Editors' Choice 2022-2023 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
GENERAL ANTHEMS
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General Anthems
All Things New—Elaine Hagenberg.
Known for her exquisite lyricism and soaring
melodies, Hagenberg delivers an exceptional
original setting of Frances Havergal's text that
provides a message of hope that is so needed.
A shimmering accompaniment and easily
learned vocal lines open this up to choirs of all
sizes for concert or service use.
11375949 SATB . . . . . . . . . . . . . . . . 2.75
Alleluia—Randall Thompson. A true
masterpiece for a cappella chorus. The
name Randall Thompson is as much a part
of choral music as is the voice. His masterful
compositions are all standards in the
repertoire. A choral classic!
337147 SATB . . . . . . . . . . . . . . . . 2.85
337238 SSAA . . . . . . . . . . . . . . . . 2.85
4128682 TTBB . . . . . . . . . . . . . . . . 2.85
Artist of the Heart—Kevin A. Memley. This
beautiful anthem combines themes of music
appreciation with servitude in a truly artistic
way, both musically and textually. Above
these themes is also a song of praise and
thanks. The optional string quartet adds
more color to the piece which mirrors the
prayer in the words.
11395899 SSATB . . . . . . . . . . . . . . . 2.95
At the Name of Jesus—Larry Shackley.
Starting gently and gradually building towards
a powerful close, this anthem opens with
Ralph Vaughan Williams'
KINGS WESTON tune
paired with a time-honored text by Caroline
Noel. An original melody enters in verse three
which alternates men's and women's voices.
The hymn tune returns for a dramatic close,
making this a great choice for Christ the King
Sunday, Ascension, and general use.
11393799 SATB . . . . . . . . . . . . . . . . 2.95
At Your Word—arr. Brigette Shevy. This
anthem of assurance has moments of
dissonance that resolve as our anxieties dissolve
when meeting our Lord. "I take You at Your
word; Your truth has set me free." An accessible
anthem to use throughout the year. String and
percussion parts available separately.
11397154 SATB . . . . . . . . . . . . . . . . 2.25
11408909 Instrumental Parts. . . . . . 30.00
Awake, My Soul—Elaine Hagenberg.
A brilliant, pulsating piano introduction
announces the dawn and invites the voices
to join with escalating calls to "Awake, my
soul!" As the pulsing continues, the vocal
counterpoint gives way to the chordal
acclamation, "I will awaken the dawn!" This
setting of Psalm 57:8-11 requires an above
average accompanist and an energetic choir,
but the artistic result will be worth the effort.
11166185 SATB . . . . . . . . . . . . . . . . 2.95
Be Still—Karen Marrolli. This moving anthem
based on the calming text found in Psalm
46:10 will be very welcome in your worship
services. The stillness of the text is matched
with a lovely original melody and piano
accompaniment. Flexible voicings make this
anthem accessible for any size group.
11373280 SAB . . . . . . . . . . . . . . . . . 2.65
11373281 Two-Part. . . . . . . . . . . . . . 2.65
Be Still—Mary McDonald. "Be still and know
that I am God." This anthem of sonority and
depth is a musical balm that covers the listener
with exquisite vocal and harmonic colors at
every measure. It is a song of a loving God who
"never leaves or forsakes," the One who brings
peace and comfort in time of need. Richly
scored for voices and piano, this is a superb
choice for moments of prayer, memorials, and
commissioning services that will leave your
congregation breathless.
10188416 SATB . . . . . . . . . . . . . . . . 2.50
Believe in Me—David Lantz III. This Celtic-
style anthem's text, written by Herb Frombach,
is based freely on John 12:44. Mostly upbeat,
the contrasting a cappella middle section
returns to the opening energy where the
(optional) violin adds more Celtic flair. This
anthem, usable throughout the year, is great
fun to sing and appealing to the congregation.
Parts for C instrument, guitar, bass, and drum
are available separately.
11390449 SATB . . . . . . . . . . . . . . . . 2.10
11390450 Instrumental Parts. . . . . . 15.00
Blessed are the Peacemakers—
Rosephanye Powell. Original and creative,
this piece provides a musical perspective
that is captivating and inspiring. The piano
accompaniment wafts above a flowing
melody, while the flute or violin provides
support and variety to this compelling call for
forgiveness. This is a sensitive sacred work
for Lenten services and moments of reflection
and assurance.
11417070 SATB . . . . . . . . . . . . . . . . 2.95
Can We Sing the Darkness to Light?—
Kyle Pederson. The text of this work invites
the listener to imagine a world without
weapons of war where the human experience
is defined through the lens of mercy and
compassion. The music is peaceful and
very appropriate to the text, with little divisi
in the choral parts and a supportive piano
accompaniment. Optional full score and
parts for violin and cello accompaniment are
available from the publisher.
10994208 SATB . . . . . . . . . . . . . . . . 2.80
11372826 TTBB . . . . . . . . . . . . . . . . 2.80
Ceaseless Praise (You Are Holy)—arr.
Joshua Metzger. A familiar text and tune
(HENDON)
are given new life in this lightly
syncopated arrangement. The original chorus
"You are holy, you are worthy" adds a special
worship moment with optional harmony.
Incorporate the optional percussion (shaker
and claves) for a creative offering of praise.
11397186 SATB . . . . . . . . . . . . . . . . 2.25
11397187 SAB . . . . . . . . . . . . . . . . . 2.25
11397188 Unison/Two-Part . . . . . . . . 2.25
Christ, My Treasure—Matt Taylor/arr.
Richard A. Nichols. With an innocent and
tender melody, the orchestration enhances
the powerful lyrics of this piece found in Psalm
73: Christ is our only true treasure on earth.
This arrangement is delicate in nature, but
develops into a rich and vibrant sound. The
constant flow of the instrumentation gives it
an effortless tone making this piece a beautiful
choral anthem.
11414563 SATB . . . . . . . . . . . . . . . . 2.25
11414564 Orchestration . . . . . . . . . 50.00
Circle Without End—arr. Tom Eggleston.
"Hope draws a circle all around us as we trust
in God alone." Set toes to tapping with this
bluegrass-style treatment of the beloved
HOLY
MANNA tune set to original lyrics. Its jubilation
is infectious, especially with the addition of
optional acoustic instruments and drum set.
Get ready for your congregation to clap along!
11393950 SATB . . . . . . . . . . . . . . . . 2.20
11406080E Instrumental Parts
ePrint . . . . . . . . . . . . . . . 30.00
Come and Share—John A. Behnke. This
engaging worship song invites believers to
come and share God's joy, hope, and love
while living for the Lord. Sectional spotlights
alternate with four-part sonorities in the
accessible choral writing. All are supported
by the piano accompaniment and nicely
decorated by optional handbells.
11393951 SATB . . . . . . . . . . . . . . . . 2.20
Come Before the Giver—trib. Franz Joseph
Haydn/arr. Jon Paige. A reimagining of the
St. Anthony Chorale, this majestic anthem
is great for Thanksgiving or general worship.
The familiar music is paired with a new text:
"Come before the Giver, bringing songs
of grateful praises." Reliable part-writing
employs good choral tessituras, with a
descant on the final verse. The keyboard
accompaniment can be supplemented by an
optional instrumental package.
11393420 SATB . . . . . . . . . . . . . . . . 2.20
11407395E Instrumental Parts
ePrint . . . . . . . . . . . . . . . 45.00
Come By Here—arr. Kyle Pederson. This
sensitive setting of the spiritual
KUM BAH YAH is
not to be missed. In one spot the piano plays
a guided improvisation over the choir singing
neutral syllables. In another there is the option
to sing unaccompanied. An emotional high
point occurs when the sections each sing out
their situations, "longing, falling, hiding," then
answer together, "You are here." This work
hits every high mark in terms of vocal writing, a
skillful accompaniment, and a beautiful effect.
11199621 SATB . . . . . . . . . . . . . . . . 2.85
Come to Me—Karen Crane/arr. J.B. Taylor.
Comfort and rest are the themes of this lovely
pairing of new music with Will Thompson's
revered text, Softly and Tenderly Jesus Is
Calling. The addition of a new refrain, "Come
to me, lay your burden down at my feet"
provides a freshness to the old text and a
valued message for a weary world.
11393800 SATB . . . . . . . . . . . . . . . . 2.95
Come to Me—Dan Forrest. A text adapted
from scripture and lovely choral moments that
bring the text to life create a wonderful piece
of consecration and dedication. Lush choral
writing, with engaging interplay between
upper and lower voices, contributes moments
of true beauty. The rich, elegant piano
accompaniment is enhanced by a part for solo
cello which is included in the octavo.
10954531 SATB . . . . . . . . . . . . . . . . 2.95
11166179 SSAA . . . . . . . . . . . . . . . . 2.25
11166180 TTBB . . . . . . . . . . . . . . . . 2.25
Come, Sing unto Our God!—Heather
Sorenson. Alive with purpose, this psalm-
inspired canticle is filled with musical variety
and powerful words of worship. A vibrant main
theme connects to a lyrical middle section,
then an innovative ostinato leads the anthem
to its final punctuation of praise.
11416609 SATB . . . . . . . . . . . . . . . . 2.35
11416610 SSAA . . . . . . . . . . . . . . . . 2.35
Created in Christ Alone—Mary McDonald.
This powerful ballad anthem encourages us
to be the body of Christ in all of our actions
since we are created in His image. After a more
subdued opening, it gradually builds in intensity
toward the proclamation: "As Christ has loved,
we also should love." The vocal writing is very
approachable, and the strong accompaniment
adds color and support.
11393955 SAB . . . . . . . . . . . . . . . . . 2.20
Deep Peace—Elaine Hagenberg. Beautifully
capturing the essence of a traditional Gaelic
blessing, this original setting evokes the natural
tranquility of a "gentle night" where the "moon
and stars pour their healing light on you." The
flowing piano accompaniment supports the
soaring legato vocal lines to create a mature
and artistic texture while remaining accessible
to choirs in school, church, or community
settings. The optional string quartet parts add
additional serenity and depth.
11341294 SATB . . . . . . . . . . . . . . . . 2.85
11341295 Instrumental Parts
String Quartet . . . . . . . . . 35.00
Draw the Circle Wide—Mark A. Miller.
Gordon Light's text is powerful by itself, but
when added to music composed by Mark
Miller it becomes an anthem of unity for all
people, all cultures, and all generations.
10061177 SATB . . . . . . . . . . . . . . . . 2.50
BEST
SELLERS
Adult Choir
General Anthems
These bestsellers are chosen most often
by church directors! Look online for the
most current information on recordings,
instrumental parts, large print and digital
edition availability.
You Do Not Walk Alone—
Elaine Hagenberg.
11166201 SATB . . . . . . . . . . . . . . . . . . . . . 2.75
I Believe—Mark A. Miller.
10335690 SATB . . . . . . . . . . . . . . . . . . . . . 2.35
Shalom—Dan Forrest.
11314187 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
Come to Me—Dan Forrest.
10954531 SATB . . . . . . . . . . . . . . . . . . . . . 2.95
The Majesty and Glory of Your Name—
Tom Fettke.
4883666 SATB . . . . . . . . . . . . . . . . . . . . . 2.95
All Things New—Elaine Hagenberg.
11375949 SATB . . . . . . . . . . . . . . . . . . . . . 2.75
Hymn of Devotion—Mary McDonald.
11375954 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
In His Hands—
arr. Tim Osiek/ed. Dan Forrest.
11395403 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
To Sing Once More—Craig Courtney.
11395420 SATB . . . . . . . . . . . . . . . . . . . . . 2.15
Home by Another Road—Mark A. Miller.
11397093 SATB . . . . . . . . . . . . . . . . . . . . . 2.45
Let nothing stop you from singing!
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