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Orange Sherbert—Sammy Nestico. Originally
recorded in 1975 by Count Basie and titled
because Basie loved orange sherbert, this
fresh setting features easy registers, strong
jazz figures, and a bright, free swinging style. A
written or ad lib trumpet solo in the midsection
and an ensemble shout before the final chord
are highlights. The rhythm section parts are
notated with chords cued, and a guitar chord
chart is included.
2341741 Jazz Ensemble . . . . . . . . . . . . . 48.00
Second Line Sadie—Scott Stanton. Here
is a New Orleans-inspired chart that brings a
Dixieland feel to your group. There's a great
opportunity for open solos that begs for some
playful muted trumpet and swinging trombone.
This chart includes a clarinet part to complete the
setting. You will love it!
11402258 Jazz Ensemble . . . . . . . . . . . . . 52.00
Sing, Sing, Sing—Louie Prima/arr. Victor
Lopez. Yep, this is the Sing, Sing, Sing you
know and love, made famous by Gene Krupa
and the Benny Goodman Orchestra, only
arranged for young players by Victor Lopez. The
classic drum solo that can be opened up for as
much excitement as the crowd can stand, along
with a written-out tenor solo, reasonable brass
ranges and lots of meaty ensembles keep this
great chart exciting. It will also sound full with
reduced instrumentation or with the optional,
non-jazz band parts. It's still a showstopper!
Highly recommended!
2702806 Jazz Ensemble . . . . . . . . . . . . . 48.00
Stolen Moments—Oliver Nelson/arr. Mike
Kamuf. Every developing jazz ensemble should
play this chart! Mike Kamuf's arrangement
on this Oliver Nelson classic falls right in the
pocket at about 110 bpm. The iconic melody
is unforgettable and there are written or
improvised solos for alto sax and trumpet.
The lead trumpet range goes to G above
the staff and there are options for reduced
instrumentation. This is a fine chart for
almost any band at any ability level.
11199002 Jazz Ensemble . . . . . . . . . . . . . 50.00
M E D I U M
727 South Broad Street—Lars Halle. Let your
baritone sax player show off with this chart! This
swing tune with featured solo has a dark yet
curious feeling to it that your musicians will have
a great time playing.
11403531 Jazz Ensemble . . . . . . . . . . . . . 55.00
Alone Together—Howard Dietz & Arthur
Schwartz/arr. Mike Kamuf. A standard that really
hits the mark! It begins with a bass solo and a
trio of winds takes the head. The lead trumpet
range to written B above the staff, and there is
solo space for tenor with a sample solo provided.
The development section features trombones
plus the other sections as well. Optional parts for
vibes and flute. A first-class chart!
11355032 Jazz Ensemble . . . . . . . . . . . . . 52.00
Along Came Betty—Benny Golson/arr. Alan
Baylock. A real jazz classic, this chart kicks!
The features include a medium swing style,
a written or improvised solo for tenor sax,
meaningful ensemble passages, exceptional
soli lines, superb phrases, and a lead trumpet
range to written B-flat. An outstanding Benny
Golson jazz standard arranged to perfection!
Highly recommended!
10513907 Jazz Ensemble . . . . . . . . . . . . . 52.00
Belly Ache Blues—Peter Sciaino. This gritty
blues chart can really get down and dirty. This
chart is full of strong dynamic composition and
swinging patterns. Featuring a Trumpet solo with
plunger mute, and funky Alto Sax solo, this chart
will be a favorite for your band!
11393012 Jazz Ensemble . . . . . . . . . . . . . 50.00
Count Bubba—Gordon Goodwin/arr. Paul
Murtha. Paul Murtha has adapted this monster
chart from Gordon Goodwin's Big Phat Band to
an easier level while maintaining all the intensity
and drive of the original. The trombones take the
lead at the top followed by the trumpets then
saxes, until finally the entire ensemble cuts loose.
It includes suggested or improvised solos for
trumpet and alto saxophone. Exceptional sounds
for developing players! Highly recommended!
10052541 Jazz Ensemble . . . . . . . . . . . . . 45.00
Dat Dere—Bobby Timmons/arr. Erik Morales.
A soulful tune with a catchy title and melody! Erik
Morales captures composer Bobby Timmons'
medium swing groove. At a moderate tempo,
with a slightly mysterious intro, the saxes grab the
melody and it builds from there. A written (or ad
lib) alto solo is provided with a fat shout chorus.
This is an outstanding chart in every respect!
Highly recommended!
10277767 Jazz Ensemble . . . . . . . . . . . . . 52.00
25
BLUES & SWING
LOOKING FOR
PROGRAMMING
VARIETY?
Place your vocalist or a guest artist in the spotlight with these
outstanding new vocal solo features!
'Deed I Do—Walter Hirsch & Fred Rose/arr. Rick Stitzel. This appealing jazz standard is
a great way to feature your vocal soloist and liven up a concert. The style is medium swing,
the key is F, and every section of the band gets a chance to shine.
11401141 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
It's a Most Unusual Day—Jimmy McHugh & Harold Adamson/arr. Mark Taylor.
Although this tuneful standard has been recorded by a number of jazz artists through the
years, Beverly Kenney's 1957 version caught everyone's attention thanks to a television
commercial. This chart is perfectly paced with a feature spot for the full ensemble as well as
a short solo for tenor sax. Key of E-flat.
11401143 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
Practice (The Allen Iverson Interlude)—Matt Neil /arr. Jon C. Gardner. This comedic
vocal feature inspired by an interview with Allen Iverson will absolutely bring a smile to your
face. Full of energetic ensemble moments paired with well-paced call-and-response phrases
between the horns and vocalist, this arrangement is the perfect piece for any performance.
Don't miss this exciting selection!
11414955 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
Recipe for Romance—Charley Harrison. Here is a swinging chart for your advanced
ensemble to bring a smile to everyone! Feature a shining vocalist by cooking up this hot
Charley Harrison tune in the style of the classic Quincy Jones arrangements for Count Basie.
11377901 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A 50.00
Tomorrow (from "Annie" - Key of F)—Charles Strouse & Martin Charnin/arr. Mark
Taylor. Arranged here in a light rock style, this timeless song from the hit musical "Annie" is
sure to bring a smile. Perfectly scored to sound great, and a natural choice for a vocalist.
11401156 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
