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CONCERT MARCHES
Amparito Roca—Jaime Texidor/arr. Fagan. This
classic Spanish march has been expertly re-cast
in an authentic-sounding edition for younger
players. Brass ranges and the instrumentation
have been modified while all the charm and
energy of the original remain. A most welcome
addition to band repertoire.
10052942 Band Set & Score . . . . . . . . . . . 70.00
Ben Hur Chariot Race March—E.T. Paull/arr.
Geritt W. Davenport. This energetic march finds
its way to the young band stage as never heard
before! Great, playable march-style melodies
written for sections along with accessible rhythms
and ranges make this an excellent vehicle to
teach the traditional American form to young
concert bands. Add energy and excitement to
your concert program.
11414440 Band Set & Score . . . . . . . . . . . 75.00
Marche Diabolique—Brian Balmages. This
sinister-sounding march is perfect for directors
looking for something completely different.
Using elements from a traditional march set in
a contemporary framework, the music is based
on tritone intervals surrounded by expansive,
dark harmonic language. A wealth of percussion
adds great color to the unsettling character of the
music. Quite effective and intriguing!
10459831 Band Set & Score . . . . . . . . . . . 60.00
Mount Vernon Square—Joseph Compello.
Named after the location of Peabody
Conservatory, where the composer took his first
music theory classes, this traditional march offers
great opportunities to work on aspects of tempo,
articulation, and dynamics that are essential for
march interpretation. Every performer should
experience the classic march form, and this
new march which honors greats of the past is a
perfect opportunity to do just that. Program this
for concerts or as your required march for contest.
11399537 Band Set & Score . . . . . . . . . . . 65.00
Rough Riders—Karl L. King/arr. Swearingen.
What a terrific march at this level! Sometimes
termed a galop, this is one of King's easier
marches, and James Swearingen's edition for
modern concert band is right on the mark! Rough
Riders will make a great choice for concert,
festival or contest use, and is sure to be the hit of
your next performance.
2347037 Band Set & Score . . . . . . . . . . . 60.00
Spania! (Spanish March)—David Shaffer. A real
showstopper for developing bands! A delightful
and exciting Spanish march for developing bands
that's a real confidence builder and effective
teaching tool. Written in the classic paso doble
style, all sections have interesting parts to play in
this fiery original. A real winner!
2481432 Band Set & Score . . . . . . . . . . . 59.00
M E D I U M
2nd March from Gustave III (Act V)—Daniel
F.E. Auber/arr. John R. Bourgeois. Col. John R.
Bourgeois' arrangement is a powerhouse march
for the concert band! Written at an accessible
Grade 3.5, this march is sure to impress. As an
opener, closer, or mid-concert show-stopper, this
will be an audience favorite.
11411899 Band Set & Score . . . . . . . . . . . 95.00
American Legion (March)—Charles Wesley
Parker/arr. Van B. Ragsdale. The classic march
has been wonderfully rescored for more access-
ibility while maintaining the grandeur of the original.
11393489 Band Set & Score . . . . . . . . . . . 75.00
Amparito Roca—Jamie Texidor/arr. Winter.
The "Grand-daddy" of all Spanish marches! This
excellent work is unquestionably the epitome
of Spanish marches, and as such deserves an
active place in every good band library. Highly
recommended!
147512 Band Set & Score . . . . . . . . . . . 85.00
Brighton Beach—William P. Latham. This
standard of the repertoire is indeed a fine
example of the great tradition of concert marches.
If you have not yet performed it with your band,
you should definitely consider doing so. It's easy
to understand why it's been around for years, and
is still going strong!
4014841 Band Set & Score . . . . . . . . . . . 77.00
Circus Days—Karl L. King/arr. Loras Schissel.
Go ahead and sink your teeth into this rip-snortin'
circus galop! Loras Schissel's new edition
includes clear articulations for an accurate
"circus" style performance that will thrill your
audiences. And, if you prefer, Circus Days can
be performed at a regular march tempo and still
sounds great!
2378818 Band Set & Score . . . . . . . . . . . 65.00
El Relicario—Jose Padilla/arr. Longfield. One
of the most famous and best loved paso dobles
ever written, this classic band work from the rich
heritage of band literature is here presented in a
setting by Robert Longfield that reveals all of its
fiery rhythms and sweeping Spanish melodies,
yet keeps it in a quite playable framework. This is
a real winner!
2210813 Band Set & Score . . . . . . . . . . . 68.00
Espana Cani—P. Marquina/arr. Longfield. Fiery
rhythms and flowing Spanish melodies make this
one of the most famous of all the great "paso
dobles" and Robert Longfield's exceptional new
arrangement makes it real a showstopper for
band! From the opening trumpet fanfare to the
whirlwind finish, this is perfect programming for
high school groups, as well as community and
college bands. A real winner for both performers
and audiences!
2396307 Band Set & Score . . . . . . . . . . . 72.00
Homestretch Galop—Karl King/arr. Gene
Milford. This can be a march or a galop - it all
depends on the tempo your group can handle
and what your musicality tells you. It's another
magnificent work from the pen of an American
march master that will sparkle on any program.
11399785 Band Set & Score . . . . . . . . . . . 55.00
Trombone King—Karl L. King/arr. Paynter. The
word is out! Audiences love marches and bands
are playing them again! This is one of King's
favorites, made even better with John Paynter's
revised edition.
2125714 Band Set & Score . . . . . . . . . . . 65.00
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