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BROADWAY, MOVIE & TV THEMES
The Mandalorian—arr. Paul Murtha & Will Rapp. This
incredibly popular Star Wars series follows the daring exploits
of a bounty hunter in the post- "Return of the Jedi" era. As
with all the installments of this history-making saga, this film
features a stunning and memorable soundtrack. The iconic
main theme is featured here in a powerful setting for the field
or stands.
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March of the Resistance—John Williams/arr.
Paul Murtha & Will Rapp. Bands of all sizes will sound great
when they perform this powerful theme from the blockbuster
hit "Star Wars: The Force Awakens." Whether you play it on
the field or on the street, everyone will recognize the stirring
music of the good guys by master composer John Williams.
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Mercy—arr. Mike Story. This driving arrangement of the
catchy Jonas Brothers song from the movie "Space Jam:
A New Legacy" rocks from start to finish!
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The Music of the Night—arr. Paul Lavender. Here
is a marvelously paced arrangement of the familiar song from
"The Phantom of the Opera." Opening with a trumpet solo, it
builds impressively to a climax then tapers to a quiet ending
with the distinctively dissonant "phantom" chords.
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Never Enough/From Now On—arr. Paul Murtha
& Will Rapp. This colorful production number features two of
the hugely popular hits from "The Greatest Showman." It can
be used with great effect as a super closing number or by
itself as a powerful stand-alone feature.
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The Nightmare Before Christmas - Part 2
—Danny Elfman/arr. Brown & Rapp. This unique production
number starts off with the devious-sounding This Is
Halloween, which includes an alto sax solo and intense full
ensemble punches. The mood shifts dramatically to the
bluesy swing tune Oogie Boogie Song, treated here in a big-
band setting that really wails!
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No Time To Die—Billie Eilish & Finneas O'Connell/
arr. Matt Conaway & Jack Holt. Pop singing sensation Billie
Eilish brings her unique style to the elite group of James
Bond themes with this masterful and haunting melody.
Matt's stylish version starts softly then builds to a dramatic
and overpowering impact. Stunning!
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The Phantom of the Opera—arr. Paul Lavender.
The recent hit movie has stirred renewed interest in this
groundbreaking Broadway classic. The familiar opening
strains are nothing short of stunning! An impressive opener
for the field!
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Pirates of the Caribbean—arr. Paul Murtha.
Ahoy matey! Here is the ultimate in adventure music for the
stands or field! Your band will transport the audience from the
bleachers to a ship on the high seas with this medley from the
blockbuster movie "The Pirates of the Caribbean: The Curse
of the Black Pearl!"
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Pirates of the Caribbean, Part 1—arr. Michael
Brown & Will Rapp. Opening with a sense of anticipation, the
lilting woodwind melody is accompanied by vibes and frame
drums. The following majestic and dramatic themes finish out
this powerful arrangement! Titles include: Fog Bound; The
Medallion Calls and The Black Pearl.
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Pirates of the Caribbean, Part 3—arr. Michael
Brown & Will Rapp. The tender One Last Shot provides the
emotionally charged musical climax to the movie and is
beautifully orchestrated in this fantastic closer. The chart is
then brought to a rousing finish with the energetic He's a
Pirate. Fitting for any swashbuckler!
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Raiders March—arr. Mike Story. John Williams'
timeless theme from the "Indiana Jones" saga is now
playable by any band with this effective, yet easy new
arrangement! Perfect for the field or the stands, it's sure to
be a crowd favorite!
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Shout It Out—arr. Doug Adams. Direct from the hit
movie "Drumline," this hip tune with the well-known riffs and
drum solos is sure to be a crowd-pleaser!
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Show Me How You Burlesque—arr. Jay Dawson.
A centerpiece of the motion picture "Burlesque," this chart
provides great material for assembling a fantastic production
for your horn line, percussion and dancers. This sassy
and upbeat jazz-swing tune is scored for small bands with
reduced instrumentation.
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Skyfall—arr. Jay Bocook & Omar Carmenates. Adele co-
wrote this award-winning song for the 2012 James Bond
movie "Skyfall." Mystery, adventure, excitement, and drama
are prevalent throughout this arrangement!
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Soul Bossa Nova—arr. Paul Murtha. Famously used
as the "Austin Powers" theme, this Quincy Jones hit from
1962 is more popular now than ever before! Sure to be
recognized by all, you'll have fun performing this game after
game. Yeah, baby, yeah!
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Spider-Man: No Way Home Main Theme—
Michael Giacchino/arr. Matt Conaway & Jack Holt. From the
blockbuster films "Spider-Man: Homecoming" and "Spider-
Man: Far From Home," this main theme by legendary
composer Michael Giacchino will make a powerful and
dramatic statement!
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Star Wars (Main Theme)—John Williams/arr. Mike
Story. One of the most recognizable movie themes ever is
arranged for maximum effect for any size band. Scored for
musical power and sonic impact, this arrangement will really
draw attention as it will make any band sound twice its size!
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Star Wars (Main Theme)/Rey's Theme—
John Williams/arr. Paul Murtha & Will Rapp. An important
chapter to the Star Wars saga was added with the release
of "Star Wars: The Force Awakens." Scored for reduced
instrumentation, bands of all sizes can experience the
incredible music from this epic series. This setting opens
with the resounding main theme contrasted by the distinctive
theme of the heroine Rey.
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Superman Opener—arr. Mike Story. The Man of
Steel made a triumphant comeback to the silver screen in
2006 with "Superman Returns." This arrangement of one
of John Williams' most beloved scores begins mysteriously
with the Planet Krypton theme, building to a huge push
before the powerful Superman Theme. A super opening to
your field show!
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Superman Theme—arr. Mike Story. Everyone will
instantly recognize this majestic march from the summer
blockbuster "Superman Returns!" It contains all of the Main
Title themes in a very playable arrangement!
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Surface Pressure—Lin-Manuel Miranda/arr. Paul
Murtha. Here is Luisa's hit song about the stresses of being
the strongest member of the family. Take this catchy hit to the
stands, field, or streets with this exciting arrangement from
Lin-Manuel Miranda's hit movie "Encanto!"
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This Is Me—arr. Jay Bocook. This show-stopping
hit from the award-winning soundtrack to "The Greatest
Showman" opens in a calm mood, giving your star trumpet
player the spotlight with a warm flugelhorn solo. From this
tranquil opening the arrangement builds steadily, developing
into an intense and engrossing dramatic closing statement.
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Time Warp—arr. Tom Wallace. A wild and wacky dance
tune from "The Rocky Horror Picture Show."
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We Don't Talk About Bruno—Lin-Manuel
Miranda/arr. Matt Conaway & Jack Holt. Ignite the stands
with the hit song from "Encanto" that has topped the charts.
Your students and the crowd will love this recognizable
and energetic salsa-inspired chart. You need this for the
upcoming football season!
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Wicked - Part 2—arr. Richard Saucedo. From the
hit Broadway musical, this production number includes a
light rock treatment of Dancing Through Life and a creative
setting of Defying Gravity. This arrangement has been skillfully
constructed to include musical contrasts and visual impact
points for the field.
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You're a Mean One, Mr. Grinch—arr. Doug
Adams. This popular song from the holiday animated classic
is presented here in an arrangement that really swings!
Whether you bring it on the field or use it in holiday parades,
it's a sure bet that the crowd is going to love it.
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You're Welcome—arr. Matt Conaway & Jack Holt.
Featuring a medium swing style and catchy melodies, this
song from the animated film is sure to be a popular change of
pace for any occasion. The jazzy arrangement is unforgettable
and is as much fun to play as it is to hear.
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You've Got a Friend in Me—arr. Paul Murtha &
Will Rapp. Based on the hard-hitting big band version in "Toy
Story 2," here is a swingin' arrangement of Randy Newman's
song for the field or stands. Effectively paced throughout,
this chart includes a brief trumpet solo and concludes with
a dynamic shout chorus.
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