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GENERAL ANTHEMS
33
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The Majesty and Glory of Your Name—
Tom Fettke. A classic! With music and text
of rare quality, this anthem has proven itself
year after year. The music, at times hushed
but intense, at others bold and majestic, freely
ebbs and flows to follow the text. "When I gaze
into the night skies and see the work of Your
fingers, the moon and stars suspended in
space..." A true treasure for the believer.
4883666 SATB . . . . . . . . . . . . . . . . 2.95
3295199 SSAA . . . . . . . . . . . . . . . . 2.95
9520122 P/A CD arranged 1999
Camp Kirkland . . . . . . . . 29.95
8068787 P/A CD arranged 2004
Michael Lawrence. . . . . . 29.95
4883674 Orchestration arranged 1999
Camp Kirkland . . . . . . . . 79.99
8068789 Orchestration arranged 2004
Michael Lawrence. . . . . . 79.99
8068788 DVD Stereo/Split Track . . 69.95
Mercy—Craig Courtney. Mercy is a
tender plea to our Lord for compassion and
forgiveness. Lyricist Susan Bentall Boersma
incorporates the Greek "Kyrie eleison" (Lord,
have mercy) into her original text, while
composer Craig Courtney merges reflective
music to create a loving petition for absolution
and grace. You'll not want to miss sharing
this gorgeous setting with your singers and
worshipers. Suitable for use during Lent or
general reflection anytime of the year.
10554825 SATB . . . . . . . . . . . . . . . . 2.10
My Feet Are Tired, but My Soul Is
Resting—Francis Smith Thomas/arr.
Shawn Kirchner. This song by Francis Smith
Thomas, a close friend of the Martin Luther
King, Jr. family, was inspired by the words of
a woman who participated in the Montgomery
bus boycott, a pivotal event in the civil
rights movement. This powerful hymn-like
arrangement opens with a soprano solo written
in honor of Coretta Scott King, who premiered
the piece as a soprano solo.
11348866 SATB . . . . . . . . . . . . . . . . 2.25
My King Is Comin' Soon—Kyle Pederson.
This genre-bending piece blends elements of
rock, gospel, spiritual, and the spoken word.
Useful for the Advent season or school concert
anytime, the text invites chorus and listener to
imagine a world of mercy, justice, peace, and
compassion. Commissioned by the Wartburg
Choir and Dr. Lee Nelson, it was premiered at
Christmas at Wartburg in 2019.
11349187 SATB . . . . . . . . . . . . . . . . 3.20
My Lips Will Shout for Joy—Pepper
Choplin. With words drawn from Psalm 71, this
joyous anthem features a lightly syncopated
melody and a rhythmic energy that shouts
God's praise. Great for Thanksgiving or general
worship. The nicely varied vocal texture
features sections of full choral writing, unison
vocals, and call-and-response singing.
11393821 SATB . . . . . . . . . . . . . . . . 2.95
My Tribute—Andrae Crouch. Staying true to
the original, this fresh setting gives the choir
an opportunity to sing a heartfelt anthem of
praise and personal thanks for the things God
has done. The optional violin part underscores
the earnestness of the message.
11416777 SATB Treble divisi . . . . . . . 2.70
A New Jerusalem Arise—Kyle Pederson/
ed. Dan Forrest. This striking adaptation
from scripture foretells a future free from
tears, hatred, and injustice and provides a
vision of a renewed and redeemed earth: "A
New Jerusalem arise, a new creation come
alive, into the dawning after dark, arise!" A
combination of varied musical influences is
skillfully woven together for choir, piano, and
optional instruments including cello, organ,
handbells, and drum as well as optional
congregational involvement (congregational
handout included).
11395414 SATB . . . . . . . . . . . . . . . . 2.35
11395415 Handbell part . . . . . . . . . . 3.95
11395416 Cello, drum and organ. . . 19.95
No Other Hope—Michael S. Bryson. This
anthem of hope and reassurance is inspired by
Psalm 5:11 and Jeremiah 29:11 and features
an opening violin motive that references the
Sanctus from Faure's Requiem. Atop a serene
piano foundation rises well-written choral
music that responds beautifully to the text. "We
have no hope but you ... so let us sing for joy."
11393965 SATB . . . . . . . . . . . . . . . . 2.35
Now Is the Cool of the Day—Jean Ritchie/
arr. Kevin Siegfried. Set in Shaker harmony
style, this is a great contribution to an Earth
Day celebration. The voice-leading is both
accessible and interesting for the singers as
well as listeners, and the lyrics speak to our
responsibility to care for the earth.
11416018 SATB . . . . . . . . . . . . . . . . 2.65
O King of Love!—Lloyd Larson. Successfully
combining the sacred poetry of Horatius Bonar,
the melody of Gustav Holst's THAXTED, and
additional original text and melodic material
from the composer, the result is a sublime
expression of praise that honors the past while
expressing devotion and adoration to the King
of Love who gave his life for us. The option to
add the congregation for the final statement
makes this a worshipful experience for Easter
or any time of year.
11375955 SATB . . . . . . . . . . . . . . . . 2.25
O Lord, Your Word Has Come to Us—
Joseph M. Martin. This anthem challenges us
to listen, learn, minister, and serve. The music
is melodic and restrained, allowing the text to
speak. The vocals are approachable and include
a nicely contrasting a cappella section, and the
piano adds moments of harmonic interest.
11393966 SATB . . . . . . . . . . . . . . . . 2.30
On This Rock We Stand—Mary McDonald.
With a powerful orchestral accompaniment,
this worshipful anthem celebrates the solid
rock of faith on which we stand. Worthy of
being sung throughout the year, majestic and
powerful melodies are supported with full and
bold harmonies.
11375759 SATB . . . . . . . . . . . . . . . . 2.95
11375760 P/A CD & Split Track . . . . 29.95
11375761 Orchestration . . . . . . . . . 69.95
Praise the Lord—G. F. Handel/arr. Hopson.
Exhilarating and accessible to all choirs! From
Handel's Judas Maccabaeus, this majestic,
triumphant song of adoration has become a
top choice year after year, and is useful for any
festive or celebratory occasion.
1200443 SATB . . . . . . . . . . . . . . . . 2.50
931840 SAB . . . . . . . . . . . . . . . . . 2.50
8052227 Two-Part Mixed. . . . . . . . . 2.50
1944354 TTBB . . . . . . . . . . . . . . . . 2.50
Praise the Lord (Psalm 117)—Nick
Strimple. This is an upbeat song of praise
that will work for any combination of two
voice parts, from children to adult voices.
The energetic opening with syncopated
phrases is supported by a vigorous piano
accompaniment. A more lyric section follows
before the return to the opening material.
All vocal parts are in the treble clef but are
intended to be sung by any voice part.
11395906 Two-Part. . . . . . . . . . . . . . 2.75
The Prayer—Carole Bayer Sager & David
Foster/arr. Mark Hayes. Originally recorded
separately by both Celine Dion and Andrea
Bocelli, the English and Italian versions
were later combined to create this well-
known duet. A beautiful yet supportive piano
accompaniment makes this arrangement soar.
10453574 SATB . . . . . . . . . . . . . . . . 2.05
10453575 SAB . . . . . . . . . . . . . . . . . 1.95
10453576 SSA . . . . . . . . . . . . . . . . . 2.10
10453577 TTBB . . . . . . . . . . . . . . . . 2.25
10453578 P/A CD . . . . . . . . . . . . . . 27.99
10453579E Instrumental Parts
ePrint . . . . . . . . . . . . . . . 60.00
Psalm 117 (From All That Dwell)—Dale
Peterson. An exciting call to worship or general
anthem, this dynamic setting of Isaac Watt's
text on Psalm 117 (From All that Dwell)
features memorable melodic gestures. A
driving accompaniment supports the vocal
syncopation and occasional mixed meter.
Brief moments of a cappella singing provide
nice contrast.
11393823 SATB . . . . . . . . . . . . . . . . 2.95
Psalm 121 (I Lift My Eyes)—Austin Hunt.
This gorgeous and accessible setting of Psalm
121 is both comforting and hopeful, with
soaring, plaintive melodic ideas. Treble choirs
from youth to adults will enjoy this simple yet
elegant anthem of assurance.
11410890 SA . . . . . . . . . . . . . . . . . . 2.50
Psalm 150 (from "Hallelu Yah: Three
Psalms of Praise")—Dan Forrest. An
exhilarating accompaniment for piano with
optional percussion frames this dance
in compound meter that proclaims, "Let
everything that has breath praise the Lord"
and "Hallelu Yah." Divisi harmonies and
lilting choral lines weave through the exciting
texture to a dynamic conclusion. As a stand-
alone piece, or as the third movement of the
ten-minute work "Hallelu Yah: Three Psalms
of Praise," this is a glorious addition to your
concert or service.
11416631 SATB divisi . . . . . . . . . . . . 2.75
11416924 Score & Percussion Part . . 2.75
Redeemer, Rock and Refuge—Joseph
M. Martin. Based on Psalm 62, this crisp
and invigorating anthem declares God as our
redeemer and rock in whom we shall seek
refuge and not be moved. The optional trumpet
part adds a touch of stateliness and is included
in the choral score.
11416792 SATB . . . . . . . . . . . . . . . . 2.70
Ride the Wings of the Morning (You Are
There)—Marty Parks. Psalm 139 comes
alive in this stunning original setting, full of
the assurance of God's presence in our lives.
After a strong piano introduction, the choir
enters gently, gradually increasing in drama
and intensity through lush harmonies until
the anthem reaches a brilliant conclusion:
"You are there!"
11393825 SATB . . . . . . . . . . . . . . . . 2.95
See the Brilliant Glow Before Us—Diane
Hannibal/arr. Roger Thornhill. This regal
anthem captures the mystery and the majesty
of the transfiguration of Christ. The choral
parts are presented with sturdy unison singing
along with solid four-part writing.
11416468 SATB . . . . . . . . . . . . . . . . 2.20
Set Me as a Seal—Michael John Trotta.
Elegant simplicity is the hallmark of this
shimmering setting of a favorite text: "Set
me as a seal upon your heart ... for love is
as strong as death." Straightforward rhythms,
careful management of vocal ranges, and a
judicious use of close cluster harmonies put
this work well within the reach of many choirs.
A perfect choice for choirs looking to establish
a more mature sound and musical sensitivity.
Alternate voicings render this piece accessible
as a solo or duet.
11163997 SATB A Cappella. . . . . . . . 2.90
11344326 SATB with
Piano Accompaniment . . . 3.10
11393180 SA with
Piano Accompaniment . . . 3.10
11393181 Unison with
Piano Accompaniment . . . 2.90
Shalom—Dan Forrest. This tender and
comforting work "passes the peace" as its
simple yet elegant melody washes over the
listener, gently unfolding its text with increasing
texture: "Peace I leave with you, my peace I
give to you, not as the world gives; do not be
afraid." The Hebrew word "shalom" forms the
refrains, and whispers of the word "peace"
further paint the spirit and promise of the text.
With piano and optional violin, this piece is
equally at home in worship or concert settings.
11314187 SATB . . . . . . . . . . . . . . . . 2.25
11416605 Two-Part Mixed. . . . . . . . . 2.75
11314188 SSA . . . . . . . . . . . . . . . . . 2.25
11314189 TBB . . . . . . . . . . . . . . . . . 2.25
Sing for the Earth—Greg Gilpin. With a lively
tune and a relevant message, this celebration of
creation will help bring into focus the believer's
response to the environment. A main theme
with easy syncopations and approachable
harmonies make for quick learning.
11416473 SATB . . . . . . . . . . . . . . . . 2.20