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United—Michael Engelhardt. "We are united as
one. We stand for harmony and love. You are
invited to come on and join with us." Written in an
upbeat gospel style, this inclusive piece joyfully
expresses the idea that when we are united, we
make a better way together. Rhythmic and full of
vitality, it will make an excellent concert opener or
closer and will be fantastic for large choir events
and festivals.
11415511 SATB . . . . . . . . . . . . . . . . . ME 2.80
Veni, Sancte Spiritus—Dan Davison. An
original work in a neoclassical style, this offers the
opportunity for younger choirs to sing this Latin
text in a polished and mature style that will help
them sound amazing! In a variety of voicings, all
of which are really just two parts, this accessible
piece is sure to impress at concerts or festival
performances.
11397058 SAB SA(T)B or Two-Part
Mixed (opt. tenor) . . . . . . . ME 2.50
11394023 SA . . . . . . . . . . . . . . . . . . . ME 2.50
11396481 TB . . . . . . . . . . . . . . . . . . . ME 2.50
Vox—Greg Gilpin. Part vocalise, part warm-up,
part novelty, part concert opener - all this and
more in this flexibly fun piece! Explore a variety of
vocal textures and articulations, all on nonsense
syllables that layer and combine to be fun to sing
for all. A perfect opener, use as a processional,
add some movement, percussion, or the optional
piano accompaniment - whatever works for your
ensemble - and enjoy celebrating the voice!
11393380 SAB opt. Piano Accomp. ME 2.05
11393381 SSA opt. Piano Accomp. ME 2.05
11393344 Multi-Song Accomp. CD . . . . 44.99
We Are Held—Susan LaBarr & Jim Wilson. In
times of trial, there is great comfort in being held.
Robert Bode's encouraging text reflects upon the
ways in which all things are held together. The
gentle ballad setting is lyrical and approachable,
and allows space for the emotion of the text to
shine through for either concerts or services.
11392535 SATB . . . . . . . . . . . . . . . . . ME 2.85
We're More Alike, Than Unalike—Rollo
Dilworth. In her poem Human Family, Maya
Angelou teaches us the importance of recognizing
and respecting differences while celebrating our
common humanity. This gospel setting of these
words uses dissonance, consonance, and unison
lines to portray the text musically, while bringing
excitement and joy in the process.
11415872 SSAA . . . . . . . . . . . . . . . . . . M 2.60
We Are One—Aaron Edson & David Osmond/
arr. Masa Fukuda. Even in a world where there are
so many opinions of what is right and wrong, we
can be united in speaking out against injustice.
Beginning with an inspirational solo, this moving
song is a beautiful expression of this message.
11176120 SSAT with solo . . . . . . . . . ME 3.50
11176119 SA with solo . . . . . . . . . . . ME 3.50
11373980 Unison/Two-Part without solo,
Key of B-flat . . . . . . . . . . . ME 3.50
11176121 Full Score . . . . . . . . . . . . . . . . 15.00
We Shall Not Be Moved—arr. Adam Podd &
Matt Podd. This well known spiritual and civil
rights song is a soulful anthem for both sacred
and secular occasions. It is easy to learn, and
powerful to sing. The accompaniment sets the
tone right from the top with a grounded gospel
feel bringing strength and soul to your choir's
performance. This stirring arrangement also
offers an opportunity for communal singing with
your audience or congregation, if you so choose.
11416247 SATB divisi . . . . . . . . . . . . ME 2.50
11416248 SAB divisi . . . . . . . . . . . . . ME 2.50
11416250 Two-Part opt. divisi. . . . . . ME 2.50
11416251 Unison opt. divisi . . . . . . . ME 2.50
11416249 SSA divisi . . . . . . . . . . . . . ME 2.50
11416252 Instrumental Parts Bass,
Drums, Percussion . . . . . . . . . 15.00
We Sing the Mighty Power of God (Brothers,
Let Us Sing!)—arr. Brent Wells. This triumphant
arrangement of the beloved hymn tune
ELLACOMBE is a wonderful selection for tenor-
bass choirs. With an exciting piano four hands
accompaniment and percussion, the mixed meter
brings rhythmic vitality and the contemporary
harmonic colors bring freshness and a beautiful
sonority. With a full set of alternative secular
lyrics about the joy of singing together, it can be
used as a concert piece or as an element of your
worship service.
11415513 TTBB with Piano Four Hands
and Percussion . . . . . . . . . . M 3.20
We'll Rise Above—Jeannine Lasky & Masa
Fukuda. "We'll rise above, seize the highest
dream. We'll lift our heads up high, move the
sky, embrace our destiny!" This song of hope
reaffirms the potential we all have to rise above
the negative and reach for something better.
A strong statement of unity and purpose,
perfect for graduation, moving-on ceremonies,
or final concerts!
11176128 SATB . . . . . . . . . . . . . . . . . ME 3.50
11373982 Unison/Two-Part. . . . . . . . ME 3.50
Were You There?—arr. Brandon Waddles. Here
is an elegant a cappella arrangement of this well-
known traditional spiritual that combines gentle
and evocative harmonies while moving toward a
heartfelt statement at the very end. It will work
well in both worship services and in concert.
11417092 SATB . . . . . . . . . . . . . . . . . ME 2.75
What a Fellowship (Leaning on the Ever-
lasting Arms)—David M. Cherwien. By whatever
title you choose - What a Fellowship or Leaning
on the Everlasting Arms - this 19th-century gospel
classic is sure to please singer and listener alike.
The choral parts are rooted in the old Tabernacle
Hymns style with echoing lines in the refrain and
tightly knit vocals. Your pianist will have great fun
playing the stylized piano with walking bass line.
A great choice for worship or concert.
11394814 SAB . . . . . . . . . . . . . . . . . . ME 2.25
Where the Light Begins—Susan LaBarr.
"Perhaps it does not begin. Perhaps it is always.
... Perhaps this day the light begins in us." Jan
Richardson's rich and universal text is set with
an equally compelling and musically sensitive
setting that connects with singers of all ages.
Approachable vocal lines and a supportive,
steady accompaniment ensure ease of learning
and allow for meaningful performances.
11392537 SATB . . . . . . . . . . . . . . . . . ME 2.85
11174706 SSA . . . . . . . . . . . . . . . . . . ME 3.00
Wishing Star—Beth Bolton/arr. Laura Farnell.
"Shining and shimmering up in the sky..." this
text is reminiscent of the Star Light, Star Bright
nursery rhyme. The use of Mixolydian mode
and compound meter create a sense of longing
with an endearing, whimsical quality. Choirs will
appreciate the independence of line that creates
the beautiful quality of this concert piece.
11397075 Two-Part Mixed/
Opt. Alto or SAB . . . . . . . . ME 2.25
10846390 Two-Part . . . . . . . . . . . . . . ME 1.95
The World Will See—Kyle Pederson. Written
with and for a high school choir in 2020, this
original work employs an optimistic and inclusive
text that celebrates unity and love with the power
to change the world. With a modern musical
theatre feel and optional solo lines in the verses,
the chorus and bridge rock with a groovy youthful
vibe that is fun to sing. Great as a choir theme
song or an ideal closing number!
11410689 SATB . . . . . . . . . . . . . . . . . ME 2.30
Ya Basta!—Val Regan. This selection sets
the traditional South American Spanish text to
original music. Fun to sing with optional claves
and clapping, this piece will be the hit of any
concert!
11412650 SATB . . . . . . . . . . . . . . . . . ME 3.00
Your Song—Mark Burrows. "Your song is my
very heart." Penned for a daughter's graduation,
this beautiful metaphor describes a cherished
loved one as a song with qualities such as hope,
healing, laughter, and love. Easily learned, this
sweet song is both elegant and simple - it will
add a tug on the heartstrings at any concert,
graduation, or moving-up occasion.
11393383 SATB . . . . . . . . . . . . . . . . . . .E 2.05
11393384 Three-Part Mixed . . . . . . . . .E 2.05
11393385 Two-Part . . . . . . . . . . . . . . . .E 2.05
11393344 Multi-Song Accomp.CD . . . . . 44.99
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