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CONCERT & FESTIVAL
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In His Hands—arr. Tim Osiek/ed. Dan Forrest.
Gentle piano gestures underscore a new melody
for the traditional spiritual's words of comfort
and assurance, "He's got the whole world in His
hands." Choir and audience alike will be assured
of God's comfort, love, and protection by this
folk-like setting.
11395403 SATB . . . . . . . . . . . . . . . . . . M 2.25
In Love with You—Alec Powell. Melodically,
rhythmically, and lyrically rich, this original selection
expresses the way the world looks different when
one is falling in love. Leaning into a neo-Broadway
style, the composer, also known for the viral hit
"Ratatouille: the TikTok Musical," presents a
unique style that paints a beautiful picture.
11392448 SATB divisi . . . . . . . . . . . . . M 3.10
Inveniam Viam—Ryan Main. When legendary
Carthaginian general Hannibal was told that
his endeavor was impossible, this was his
response: "I will either find a way or make one."
This text, set here in Latin, is brimming with
confidence and determination that is mirrored
in the driving musical setting. Easy to learn and
impressive in performance, this is a showpiece
that choirs will love!
11370392 SATB . . . . . . . . . . . . . . . . . ME 2.95
11374072 SSAB. . . . . . . . . . . . . . . . . ME 2.95
11374074 SAB . . . . . . . . . . . . . . . . . . ME 2.95
11374073 SSA . . . . . . . . . . . . . . . . . . ME 2.95
11374075 TTB . . . . . . . . . . . . . . . . . . ME 2.95
The Island Itself—Sarah Quartel. This is an
homage to Omey, in County Galway, Ireland,
done in a modern Celtic and contemporary a
cappella style. With background harmonies that
weave and flow around the melody, the vocal
movement imitates a water current, carrying the
listener through this lovely piece.
11415045 SSAATTBB . . . . . . . . . . . . . M 4.25
A Joyful Sanctus—Cristi Cary Miller. Here's
an exciting piece with a compelling melody
perfect for the developing choir. The simple Latin
phrases and syncopated rhythms keep singers
excited and focused while bringing energy and
enthusiasm to every performance. A terrific
selection for a concert or festival opener!
11412524 Three-Part Mixed . . . . . . . ME 2.35
11412526 Two-Part . . . . . . . . . . . . . . ME 2.20
Jubilate Deo! Alleluia!—Michael Praetorious
& Cristi Cary Miller. Based on the well-known
Jubilate Deo canon, this accompanied setting
adds a new B section melody to create a glorious
concert opener or festival selection for younger
choirs. The simple Latin text will allow singers the
opportunity to practice unified vowel shapes to
help create a more mature sound, and the layered
canon will be easy for singers to learn yet sound
sophisticated and exciting.
11368140 Three-Part Treble . . . . . . . . .E 2.20
Kyrie Ele, Eleison—Douglas E. Wagner. This
contemporary rhythmic piece features melismatic
melody and text pairings with intriguing
syncopations. The primary melody is layered
with long, lyrical countermelodies that allow for
the opportunity to focus on vowel formation and
placement. A perfect concert or festival selection!
11393889 SAB . . . . . . . . . . . . . . . . . . ME 2.75
Laudate Dominum—Andy Beck. Inspired by
Bach's Cello Suite No. 1, this beautiful setting
stretches over the well-known accompaniment
with lyrical lines and five simple Latin words.
Independent melodies are introduced one at a
time and then layered in a polyphonic style that
is easily achieved. Cued notes provide flexibility
for younger singers. A lovely piece for developing
musical sensitivity against a familiar backdrop.
11393324 SAB or Three-Part Mixed ME 2.05
11393325 Two-Part or SSA. . . . . . . . ME 2.05
11393344 Multi-Song Accomp. CD . . . . 44.99
Leave Her, Johnny—arr. Daniel Lynch. This
gently rocking sea shanty was generally reserved
for the end of a long voyage when the sailors would
be leaving the ship. The "her" in the song refers to
the ship, and the lyrics express the hardships of
the voyage. This lyrical arrangement is ideal for
beginning tenor-bass choirs. The musical setting
is often in two parts but expands occasionally to
three parts in this easily learned version.
11410683 TTB . . . . . . . . . . . . . . . . . . ME 2.25
Life—Jacob Narverud. The joyful, cascading
introduction begins from a unison note, setting
the tone for this setting of the famous Teasdale
poem. Like a heartbeat, the rhythmic call and
response between treble and tenor-bass is
steady, wondrous, and full of musical interest,
in true Narverud style. A must-sing for SATB
ensembles of all sizes!
11410884 SATB divisi . . . . . . . . . . . . MA 2.75
A Light of Hope, a Song of Peace—Mark
Burrows. Beautiful in its simplicity, here's a quiet
celebration crafted to resonate universally. Easily
learned and very effective to perform, this original
song can work for various winter holidays or at
any time of year as a song for peace.
11393326 SATB . . . . . . . . . . . . . . . . . . .E 2.05
11393327 Three-Part Mixed . . . . . . . . .E 2.05
11393328 Two-Part . . . . . . . . . . . . . . . .E 2.05
11393329 P/A CD . . . . . . . . . . . . . . . . . . 29.99
Little Star—Greg Gilpin. Gleaming with celestial
wonder and a sense of innocence, this beautiful
original work offers a wish for the world to find
the hope, peace, love, and joy that it longs for. An
ideal choice for beginning harmony singers, it has
a tender melody, sweet lyrics, and warm piano
accompaniment, and just a few easily achieved
harmonies that bring color and texture. Useful for
holiday concerts or all year long!
11396241 Two-Part . . . . . . . . . . . . . . . .E 2.40
11396242 P/A CD . . . . . . . . . . . . . . . . . . 27.95
Locus Iste—Roger Emerson. Layered melodies
and countermelodies combine for a lovely
concert selection for developing choirs. The Latin
text provides a great way to develop pure vowel
sounds and blend, and the construction of the
polyphonic melodies builds part independence
and confidence.
11414958 Three-Part Mixed . . . . . . . ME 2.20
11414957 Two-Part . . . . . . . . . . . . . . ME 2.20
Long Fare You Well—arr. Undine Smith Moore/
ed. Marques L. A. Garrett. This arrangement of
the lesser-known spiritual Long Fare You Well
builds on the expressive melody by incorporating
fragments of the tune throughout the choral
writing and culminates in a glorious final stanza.
A fitting benediction to any service or concert and
especially appropriate when wishing Godspeed
to departing members.
11416582 SATB divisi . . . . . . . . . . . . . M 2.25
Love Lifted Me—Greg Gilpin. "When I was
down and out, love lifted me!" There has perhaps
never been a time when love was needed more
than now. This simple message, wrapped with a
solid gospel feel and fun-to-sing harmonies in the
choral lines, will surely be one that your choir will
want to share.
11393036 Three-Part Mixed . . . . . . . ME 2.15
Lux Aeterna (from "Requiem")—Michael John
Trotta. Incorporating elements of the ancient
and the modern, this stunning a cappella
original presents a lush harmonic palette with
tight cluster harmonies and a statement of the
Requiem chant tune. The peaceful, luminous
quality of the work contrasts beautifully with the
driving and rhythmic Dies Irae, both extracted
from Trotta's larger work "Requiem." A beautiful
choice for concerts and services.
11372324 SATB . . . . . . . . . . . . . . . . . . M 2.90
Lux Beata Trinitas—Ola Gjeilo. The composer's
signature fluid style is on beautiful display in this
Latin concert work for mixed choir with piano and
oboe accompaniment. Originally designed to be
paired with Iam Sol Recedit, with which it is linked
thematically, this gorgeous work can also stand on
its own as a lovely, lyrical, and musically sensitive
piece that will bring out the best in your choir.
11392450 SATB . . . . . . . . . . . . . . . . . . M 3.10
Madrigal Remix—arr. Kirby Shaw. A fresh take
take on a couple of standard choral repertoire
selections! Two beloved madrigals, Fa Una
Canzona and Sing We and Chant It!, are
reimagined with piano, bass, and drums
accompaniment. Lively rhythms in a modern
setting breathe new life into these songs you'll
want your singers to learn.
11413700E Three-Part Mixed ePrint . . ME 2.05
11413701E Two-Part ePrint. . . . . . . . . ME 2.05
Mang'ong'o—arr. Otenio R. Sylvester. This
celebratory African song is a Kenyan Samia/
Banyala victory song traditionally performed
during wrestling matches. Over time, the context
changed to include the celebration of any form
of success, including graduations, elections,
and even a return to health after being sick. The
setting is for soloist with choir in an up-tempo
call-and-response style. Add percussion for a
lively performance!
11415504 SATB . . . . . . . . . . . . . . . . . . M 2.80
Morningsong—Jacob Narverud. Radiating the
joy and hope that come with each new day, this
lilting original concert work honors our collective
experience singing together. A whimsical optional
flute part adds to the character of the piece, and
an optional a cappella section in the middle
brings variety to the texture.
11410684 SSATB. . . . . . . . . . . . . . . . ME 2.60
11410685 SSA . . . . . . . . . . . . . . . . . . ME 2.30
Music Makers—Laura Hawley. Celebrate
creativity with this joyful piece! Shimmering piano
tremolo chords usher in the opening theme that
climbs up a series of fourths to create an open,
soaring feeling. Mostly unison choral phrases
filled with rhythmic vitality alternate with soaring
sustained tones, all supported by a vibrant and
fun piano accompaniment.
11408227 Unison/Two-Part or SA . . . M 2.25
Music of Life—B.E. Boykin. This is a vibrant set-
ting of a poem by George Parsons Lathrop that
describes how music underpins all earthly life. An
active piano part provides an energetic under-
current to compelling vocal lines, with the voices
beginning in unison before opening out into two
and then three parts. A perfect selection for choirs
looking to celebrate the life-affirming power of music.
11384777 SAB . . . . . . . . . . . . . . . . . . ME 3.00
11384778 SSA . . . . . . . . . . . . . . . . . . ME 3.00
My Country, 'Tis of Thee—arr. Jonathan
Reid. This patriotic offering is perfect for your
middle school or high school choir! With some
rhythmic variation and phrase extensions, this
arrangement provides freshness while staying
true to the original melody.
11410893 SAB . . . . . . . . . . . . . . . . . . ME 2.25
Never Give Up!—Rollo Dilworth. "You can do it,
if you put your mind to it. Hold on, keep holding
on. Lay your worries on me, I know we'll succeed.
Never give up!" With empowering lyrics written by
middle school students, this piece embodies the
positive mindset and impact of music on the lives
of our nation's youth.
10678308 SATB . . . . . . . . . . . . . . . . . ME 1.95
11398177 Two-Part . . . . . . . . . . . . . . ME 2.30
