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JAZZ
ENSEMBLE
18
Absolute Zero (Flexible Instrumentation)—Bob Turner. This modern
fusion, flexible instrumentation combo chart features two solo sections with
a written solo for trumpet 1 in the first section and a written solo for tenor
sax in the second section. Chords are written into all horn parts to allow for
open soloing by any player or you can simply play the chart as written and
find a great groove! Flexibility is the key to this chart. It can be played with
a 4, 5 or 6 horn ensemble and rhythm section. Additional horn parts are
included so it can be played with virtually any combination of horns.
10454489 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50.00
After You've Gone—Turner Layton/arr. Chris Sharp. This gaslight era
classic features written-out improv-type solos for two instruments and an
unforgettable shout chorus! Instrumentation is 2 tpts., 1 tbn. and 3 saxes
plus gtr., bs. drms. and pno. 4 alternate wind parts are provided as well for
flex instrumentation.
11401763 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 40.00
Agua y Arena—Steve Shanley/arr. Bob Turner. Check out this great
flexible combo chart that works really well for beginning players in your
ensemble. With its Latin groove and simple swing, this tune is a great
introduction piece for new members.
11399413 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
Be Cool—Bob Turner. This tune simmers on low - but don't let that fool
you. The melody is slick, and when set against the backdrop of the brass
hits you have a great chart that is accessible to many groups due to the
flexible combo instrumentation. There is a solo for tenor sax that is written
or can be improvised. Program this chart for some great variety in your next
program.
11208215 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50.00
Besame Mucho (Kiss Me Much)—arr. John Berry. This Latin favorite
arranged for small groups features flexible instrumentation options, easy
scoring and brief solos written into all the parts. The parts include: Part 1 -
Trumpet or Alto Sax; Part 2 - Alto Sax or Trumpet; Part 3 - Tenor Sax, Alto
Sax or Trombone; Part 4 - Trombone or Tenor Sax, plus Piano, Bass, Drums
and optional Guitar. Also included are suggested solos and scale/chord
sheets in all keys. Accessible for younger players!
10461412 Combo (Septet) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 30.00
First Funky Noel (Flexible Instrumentation)—Erik Sherburne/arr.
Bob Turner. This funky version of the holiday favorite The First Noel, with
its unique treatment of a holiday standard, is accessible to younger jazz
ensembles. Flexible instrumentation charts are written for up to six horns
and allow for the band director to mix and match the horn section to the
instrumentation that is available. Fifteen individual parts are included.
11206064 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50.00
Gettin' Funky on the Housetop—Erik Sherburne/arr. Bob Turner. Here
is a funky take on the holiday classic Up on the Housetop! Arranged for a
flexible jazz combo, this is a fun and grooving version that crowds will love.
11399414 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50.00
Gimme Samba Dat!—arr. Chris Sharp. This infectious latin tune features
a recurring full ensemble passage that really cooks! Instrumentation is 2
tpts., 1 tbn. and 3 saxes plus gtr., bs. drms. and pno. 4 alternate wind parts
are provided as well for flex instrumentation.
11401753 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
Hep Cat Blues (Flexible Instrumentation)—Bob Turner. This original
up-tempo blues chart is a great opener for any concert. This chart includes
an alto solo which can be played ad lib or as written. The flexible nature of
this arrangement will make it accessible to bands of many different sizes
and abilities - it includes 15 individual horn parts to make this possible. Get
your students playing the blues!
11206066 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 50.00
Hip Hip Hop—Steve Shanley/arr. Bob Turner. This flexible combo version
of a big band piece is a great choice for mixing up styles at your next
concert. It has a modern hip-hop sound that your students and audience
will love, and the writing lends itself to the needs of young ensembles. Great
ensemble writing and a solo section will make this an excellent opportunity
for your students. Hop on to the stage with this chart!
11354654 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
In Other Words—arr. Chris Sharp. Written over the same form as
Sinatra's Fly Me to the Moon, this one is a real toe-tapper with a classic
Swing feel! Instrumentation is for two trumpets, trombone, and three saxes
plus guitar, bass, drums, and piano.
11401759 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 35.00
It Don't Mean a Thing (If It Ain't Got That Swing)—Duke Ellington/
arr. Roger Holmes. Nicely scored for younger players, this Ellington classic
is great for small jazz groups. The instrumentation is flexible in four parts for
winds with piano, bass, drums and optional guitar.
2355204 Combo (Septet) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 30.00
H Jazz Combo Pak No. 1 (Jazz Standards)—arr. Roger Pemberton.
Roger Pemberton sets these four complete jazz classics in a three-plus horn
and rhythm section format. Titles include: On Green Dolphin Street; Bernie's
Tune; My Funny Valentine and Killer Joe. With performance flexibility in
mind, parts are included for Bb, Eb and C instruments plus Piano, Guitar,
Bass and Drums. This pak does not include a CD or Online Audio Access.
2079358 Combo (3-Plus Horns & Rhythm Section). . . . . . . . . .ME 50.00
Joy to the World (Flexcel Jazz Combo)—arr. Blair Bielawski. The Neal
Hefti composition Cute set the standard for soft and sophisticated ensemble
work in the winds with the drummer playing soloistic fills using brushes. This
arrangement of Joy to the World uses that style in a clever way to highlight
the ensemble and give your drummer a chance to show off their brush
technique. The chart is very playable and serves as a super introduction to
the lighter side of swing.
11318288 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45.00
Mano y Mambo—arr. Chris Sharp. This Latin mambo style has been on
the rise. This chart features a repeating ostinato in the piano that allows
the rest of the ensemble to dance around it. Written-out improv-type solos
are provided for two instruments. Instrumentation is for two trumpets,
trombone, and three saxes plus guitar, bass, drums, and piano.
11401769 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
Milestones—Miles Davis/arr. John Berry. Arranged here in a medium
swing style, this tune is a great way to introduce the music of Miles Davis
to young players. The modal style makes soloing easier, and it's a perfect
opportunity to get everyone involved.
11401281 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 30.00
Muy Caliente—Erik Sherburne/arr. Bob Turner. This chart is a good
grab if you have some developed players but perhaps not have a full
instrumentation. There is some great tutti writing, and its fast tempo will
provide some fire for your set! There is a trumpet solo either written or ad lib
and an exciting building section with lots of heat. Check it out!
11354656 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50.00
Now's the Time—Charlie Parker/arr. John Berry. This medium swing
standard by jazz master Charlie Parker gives even young players a great
opportunity to learn style and an introduction to improvising. Inexperienced
combo performers will have fun and enhance their playing skills while
learning to listen, phrase, and improvise in a small group environment.
Flexibly scored for four-plus horns, 3 rhythm and optional guitar, it's perfect
for available combinations of instruments. The included suggested solos
and chord/scale sheets will help novice soloists learn soloing skills. Here's a
great musical introduction to Charlie Parker!
10523770 Combo (Septet) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 30.00
Route 66—Bobby Troup/arr. John Berry. With notable recordings by
Nat King Cole and later The Manhattan Transfer, this tune is a part of our
musical and cultural heritage. This easy combo version features modest
ranges and short solos for parts 1 and 2. Mix and match the instrumentation
to fit your needs.
11401280 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 30.00
Salt Peanuts—John "Dizzy" Gillespie & Kenny Clarke/arr. Mark Taylor.
A true bebop classic from the 1940s, this Dizzy Gillespie standard has long
been a favorite with artists of every era. Your jazz combo will have fun with
this one!
11401279 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 40.00
Spain—Chick Corea/arr. Mark Taylor. One of the classics from jazz
master Chick Corea, Spain is a challenging piece to play, but important for
any advanced student of jazz. This combo setting is a perfect way to learn
this great tune!
11401277 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 40.00
The Squirrel from Pasadena—arr. Chris Sharp. A great pun on the
similarly named bossa nova classic, this chart will work for just about
any level of ensemble and is a great introduction for younger players.
Instrumentation is for two trumpets, one trombone, and three saxes,
plus guitar, bass, drums, and piano. There are also four parts for flexible
distribution.
11401755 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
Steppin' Out—Charlie Hill. This infectious minor blues chart is held
together with a consistent light rock beat. Written for a flexible four-part
wind combo with rhythm section, it's great for any pairing of performers you
have.
11401842 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 60.00
Swingle Bells—James Pierpont/arr. Chris Sharp. Reimagined as a
combo reduction of the well-known jazz ensemble chart, this version will be
the highlight of any concert program. Instrumentation is for two trumpets,
trombone, three saxes, guitar, bass, drums, and piano, plus four parts for
flexible expansion.
11401757 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
MUSIC FOR JAZZ COMBO
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