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All Things New—Elaine Hagenberg.
Known for her exquisite lyricism and soaring
melodies, Hagenberg delivers an exceptional
original setting of Frances Havergal's text that
provides a message of hope that is so needed.
A shimmering accompaniment and easily
learned vocal lines open this up to choirs of all
sizes for concert or service use.
11375949 SATB. . . . . . . . . . . . . . . . . . . . . 2.75
Broken and Beautiful—Heather Sorenson.
A hopeful testimony of God's healing grace, this
anthem is filled with exquisite sacred moments.
The impressionistic music and tone painting
bring this much-needed message to the heart
of the listener.
11416429 SATB. . . . . . . . . . . . . . . . . . . . . 2.20
Christ Our Hope in Life and Death—
Matt Boswell, Keith Getty, Jordan Kauflin,
Matthew Merker & Matt Papa/
arr. Jared Haschek & Lee Marcum.
From the team at Getty Music, this song
has been masterfully arranged for choir with
orchestral accompaniment. Although in
contemporary style, using piano instead of
orchestra will also make this anthem useful in
blended or traditional services. Include in any
Easter or weekly worship gathering.
11382445 SATB. . . . . . . . . . . . . . . . . . . . . 1.79
11382448 Split Track CD . . . . . . . . . . . . 29.99
11382449 Orchestration CD-ROM . . . . . 69.99
11382450 Rhythm Charts CD-ROM. . . . 24.99
Fix Our Eyes—Heather Sorenson.
When life is changing and uncertain, fixing our
eyes on Jesus brings comfort and hope. This
text flows smoothly, allowing time for reflection.
A beautiful cello and piano accompaniment
supports the atmosphere of reassurance.
11416670 SATB. . . . . . . . . . . . . . . . . . . . . 2.35
The Garden of Prayer—
Joseph M. Martin. This tender paean to
prayer is filled with comforting imagery to
consider God's reassuring presence in our lives.
Using the tune
SALLEY GARDENS, the text is
expressed by user-friendly SAB vocal texture,
and an optional solo adds variety. The piano
accompaniment with optional cello helps create
a full, satisfying listening experience.
11374111 SAB. . . . . . . . . . . . . . . . . . . . . . 2.20
Hope for All Tomorrows—Mark Hayes.
With a text based on Jeremiah 29:11-13,
this original composition will instill hope in
the hearts of those that sing and hear these
stunningly gorgeous melodies. The text reminds
us that God has a plan for each of us, a future
with hope, making this anthem especially useful
for Confirmation or graduation celebrations.
Optional B-flat clarinet and horn in F.
11416768 SATB. . . . . . . . . . . . . . . . . . . . . 2.70
11416769 Instrumental Parts . . . . . . . . . 19.95
In His Hands—arr. Tim Osiek/
ed. Dan Forrest. Gentle piano gestures
underscore a new melody for the traditional
spiritual's words of comfort and assurance,
"He's got the whole world in His hands."
Choir and audience alike will be assured of
God's comfort, love, and protection by this
folk-like setting.
11395403 SATB. . . . . . . . . . . . . . . . . . . . . 2.25
No Other Hope—Michael S. Bryson.
This anthem of hope and reassurance is
inspired by Psalm 5:11 and Jeremiah 29:11
and features an opening violin motive that
references the Sanctus from Faure's Requiem.
Atop a serene piano foundation rises well-
written choral music that responds beautifully to
the text. "We have no hope but you ... so let us
sing for joy."
11393965 SATB. . . . . . . . . . . . . . . . . . . . . 2.35
O King of Love!—Lloyd Larson.
Successfully combining the sacred poetry
of Horatius Bonar, the melody of Gustav
Holst's
THAXTED, and additional original text
and melodic material from the composer, the
result is a sublime expression of praise that
honors the past while expressing devotion and
adoration to the King of Love who gave his
life for us. The option to add the congregation
for the final statement makes this a worshipful
experience for Easter or any time of year.
11375955 SATB. . . . . . . . . . . . . . . . . . . . . 2.25
O Love That Will Not Let Me Go—
Matthew J. Armstrong. An exquisite, reverent
setting of this George Matheson text features
expressive choral phrases, a gorgeous piano
accompaniment, and a tender violin part.
Commissioned in honor of a longtime choral
director and church musician, this anthem is
a perfect complement to worship themes of
healing, hope, grace, and God's presence.
11397127 SATB. . . . . . . . . . . . . . . . . . . . . 2.60
A Prayer for Healing—Joseph M. Martin.
Written during the height of the COVID-19
pandemic, this song of spiritual and physical
wellness speaks to many moments of need.
Opening with the first few chords of O God,
Our Help in Ages Past, the anthem is framed as
a petition for God's healing mercy. The unison
melody gently rises and falls before all join in on
the prayerful refrain: "In the silence help us hear
words of hope and promise clear. Teach us not
to live in fear. Lord of all, we pray to you." A true
anthem of hope!
11317456 SAB. . . . . . . . . . . . . . . . . . . . . . 2.15
11347835 SSA. . . . . . . . . . . . . . . . . . . . . . 2.10
Source of Healing—Michael John Trotta.
This outstanding original anthem quietly
brings the listener into a prayerful time seeking
wholeness. Recalling miracles of healing, the
response is to ask for healing in body and soul.
Slightly discordant harmonies recall sin and pain
before a beautiful harmonic refrain responds,
"Come, Holy Jesus, abide with me now." A wide
dynamic range brings the inspired words to life,
and the ministry of the message speaks to any
worship gathering with firm assurance.
11347590 SATB. . . . . . . . . . . . . . . . . . . . . 2.10
To Sing Once More—Craig Courtney.
"Awake our souls to sing once more the songs
that long have silent been..." Expressing relief
and joy for the gift of singing after a time of
silence or loss, this beautiful and poignant setting
of Jonathan Cook's text will enrich general
worship or any service of comfort and healing.
11395420 SATB. . . . . . . . . . . . . . . . . . . . . 2.15
We Are Held—Susan LaBarr & Jim Wilson.
In times of trial, there is great comfort in being
held. Robert Bode's encouraging text reflects
upon the ways in which all things are held
together. The gentle ballad setting is lyrical
and approachable, and allows space for the
emotion of the text to shine through for either
concerts or services.
11392535 SATB. . . . . . . . . . . . . . . . . . . . . 2.85
We Behold His Glory—Pepper Choplin.
The text of this anthem celebrates Jesus
on earth being the hands and feet of God
the Father incarnate in flesh. This anthem is
fitting for celebrating Palm Sunday, Advent, or
anytime throughout the year. From the cantata
The Body of Christ.
11375772 SATB. . . . . . . . . . . . . . . . . . . . . 2.95
11375773 P/A CD . . . . . . . . . . . . . . . . . . 29.95
11375774 Orchestration . . . . . . . . . . . . . 69.95
You Do Not Walk Alone—Elaine Hagenberg.
"May you always remember when the shadows
fall, you do not walk alone." This ethereal
setting of a traditional Irish blessing is scored
in a variety of voicings with piano. Deft strokes
of Celtic styling within the melody weaves
throughout the vocal texture. Gradually building
in intensity, it transitions into the final stanza
with a burst of light, aided by a key change,
then slowly draws to a quiet close.
11166201 SATB. . . . . . . . . . . . . . . . . . . . . 2.75
11210446 SSAA . . . . . . . . . . . . . . . . . . . . 2.25
11314797 TTBB. . . . . . . . . . . . . . . . . . . . . 2.25
ANTHEMS OF
HOPE AND HEALING
