Editors' Choice 2022-2023 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
HANDBELL MUSIC
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O When Shall I See Jesus (ECSTACY, 106
from The Sacred Harp)—arr. Matthew
Prins. ECSTASY from The Sacred Harp is
quite representative of the early American
music form, and this setting accurately reflects
the style. It should be played as quickly as is
reasonable for the group, with attention to
clarity and precision in the rhythm while clearly
emphasizing the melody. Echoes, mallets,
thumb damps, and marts add to the excitement.
11405400 3-5 Octave . . . . . . . L2+ 4.25
Out of Darkness—Jason W. Krug. This
forceful original work is the perfect choice for
worship or concert use! With no notes shorter
than quarter notes, beginning ringers can
instead focus on the many bell changes found
throughout. Some of the trickier changes are
indicated by cue-sized notes, making them
optional for less-experienced ringers, but
providing a bit of extra challenge for musicians
approaching an intermediate level of ringing.
11406331 2-3 Octave . . . . . . . . L2- 4.50
Praise to the Living God—arr. Mark S.
Arnold. The arrangement of this traditional
Hebrew melody (LEONI)
prominently features
a number of techniques, including martellato,
martellato lifts, shakes, and malleting. The
minor key and contrasting sections make it
appropriate for Lent or general worship.
11416659 3-5 Octave . . . . . . . . L3- 4.95
Praise to the Lord, the Almighty—arr.
Sandra Eithun. Suited for sacred or festival use,
this arrangement is available in two compatible
settings and is perfect for developing
ensembles or for more advanced ringers with
limited preparation time. The upbeat opening
is engaging, and throughout the piece, LV
passages, mallets, and dynamic changes
provide variety and interest. With limited bell
changes and straightforward rhythms, your
ensemble will have this mastered in no time.
11417022 2-3 Octave . . . . . . . . .L2 4.95
11417023 3-5 Octave . . . . . . . . .L2 4.95
Praise to the Lord, the Almighty—Cathy
Moklebust. Alternating between 6/8 and
3/4 meters and accompanied by energetic
LV eighth-note patterns, this sparkling
arrangement of
LOBE DEN HERREN is a thrilling
and satisfying addition to the handbell
repertoire. A calm variation in the middle
section provides contrast as handchimes are
used to highlight the melody and a softer,
flowing eighth-note pattern is used for the
accompaniment. The exciting final section
modulates up a step and returns to the original
material, ending powerfully.
11102197 3-5 Octave . . . . . . . . .L3 4.50
Praise, My Soul, the King of Heaven
(LAUDA ANIMA)—arr. Sandra Eithun. This
lyrical arrangement is an elegantly graceful
offering teeming with rich chords wrapped
around a beautiful, familiar melody. With two
compatible settings, it is ideal for worship,
concerts, and festivals.
11416302 2-3 Octave . . . . . . . . .L2 4.95
11416303 3-5 Octave . . . . . . . . .L2 4.95
Prayer for Healing—Michael Helman.
This stirring composition is dedicated to
all who have suffered losses as part of the
Coronavirus pandemic. The simple, haunting
melody speaks of pain and loss, but also of
hope and healing. Handchimes are used
throughout for beautiful musical effect. This
is a poignant musical statement suitable for
worship, concert, or memorial use. Optional
3-5 octaves of handchimes.
11314813 3-6 Octave . . . . . . . . L3- 5.95
Reflection on Stuttgart—attr. Christian F.
Witt/arr. Karen Lakey Buckwalter. The tune
STUTTGART may be found in hymnals with a
variety of titles including Come, Thou Long
Expected Jesus and Child of Blessing, Child
of Promise. The familiar hymn tune is artfully
arranged for handbells with piano and flute,
which gives support to less experienced
handbell ringers. The interplace between the
three instruments creates a thoughtful and
meditative setting.
11399293 3 Octave . . . . . . . . . . .L2 4.50
11399294 Full Score &
Organ/Keyboard . . . . . . . 10.95
Rejoice and Be Glad ("May all who seek
you rejoice and be glad in you" - Psalm
40:16)—Joe Galyon. Here is a delightful
original work with a rhythmic foundation built on
mixed meter throughout, featuring a cheerful
melody perfectly suited to the rhythm. Nicely
placed mart lifts add to the engaging pulse of
the music. Feeling a bit more calm, a lovely
countermelody section is interspersed with the
main theme. The addition of treble clef mallets
leads into the DARWALL'S 148TH tune rung on
handchimes (3 octaves). Further developments
lead back to the original theme with excited
anticipation of the glorious ending. This is a
joyous work sure to become that special go-to
selection for all celebratory occasions!
11414592 3-5 Octave . . . . . . . L3+ 4.95
Remembering—John A. Behnke. An original
piece to remember those who have passed
away due to the COVID-19 pandemic, this
reflective piece has minimal bell changes and
no sharing of bells. The music begins with
a tolling bell, then a melody emerges which
seeks to express the significance of each life
lived, including their struggle with this virus.
Use for All Saints or for a memorial Sunday.
11332835 2 Octave . . . . . . . . . . .L2 3.95
11332834 3-5 Octave . . . . . . . . .L2 3.95
Riposo (Rest, My Soul)—Linda Scholes.
This tender original tune is a beautiful musical
statement. The simple, lyrical melody is given
delicate underscoring with lush chords, and
the melody moves throughout the ensemble,
giving all ringers a chance to shine. The
energy builds to a bold final verse underscored
by full, malleted chords in the bass. A very
approachable musical statement for church or
concert use.
11375876 3-5 Octave . . . . . . . L2+ 4.95
Savior, Like a Shepherd Lead Us—arr.
Lloyd Larson. This arrangement is an idyllic
choice for use in worship. Combining the Bach
chorale Sheep May Safely Graze with the hymn
tune BRADBURY, it masterfully alternates
between the two tunes, casting them both in a
new light. A final bold setting of the hymn tune
leads the piece back once more to a calm,
serene ending.
11375877 3-5 Octave . . . . . . . . L3- 4.95
The Shepherd's Promise—arr. Karen L.
Buckwalter. This arrangement featuring the
hymn tune
BROTHER JAMES' AIR is simple yet
effective. With optional flute and/or piano,
the hymn tune
NEW BRITAIN also appears,
balanced well in contrast to the gentle
pastoral melody.
11416661 3-5 Octave . . . . . . . . .L3 4.95
11416663 Full Score
Flute & Piano . . . . . . .L3 5.95
11418204 Flute Part . . . . . . . . . . . . . 5.95
Suite Gothique (Chorale and Minuet)—
Leon Boellmann/arr. Patricia Hurlbutt. The
first two movements of this well-known organ
suite have been arranged for handbells and
handchimes. The Chorale is chordal, stately,
and a bit austere. It is followed by the dance-like
Minuet - celebratory, graceful, and somewhat
playful. Handchimes (3-5 octaves) are
interspersed giving variety to the sound in both
pieces, and nicely placed marts, mart lifts, and
thumb damps add to the joyful feel. The option
to move directly from the Chorale to the Minuet
is offered - or each work may stand alone.
11405418 4-6 Octave . . . . . . . . .L3 5.95
Sweet Hour of Prayer—arr. Linda Lamb.
Beginning groups will enjoy playing this simple
yet lovely arrangement of the Bradbury tune.
LV and echo techniques are used effectively,
and a verse of O Master, Let Me Walk with
Thee appears in the middle for contrast. Be
sure to bring out the melody that sometimes is
surrounded by harmony notes. Use for prelude,
offertory, or communion.
11417990 2-3 Octave . . . . . . . . .L1 5.95
Take My Life—Sondra K. Tucker. This
upbeat, delightful setting combines an original
melody with the familiar hymn HENDON.
At times energetic, at times tender, always
moving forward, the arrangement is a great
choice for worship or festival. The optional
handchimes give depth to the two tunes.
11347545 3-5 Octave . . . . . . . . .L3 5.30
Then Sings My Soul—arr. Anna Laura Page.
This is a flowing and harmonically interesting
setting of the beloved hymn How Great Thou
Art. Its general theme makes it appropriate for
worship services and other events throughout
the year, and the popularity of the beloved
hymn will make it a listener favorite.
11417028 2-3 Octave . . . . . . . . .L3 4.95
11417029 3-5 Octave . . . . . . . . .L3 4.95
This Little Light of Mine—arr. Anna Laura
Page. In this enjoyable arrangement with
syncopations and articulations that are fun to
ring, the collaborative pianist is also offered
an accompaniment that is fun to play. For
worship or school concert, all will enjoy this
swinging arrangement!
11346963 3-5 Octave . . . . . . . L3+ 5.25
11346962 Full Score & Parts . . L3+ 9.95
Triumphant!—Linda Scholes. This original
tune is triumphant indeed! With prominent
syncopation and bold chords throughout, it sets
a joyous and celebratory mood from the outset.
A slower, more thoughtful section featuring
chimes and light malleted bass bells offers
a nice textural contrast before a return to the
opening figure and feel, which rounds out the
piece on a bold celebratory note. While perfect
for an Easter celebration, use this piece for any
moment of celebration in worship or concert!
11375878 3-5 Octave . . . . . . . . .L3 4.95
Ubi Caritas—Gustav Holst, Traditional/arr.
Matthew Compton. Church and community
ensembles alike will love the sensitivity
and chance for expressive ringing in this
arrangement that combines the traditional
Gregorian chant Ubi Caritas with Holst's
THAXTED from Jupiter. After a featured verse
of each tune, the arrangement moves to some
original material under the chant before one last
bold statement of the two tunes layered over
one another. This moving arrangement will be
a perfect fit in worship services and concerts.
11397795 4-7 Octave . . . . . . . . .L3 4.95
Un Regalo de Dios (A Gift From God)—
Elizabeth Peters. This creative and lyrical
original work begins in a gentle and relaxed
suspended bell passage in 5/4 that moves
apace without feeling rushed. The engaging
melody flows throughout and soon, a change
to 6/8 time plus addition of a bit of suspended
bell obbligato brings a new feeling to this work.
It continues with a 'waltz feel' to the end with
some unexpected but satisfying developments,
eventually involving more bells and a feel of a
bit more energy leading to the dynamic ending.
11405365 5 Octave Opt G2
and B2 . . . . . . . . . . . .L3 4.25
Variations on the Doxology—arr. Sondra
K. Tucker.
OLD HUNDREDTH is featured in this
knockout arrangement. A straightforward
chorale setting leads into an energetic toccata
section, then an easy fughetta morphs into
the brilliant finale. There are a few rhythmic
challenges in the final section, making this a
learning piece for your developing choir. Only
one shared bell (G#Ab5) and bass ringers - pay
attention to the assignment suggestion!
11374273 2-5 Octave . . . . . . . . .L2 5.25
What a Friend We Have in Jesus—arr. John
A. Behnke. This jazzy and bluesy setting of the
familiar tune
CONVERSE will be loved by ringers
and listeners alike. The first section in C features
plucking against the hymn melody, while the
second section in F uses both bells and optional
chimes (3-5 octaves.) The return to the opening
material concludes this soulful setting.
11397370 3-5 Octave . . . . . . . . .L3 4.25
What a Friend We Have in Jesus—arr.
Mitchell Eithun. This gentle setting of the familiar
hymn is warm and uplifting. Written for either
handbells or handchimes, the piece has no bell
changes and may be played without tables if
desired. The flute part, while optional, greatly
enhances the beauty of this lovely arrangement.
11375588 3-4 Octave . . . . . . . . .L1 5.50
What Wondrous Love Is This?—arr. Susan
Geschke. The beloved Appalachian folksong is
presented in all its simple beauty with these
two compatible settings, one for 2-3 octaves
and one for 3-5 octave groups. Effective when
played by either handbells or handchimes, it
moves quietly from measure to measure with
minimal bell changes and easy techniques such
as shake and echo. It is a marvelous setting to
introduce your beginning ringers to this hymn,
or a simple-to-prepare, prayerful addition to the
repertoire for more capable ensembles.
10080658 2-3 Octave . . . . . . . L1+ 4.50
10080659 3-5 Octave . . . . . . . L1+ 4.50
When Morning Gilds the Skies—arr.
Sondra K. Tucker. The beautiful hymn tune
LAUDES DOMINI appears in over 600 hymnals
and has been arranged hundreds of times for
a variety of choral and instrumental settings.
This fresh setting begins with pealing bells
that fill us with the joy of a new morning and
another praise-filled day. Beginning in C major,
the treble descending LV passages provide a
constant backdrop for the hymn melody rung
by bells, then handchimes (three octaves).
This final section is rich and majestic, and
the addition of nicely placed shakes brings
the amazing setting to a glorious end. This is
must-have worship and concert repertoire!
11405366 3-6 Octave . . . . . . . . .L3 4.95
