.00
11400609 Additional Score . . . . . . . . . . . .9.00
Star of the Sea—Mark Haas. A beautiful and
tranquil original work that gives the listener a feeling
of being safely guided on a calm sea. Written in the
key of B-flat, its calming yet soaring melodic lines,
creative harmony, and full range of dynamics create
a serene backdrop, while frequent use of divisi and
counterpoint gives the ensemble a full and rich
texture. Solo opportunities for violin, viola, and cello.
An excellent work for developing tone, phrasing,
ensemble playing, and overall musicianship.
11390049 String Orchestra . . . . . . . . . . .55.00
11390063 Additional Score . . . . . . . . . . .10.00
Storm Flight—Steve Parsons. Take the listener
from flying above a snowy landscape straight
into the heart of a looming winter storm. Tossed
by fierce blizzard winds, we eventually emerge on
the other side, ready to continue our frozen journey.
Featuring a haunting folk-like theme with a driving
accompaniment, this piece will captivate your
ensemble with both its restless energy and beautiful
soaring lines. Optional piano part.
11401011 String Orchestra . . . . . . . . . . .75.00
11401081 Additional Score . . . . . . . . . . . .8.00
Struggle in the Shadows—Brian Balmages. This
powerful work tackles the issue of bullying in schools
from the perspective of a student. Making use of
a quartet within the ensemble (either a standard
quartet or two violins and two cellos), the piece
moves between the voices of the lonely and their
experiences. From moments of solitude to anguish
and hope, this piece seeks to bring light to an issue
that continues to plague schools worldwide.
10996017 String Orchestra with Piano . . .60.00
10996018 Additional Score . . . . . . . . . . . .6.00
Sunday Afternoon—R. Scott Whittington. A
whimsical piece that appeals to all ages. Its bouncy
rhythms and upbeat melodies evoke the feeling
of wind rushing through our hair or the laughter
of family members as games are played and
memories are shared. The piece is targeted at
advancing junior and intermediate string ensembles
and works for young and mature players alike. One
of the charms of this piece is the constant tug-
of-war between triplets and the straight eighth
notes. With its lilting, infectious themes, the work
is spirited, fun to play, and will be a favorite with
audiences and players alike.
11402321 String Orchestra . . . . . . . . . . .45.00
11402322 Additional Score . . . . . . . . . . . .9.00
Swashbucklers Saga—Chris Thomas. In a
classic pirate jig style, this music explores 6/8 meter
with brisk marcato bowings. A contrasting romantic
lyrical section features soaring melodies amid lush
harmonies before the energetic jig returns.
10592169 String Orchestra . . . . . . . . . . .60.00
10592170 Additional Score . . . . . . . . . . . .5.00
Sweet New Moon—Yukiko Nishimura. A
beautifully heartfelt work for young musicians, with
lush harmonies and suspensions that will stretch
the musicianship of the performers. A thoughtful,
meditative work, perfect for your concert program.
11100109 String Orchestra . . . . . . . . . . .55.00
11100110 Additional Score . . . . . . . . . . . .7.00
Terra Nova—Richard Meyer. From the opening
measures to a driving finish, this exceptional
work keeps everyone's attention and gives your
developing group a new level of maturity!Featuring
a contemporary, "hip" sound,infectious modal
melodies and changing meter signatures, this
also gives every section a chance in the spotlight.
Teaching opportunities abound as your students
explore low finger patterns (Bb and F naturals),
dynamic contrast, accents, syncopation, balance,
and rhythmic independence. An excellent choice!
10280288 String Orchestra . . . . . . . . . . .46.00
10280290 Additional Score . . . . . . . . . . . .8.00
The Reel Deal—Chris M. Bernotas. Sure to be
a favorite, this exciting original reel lies well in the
key of D major. Surprising harmonies add to the
originality of this piece. All of the instruments get a
chance to play the melody, and clear fingerings and
bowings have been added throughout. The optional
cajon creates an authentic Irish feel. A perfect
closer to any festival or concert!
11347167 String Orchestra . . . . . . . . . . .65.00
11347168 Additional Score . . . . . . . . . . . .9.00
Then There Were Five—Loreta Fin. The irregular
5/4 time signature found here is not often used in
educational ensemble music. This original piece
uses a 3 + 2 feel and, at times, a 2 + 3 feel. The
syncopated rhythm is repetitive and has a lilting
quality. The middle section changes to 3/4 time,
before returning to the main ideas. (2:25)
11400634 String Orchestra . . . . . . . . . . .45.00
11400635 Additional Score . . . . . . . . . . . .7.00
Through Moanin' Pines—Henry Thacker
Burleigh/arr. Dion Morales. This hauntingly beautiful
lyrical transcription of a piano composition features
syncopated rhythms along with pizzicato, legato,
and gentle dynamics. Low first fingering patterns,
basses play in half position. A great showcase for
your orchestra's tone and musicality.
11402165 String Orchestra . . . . . . . . . . .40.00
11402193 Additional Score . . . . . . . . . . . .8.00
Thundersnow!—Katie O'Hara LaBrie. The title
says it all - driving eighth notes, tense melodies,
and sudden impacts will have your ensemble
and audience believing they are in the middle of
an intense and fierce blizzard. All sections have
memorable parts. Excellent for teaching dynamics,
accents, and eighth notes.
11392948 String Orchestra . . . . . . . . . . .55.00
11392949 Additional Score . . . . . . . . . . . .7.00
Tidal Moon—Sean O'Loughlin. Multiple layers,
rich harmonies, and cinematic colors will transport
your audience to a dark night that is lit only by the
full moon behind a thin veil of clouds. Excellent for
teaching ensemble playing, phrasing, and tone.
11392954 String Orchestra . . . . . . . . . . .55.00
11392955 Additional Score . . . . . . . . . . . .7.00
Time Traveler—Steve Parsons. A catchy and
mysterious melody is passed around in various
settings and textures from a cello section feature
under pizzicato high strings to violins soaring in
octaves. Creative orchestrations give this piece a
feeling of adventure and a sense that you are up
against the clock. Great for teaching dynamics
and articulations.
11392952 String Orchestra . . . . . . . . . . .55.00
11392953 Additional Score . . . . . . . . . . . .7.00
Turning Point—Robert Longfield. This impressive
concert work is bold, contemporary writing for
today's string orchestras. In concert overture style,
it has all the elements that will entice your students
to do their very best. With modal harmony, a driving
rhythmic main theme, contrasting lyric section and
skilled string orchestration, Turning Point is an ideal
program choice.
10317565 String Orchestra . . . . . . . . . . .50.00
10317566 Additional Score . . . . . . . . . . . .5.00
Under a Winter Sky—Yukiko Nishimura. This
beautiful work captures the awesome wonder of a
winter's eve. Using simple rhythms and lyrical lines,
a mood of reflection and solitude leads to a faster,
syncopated middle section before settling back into
the tranquility of a quiet night. Easy accidentals
create lush harmonies that reflect the magic of a
snowy landscape.
11202229 String Orchestra . . . . . . . . . . .50.00
11202230 Additional Score . . . . . . . . . . . .8.00
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