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CLASSICAL
Habanera (from "Carmen")—Georges Bizet/
arr. Richard Meyer. This authentic-sounding and
playable arrangement from "Carmen" lets your
students perform one of the most familiar scenes
from the famous opera. Well-scored throughout
with detailed articulations, bowings, and multiple
percussion parts, this piece is perfect for contest
or the concert stage.
11202668 Full Orchestra . . . . . . . . . . . . . . . 60.00
11202669 Additional Score . . . . . . . . . . . . . . 9.00
Romeo and Juliet Overture—P.I. Tchaikovsky/
arr. Richard Meyer. Enjoy this beautiful
arrangement of the beloved and classic overture
perfectly set for early full orchestra. Includes all
the familiar themes from the original masterpiece.
10594961 Full Orchestra . . . . . . . . . . . . . . . 59.00
10594962 Additional Score . . . . . . . . . . . . . . 9.00
Symphony No. 36, the "Linz"—W.A. Mozart/arr.
Richard Meyer. The "Linz" symphony is included
among Mozart's best. The first movement is
cheerful and buoyant in mood yet retains an air
of dignity and poise reflective of a true master of
the genre. Richard Meyer's arrangement of this
classic symphony is carefully arranged to work
well with your full orchestra.
10594971 Full Orchestra . . . . . . . . . . . . . . . 59.00
10594972 Additional Score . . . . . . . . . . . . . . 9.00
Symphony No. 5 Finale—Peter Ilyich Tchai-
kovsky/arr. Richard Meyer. One of the grandest
works in all of symphonic literature, this
finale from Tchaikovsky's "Fifth Symphony"
is positively electrifying! All of the colors
and moods of the original are retained in this
exciting arrangement that is sure to challenge
every section of your orchestra. This is a great
way to introduce your student musicians to a
19th century masterwork, and the quintessential
closer to any concert!
10280411 Full Orchestra . . . . . . . . . . . . . . . 59.00
10280412 Additional Score . . . . . . . . . . . . . . 9.00
Theme from Swan Lake (Opus 20a, No.1
Scene)—Piotr Ilyich Tchaikovsky/arr. Chris M.
Bernotas. The accessible full orchestra arrange-
ment of this timeless theme that you have been
waiting for! Whether performed as a string
orchestra alone or with any combination of
winds (including alto sax) all the way up to a full
orchestra, young players will get to experience
the emotion and brilliance of this masterpiece!
11354954 Full Orchestra . . . . . . . . . . . . . . . 70.00
11354955 Additional Score . . . . . . . . . . . . . . 9.00
Themes from "Scheherazade"—Nikolai
Rimsky-Korsakov/arr. Richard Meyer.
Rimsky-Korsakov's famous symphonic suite
"Scheherazade" has been a staple of the
symphonic literature since it was written in
1888. Now your younger students can enjoy
the Russian master's colorful orchestrations
and imaginative themes in this "true-to-the-
original" arrangement that takes just five
minutes to perform. Included are The Sultan's
Theme, Scheherazade's Theme (for solo violin),
and the themes from "The Story of the Kalendar
Prince" and "The Young Prince and the
Young Princess."
10092534 Full Orchestra . . . . . . . . . . . . . . . 59.00
10092540 Additional Score . . . . . . . . . . . . . . 9.00
M E D I U M
1812 Overture—P.I. Tchaikovsky/arr. Jerry
Brubaker. Maintaining all of the excitement and
pageantry of the original, this work has been
paired down to six and half minutes. Best known
for its climactic volley of cannon fire, ringing
chimes and brass fanfare, this piece is perfect for
a bicentennial celebration in 2012. You'll have to
hear it to believe it!
10310481 Full Orchestra . . . . . . . . . . . . . . . 73.00
10310482 Additional Score . . . . . . . . . . . . . . 8.00
Amadeus (from Symphony No. 25)—W.A.
Mozart/arr. Jamin Hoffman. Symphony No. 25
begins with one of Mozart's most recognized
themes, as heard in the classic Oscar-winning
film "Amadeus." Hoffman has placed the first
movement in an accessible, practical format
that can be performed by school orchestras
with confidence.
10062533 Full Orchestra . . . . . . . . . . . . . . . 65.00
10084749 Additional Score . . . . . . . . . . . . . . 5.00
Bacchanale (from "Samson and Delilah")—
Camille Saint-Saens/arr. Merle Isaac. This
haunting Saint-Saens theme is a favorite of
audiences everywhere and is a great change
of pace on any program.
2143592 Full Orchestra . . . . . . . . . . . . . . . 69.00
2335644 Additional Score . . . . . . . . . . . . . 10.00
Graduation Suite—Edward Elgar & Jean-Joseph
Mouret/arr. Michael Story. A must for any regal
ceremony. The traditional Pomp and Circumstance
March No. 1 has been scored for young full
orchestra or strings alone. The famed processional
is followed by the majestic recessional Rondeau
from Premiere Suite. An outstanding graduation
choice for any level orchestra performing without
graduating seniors. A necessary and welcome
arrangement for every library. (3:45)
11400526 String or Full Orchestra. . . . . . . . 60.00
11400527 Additional Score . . . . . . . . . . . . . . 9.00
The Holberg Suite—Edvard Grieg/arr. Victor
Lopez. With string parts as close to the original
as possible, this full-orchestra arrangement of two
movements from Grieg's Holberg Suite is superb!
It may be performed by string or full orchestra,
and, for ultimate flexibility, each movement can
be performed alone. Featuring the Sarabande and
the Gavotte, careful attention has been paid to
maintain the original intentions of the composer.
10594781 Full Orchestra . . . . . . . . . . . . . . . 73.00
10594825 Additional Score . . . . . . . . . . . . . 10.00
Jupiter - Bringer of Jollity (from "The
Planets")—Gustav Holst/arr. Vernon Leidig. This
magnificent work by Gustav Holst is scored in a
very playable arrangement for school orchestras.
2155315 Full Orchestra . . . . . . . . . . . . . . . 73.00
4957247 Additional Score . . . . . . . . . . . . . . 9.00
Pomp and Circumstance (Military March
Op. 39, No. 1)—Edward Elgar/arr. John Whitney.
This marvelous, flexible arrangement of Elgar's
famous processional march is so versatile, you'll
want to use it every year! All the strings can
remain in first position, double stops may be
divided, repeats can be optional, and it works
equally well with full orchestra or just strings and
piano. Highly recommended!
10092290 String or Full Orchestra. . . . . . . . 59.00
10092291 Additional Score . . . . . . . . . . . . . . 7.00
Symphony No. 7 (2nd Movement)—Ludwig
van Beethoven/arr. Richard Meyer. This theme
and variations from Beethoven's Seventh
Symphony is one of the most famous slow
movements in the entire symphonic repertoire.
Due to its somber minor key and quiet rhythmic
pulse, it has been likened to a procession through
the catacombs. Your students will love the wide
variety of emotions included here. Every section
plays an integral role in the slow and mysterious
unfolding of Beethoven's masterpiece.
Percussion parts for four players have been
tastefully added to the original. (5:15)
11400620 Full Orchestra . . . . . . . . . . . . . . . 60.00
11400621 Additional Score . . . . . . . . . . . . . . 9.00
M E D I U M - A D VA N C E D
& A D VA N C E D
Academic Festival Overture, Op. 80—
Johannes Brahms/arr. Louis Bergonzi. One of
Brahms' most performed works, this "very
boisterous potpourri of student songs"
(J. Brahms) is now playable by strings, or strings
with any combination of wind and percussion
instruments up to full symphonic instrumentation.
Students and audiences will enjoy its tunefulness,
Brahms' compositional craft, and the grand
ending. If you have just a string orchestra, try
to add at least the percussion parts. Special
notation is included to work on consistency of
bow lifts, bow placement, and phrasing.
10739913 String or Full Orchestra. . . . MA 73.00
10739914 Additional Score . . . . . . . . . . . . . 11.00
An American in Paris Suite—George
Gershwin/arr. John Whitney. Don't miss this
one! Gershwin's original suite, some 17
minutes in length, is often too cumbersome to
program. This version, edited and condensed
down to 7 minutes, is your solution! Staying
true to the original, it's a wonderful display of
Gershwin's rich and evocative orchestral writing.
Recommended for mature school orchestras and
community orchestras!
2440956 Full Orchestra . . . . . . . . . . . MA 80.00
5912597 Additional Score . . . . . . . . . . . . . 11.00
Berceuse and Finale (from "The Firebird
Suite")—Igor Stravinsky/arr. Merle Isaac. Here
is a classic arrangement being made available
to a new generation of students! The beautiful
Berceuse and exciting Finale of Stravinsky's
"Firebird Suite" are fantastic works of music and
will also be recognized as the climactic finale to
Disney's "Fantasia 2000!" Isaac's meticulous
arranging includes written cues for vital solos
to ensure playability and success. Give your
orchestra the chance to play this masterwork!
129064 Full Orchestra . . . . . . . . . . . MA 69.00
4981973 Additional Score . . . . . . . . . . . . . 10.00
Hoe Down (from "Rodeo")—Aaron Copland.
Here's the original full orchestra version of the
finale of Copland's "Rodeo."
973776 Full Orchestra . . . . . . . . . . . . A 80.00
2428340 Additional Score . . . . . . . . . . . . . 13.95
Peer Gynt Suite No.1, Op. 46—Edvard Grieg/
arr. Chris M. Bernotas. A stunning arrangement
of the incredible masterwork! Perfect for string
orchestra alone or with added instruments up to
full orchestra. This setting offers the opportunity
to explore the entire suite. All four movements are
presented in approachable keys and are abridged
to the perfect length and difficulty level for your
next concert. Playable as a full suite or as separate
movements: I./II. Morning Mood/Ase's Death; III.
Anitra's Dance; IV. In the Hall of the Mountain King.
11400582 Full Orchestra . . . . . . . . . . . MA 75.00
11400583 Additional Score . . . . . . . . . . . . . 10.00
Rhapsody in Blue—George Gershwin/arr.
Jerry Brubaker. Finally, this classic work is
now available for full orchestra, with or without
piano! All solo piano parts are covered within the
orchestra but can also be played with a soloist.
One of the most popular concert works ever,
this transcription for full orchestra will be a new
favorite. It's seven minutes long and includes
all the major themes - for the advanced or
community orchestra!
10032785 Full Orchestra Piano opt. . . MA 75.00
10032786 Additional Score . . . . . . . . . . . . . . 9.00
Symphony No. 5 Finale—Dimitri Shostakovich/
arr. Stephen Bulla. One of the most notable
movements from Dimitri Shostakovich is
transformed into this superb new edition that is
well within the reach of most orchestras. Stephen
Bulla's arrangement is appropriately truncated
and carefully altered with key, range and
technique, with orchestration considerations for
today's school, festival and regional orchestras.
10042883 Full Orchestra . . . . . . . . . . . MA 95.00
10054684 Additional Score . . . . . . . . . . . . . 10.00
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