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CLASSICAL
Inverno (Scenes from Vivaldi's "Winter")—
Antonio Vivaldi/arr. Todd Parrish. This work
uniquely transforms the beauty of the second
movement of Vivaldi's famous "Winter" concerto
and weaves it into the excitement of the first
movement. The perfect selection for your
winter concert!
10444015 String Orchestra . . . . . . . . . . . . . 50.00
10444016 Additional Score . . . . . . . . . . . . . 10.00
Rondeau (from "Abdelazer Suite")—Henry
Purcell/arr. Deborah Baker Monday. The famous
theme from Purcell's Rondeau, also well-known
from Britten's use in The Young Person's Guide
to the Orchestra, is expertly arranged to engage
all sections of the orchestra while staying true to
the original. A perfect addition at any point in the
concert without overly taxing the orchestra yet
still offering a tremendous sound.
11399670 String Orchestra . . . . . . . . . . . . . 65.00
11399671 Full Score . . . . . . . . . . . . . . . . . . 10.00
The Sleigh Ride (from Three German
Dances, K. 605)—W.A. Mozart/arr. Ken Selden.
A brilliant, accurate, and very playable adaptation
for young string orchestra of the classic Mozart
masterpiece. With meticulous editing of bowings
and fingerings, your ensemble will gain invaluable
experience playing in the classical style.
11393525 String Orchestra . . . . . . . . . . . . . 55.00
11393526 Additional Score . . . . . . . . . . . . . . 7.00
M E D I U M
Allegro (from Symphony No. 5, Op. 67)—
Ludwig van Beethoven/arr. Brian Holmes. Give
your students the opportunity to learn Romantic-
era playing techniques as well perform some of
the most beloved classical literature from one
of its greatest composers. This very authentic
transcription captures all of the spectacle and
grandeur of the original. Timpani is optional but
highly recommended.
11393541 String Orchestra . . . . . . . . . . . . . 60.00
11393542 Additional Score . . . . . . . . . . . . . . 7.00
Allegro for Double Orchestra (from the
Responsory Domine ad adjuvandum me
festina)—Antonio Vivaldi/arr. Robert Sieving.
This exceptional arrangement will give more
developed string musicians a broader knowledge
of the classical repertoire as well as experience
with Baroque-style playing techniques.
11402155 String Orchestra . . . . . . . . . . . . . 55.00
11402183 Additional Score . . . . . . . . . . . . . . 9.00
Allegro Presto from Symphony No. 2—
Joseph Bologne, Chevalier de Saint-Georges/arr.
Deborah Baker Monday. Spotlight one of the first
known classical composers of African ancestry
with this incredible arrangement showcasing
the music of Bologne, a Black contemporary
of Mozart. Developing string players will be
introduced to classical-style playing. Upper
strings reinforce half position while cellists
reinforce extensions. An outstanding choice!
11349012 String Orchestra . . . . . . . . . . . . . 55.00
11349013 Additional Score . . . . . . . . . . . . . . 6.00
Ballet No. 6 (from L'Amant Anonyme)—
Joseph Bologne, Chevalier de Saint-Georges/arr.
Jennifer Meckler. In this orchestral excerpt from
Joseph Bologne's only surviving opera, L'Amant
Anonyme (The Anonymous Lover), students will
learn how to play in the Classical-era style, 6/8
meter at a prestissimo tempo, ternary form, and
more. The cello part includes a number of viola
cues that can be helpful if there is a smaller viola
section in the ensemble. First violin, second violin,
and viola parts are entirely in first position but
require extended fingerings.
11402303 String Orchestra . . . . . . . . . . . . . 50.00
11402304 Additional Score . . . . . . . . . . . . . 10.00
Brandenburg Concerto No. 3 (First & Second
Movements, abridged)—J.S. Bach/arr. Merle
J. Isaac. An excellent work for string orchestra!
Perfect for both rehearsal and performance, this is
a superb selection to develop confidence in each
section and in each individual player. Recorded
by the Michigan State University Orchestra on
the CD Teaching Music Through Performance in
Orchestra, Volume 1 - Pepper #5973728.
2007599 String Orchestra . . . . . . . . . . . . . 62.00
4955910 Additional Score . . . . . . . . . . . . . 10.00
Carnival Overture—Antonin Dvorak/arr. Carrie
Lane Gruselle. The energy and excitement of this
thrilling overture are exquisitely captured in an
approachable setting for intermediate orchestra!
Equally suited as an opener, closer, or anything
in between, your students will shine without
being pushed too much technically. An incredible
balance between the grandeur of the original and
the pedagogical needs of directors.
11399638 String Orchestra . . . . . . . . . . . . . 70.00
11399639 Full Score . . . . . . . . . . . . . . . . . . 10.00
Concerto Grosso, Op. 3 No. 5—George
Frederic Handel/arr. Steven Frackenpohl.
Bring this classic center stage with this great
arrangement for string orchestra. An excellent
opportunity to teach Baroque playing techniques
as well as expand your musicians' knowledge of
Baroque repertoire.
11403526 String Orchestra . . . . . . . . . . . . . 56.00
11403553 Additional Score . . . . . . . . . . . . . . 7.00
Polka from Czech Suite—Antonin Dvorak/
arr. Robert D. McCashin. Drawn from Dvorak's
famous Czech Suite, this delightful arrangement
perfectly captures the personality of the original
while making the piece accessible to medium-
level orchestras. Predominantly in a minor key
with a festive, short, and lively trio in the major
mode, this work is sure to be enjoyed by all!
11399666 String Orchestra . . . . . . . . . . . . . 65.00
11399667 Full Score . . . . . . . . . . . . . . . . . . 10.00
Symphony No. 1—Joseph Bologne/arr. Todd
Parrish. One of only two symphonies Bologne
composed during his time in France, this work
reflects the influence of his teachers and fellow
composers in the burgeoning Classical period.
This joyful Allegro features a spirited theme that is
developed mainly in the violin section, supported
by the lower strings. Originally scored for two
oboes, two horns, and strings, this approachable
arrangement for string orchestra retains the
original key while seamlessly blending the wind
and string parts.
11401222 String Orchestra . . . . . . . . . . . . . 60.00
11401223 Additional Score . . . . . . . . . . . . . . 9.50
Symphony Op. 11, No. 2 (II. Andante &
III. Presto)—Joseph Bologne, Chevalier de
Saint-Georges/arr. Jennifer Meckler. The two
movements of this symphony are to be performed
attacca, with no pause in between. The Andante
movement features a lyrical melody that is first
heard in the violins and then echoed by the violas,
cellos, and basses. The first violin part requires
shifting as high as third position, and fingering
suggestions are included. The second violin part
is active and requires strong players; however,
there is no shifting involved. Both movements
should use tapered phrasing and light, clean, off-
the-string bow strokes. The cello part includes a
number of viola cues that can be helpful if there is
a smaller viola section in the ensemble.
11402325 String Orchestra . . . . . . . . . . . . . 55.00
11402326 Additional Score . . . . . . . . . . . . . 11.00
Waltz No. 2—Dimitri Shostakovich/arr. Paul
Lavender. Shostakovich's waltz has become an
international icon, made popular by artists like
Andre Rieu and heard prominently in Stanley
Kubrick's final film, "Eyes Wide Shut." Taken from
Shostakovich's "Suite for Variety Orchestra," Paul
Lavender's skillful adaptation is ideally suited for
both serious and light programming.
10081471 String Orchestra . . . . . . . . . . . . . 55.00
10095995 Additional Score . . . . . . . . . . . . . . 5.00
See works performed at the recent Midwest Band and
Orchestra Clinic by going to jwpepper.com/midwest
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