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A Patch of Light
Jacob Narverud.
"Come, let us be a patch of light for the aching world, and let our
song forever be a patch of light for all to see." Written in a popular
song style that appeals to singers and audiences alike, this work
contains an empowering message of inclusion, unity, and hope. With
solo opportunities and optional instrumentation for strings, synthesizer,
bass and drums, this powerful piece is appropriate for any ensemble
and any occasion.
11201732 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
11201733 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
11415385 Two-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
11204230 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
11201734 SSA or SSAA. . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
11201735 TTBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
Pie Jesu Domine Victor C. Johnson.
This earnest, haunting setting of the familiar Latin text includes
sensitive, skillful part-writing and seamless interplay between the
voices and accompaniment. An outstanding piece for a mixed choir of
any size, it also includes a beautiful part for optional cello.
11416982 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.45
Psalm 148
(from "Hallelu Yah: Three Psalms of Praise")
Dan Forrest.
Triumphant strains of "Hallelu-Yah" wind and dance through various
meters as they build in rhythmic excitement and texture. A contrasting
middle section offers quiet lyrical reflection before resuming the
exuberance of the opening motive as the piece moves to a joyful
conclusion. Standing alone, or as the opening movement of the
work "Hallelu Yah: Three Psalms of Praise." this is a work worthy of
inclusion in concerts and services.
11416629 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 2.75
11416922 Full Score & Percussion Part . . . . . . . . . . . . . . . . M 2.75
Psalm 150
(from "Hallelu Yah: Three Psalms of Praise")
Dan Forrest.
An exhilirating accompaniment for piano with optional percussion
frames this dance in compound meter that proclaims, "Let everything
that has breath praise the Lord" and "Hallelu Yah." Divisi harmonies
and lilting choral lines weave through the exciting texture to a dynamic
conclusion. As a stand-alone piece, or as the third movement of
the ten-minute work "Hallelu Yah: Three Psalms of Praise," this is a
glorious addition to your concert or service.
11416631 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 2.75
11416924 Score & Percussion Part . . . . . . . . . . . . . . . . . . . . 2.75
The Rainbow Ruth Morris Gray.
Christina Rossetti's charming poem is set for two- or three-part
treble voices of any age. The polyphonic choral writing is simple yet
sophisticated, colorful yet clear. A lovely choice for developing lyricism
and expression in your choir.
11413704E Two-Part or SSA ePrint . . . . . . . . . . . . . . . . . . . . E 2.05
Scapulis Suis
Mark Burrows.
For the more advanced treble choir, this setting of a psalm of hope
calms and satisfies the soul, bringing comfort to the listener. With a
lovely ethereal quality, the beautiful harmonic writing and accessible
ranges afford treble choirs of all sizes opportunities to express
compassion and empathy.
11410889 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 2.25
Love Will Rise Again
Mark A. Miller.
"I won't give up on you. Don't give up on me ... We'll hold each other
to the light, and we will see this through." This inspirational anthem of
unity, togetherness, and resilience is a strong statement for our times.
Written as a memorial to promote inclusion, this choral piece will find
a welcome home in a variety of general and sacred settings.
11396789 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.90
Measure Me, Sky!
Elaine Hagenberg.
Leonora Speyer's inspirational poem encourages singers to take
hold of their limitless potential. Ascending vocal lines stretch across
a driving accompaniment as if reaching out to grasp the expanse
depicted in the lyrics. Building through key changes and motives, it
arrives at its final brilliant chord, reflecting "Loveliness, wings for my
flight"! A thrilling concert work for more advanced choirs.
11416229 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 2.85
My Song in the Night
arr. Elaine Hagenberg.
This captivating arrangement highlights the elegant sensitivity of the
traditional American folk hymn. As the melody gently drifts through
each vocal part, a newly composed refrain gracefully soars over a lush
piano accompaniment. Finally, a shimmering tapestry of descending
lines brings the piece to a restful and contemplative conclusion.
11416228 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.85
Orion
Susan LaBarr.
Comparing the constellation Orion to the strength that we can find
in times of trial, poet and composer Faith Zimmer's text empowers
singers to find their inner worth. The choral setting for treble choirs
shimmers with elegant harmonies and singable melodic lines that
capture the wonder, mystery, and ultimate triumph of the human
spirit. An exceptional choice for winter or general programming.
11415507 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 3.10
Our Birth Is But a Sleep
Michael John Trotta.
William Wordsworth's text shimmers in this a cappella setting with
poignant imagery and gently moving clusters and suspensions in the
harmony. "Our birth is but a sleep and a forgetting: the Soul that rises
with us, our life's Star, hath had elsewhere its setting, and cometh
from afar."
11415268 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 2.90
Oy Khodyt Son
arr. Sarah Martinez.
A beautiful lyrical selection, this arrangement of a traditional Ukrainian
lullaby offers both flexibility and the opportunity to study the language,
culture, and style. With options to perform a cappella or accompanied,
with or without soloists, and with an optional narration that expresses
the text in English, it is easily learned and accessible to choirs of
all ages. Both phonetic and IPA pronunciation guides appear in the
octavo, and there is also a free pronunciation video available.
11415525 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.05
11415526 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.05
11415527 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.05
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