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NEW MAJOR WORKS
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Missa Brevis—John Rutter. This superb Latin mass setting for choir and
organ demonstrates the composer's strong melodic sense and innate
feeling for choral sound. The atmospheric Kyrie leads to a Gloria that
contrasts vibrantly rhythmic passages with smoother, expressive sections.
The mysterious harmonies of the Sanctus pave the way for a tender
Benedictus, and the Agnus Dei is a haunting and powerful prayer for peace.
11392416 SATB Choral Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15.50
Missa Deus Nobiscum (Mass of "God with Us")—
Philip W. J. Stopford. This beautiful work is a setting of the Latin
Mass appropriate for both worship and concert use. The text is that
of the Ordinary of the Mass excluding the Credo, with the Gloria being
divided into four movements. The Kyrie has a noticeably Celtic flavor.
Soprano Solo, SATB divisi and keyboard or orchestra. 30 minutes. Note:
Benedictus, for treble voices, is available as a separate octavo.
11373298 SATB Choral Score divisi. . . . . . . . . . . . . . . . . . . . . . . . . . 9.95
11373299 Full Score Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70.00
11373284 Benedictus (from Missa Deus Nobiscum) SSAA . . . . . . . 2.25
Te Deum (We Praise Thee, O God)—Michael John Trotta.
This vibrant and expressive three-movement setting delivers a poignant
reflection on one of the oldest Christian hymns. It may be performed in
Latin or English. Three accompaniment options include organ only; organ,
brass, timpani, and percussion (eight players total); or chamber orchestra
(14+ players). Approximately 15 minutes long, it is suitable for liturgical or
concert settings.
11393198 SATB Choral Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.95
11393201 Organ, Brass, Percussion Score . . . . . . . . . . . . . . . . . . . 99.00
11393202 Organ, Brass, Percussion Parts. . . . . . . . . . . . . . . . . . . 149.00
11393203 Chamber Orchestra Score. . . . . . . . . . . . . . . . . . . . . . . 125.00
11393204 Chamber Orchestra Parts . . . . . . . . . . . . . . . . . . . . . . . 199.00
Blessed are the Peacemakers—
Rosephanye Powell. Original and creative,
this piece provides a musical perspective
that is captivating and inspiring. The piano
accompaniment wafts above a flowing
melody, while the flute or violin provides
support and variety to this compelling call for
forgiveness. This is a sensitive sacred work
for Lenten services and moments of reflection
and assurance.
11417070 SATB. . . . . . . . . . . . . . . . . . . . . 2.95
Can We Sing the Darkness to Light?—
Kyle Pederson. The text of this work invites the
listener to imagine a world without weapons
of war where the human experience is defined
through the lens of mercy and compassion.
The music is peaceful and very appropriate
to the text, with little divisi in the choral parts
and a supportive piano accompaniment.
Optional full score and parts for violin and cello
accompaniment are available from the publisher.
10994208 SATB. . . . . . . . . . . . . . . . . . . . . 2.80
11372826 TTBB. . . . . . . . . . . . . . . . . . . . . 2.80
Diverse in Culture, Nation, Race
(MO GHILE MEAR)—arr. Mark Scozzafave.
This prayer for unity is paired with a traditional
Irish melody. Depending on its use, the
arrangement may be presented in a prayerful,
reverent, legato style or a brighter tempo with
more spirited energy. Optional C instrument,
cello, and guitar parts are available. Consider
adding traditional Irish instruments to add
authenticity to the overall sound.
11416732 Two-Part. . . . . . . . . . . . . . . . . . 2.20
11416927 Instrumental Parts C Instr.
and Cello . . . . . . . . . . . . . . . . . 2.20
11416928 Instrumental Parts
Guitar Edition . . . . . . . . . . . . . . 2.20
Draw the Circle Wide—Mark A. Miller.
Gordon Light's text is powerful by itself, but
when added to music composed by Mark Miller
it becomes an anthem of unity for all people, all
cultures, and all generations.
10061177 SATB. . . . . . . . . . . . . . . . . . . . . 1.85
Go to the World—Karen Marrolli. This piece
based on Romans 12 challenges the listener
to go into the world with love. Useful as an
anthem or benediction, this universal message
is important in any season of the year.
11416036 SATB. . . . . . . . . . . . . . . . . . . . . 2.25
Make Me a Channel of Your Peace—
Sebastian Temple/arr. Mark Hayes.
With alluring harmonies, exquisite voice leading,
and an elegant piano part, this refreshing setting
of Sebastian Temple's Prayer of St. Francis calls
us all to be peacemakers.
11416775 SATB. . . . . . . . . . . . . . . . . . . . . 2.70
One Faith, One Hope, One Love—
Henry Lyte/arr. Joel Raney. This festive
anthem incorporates two hymns that emphasize
the theme of singing praise to God: How Can
I Keep from Singing and Praise, My Soul, the
King of Heaven (HYFRYDOL).
The optional organ
and handbells enhance and add sparkle and
color to the joyous theme of unity expressed in
the refrain.
11416785 SATB. . . . . . . . . . . . . . . . . . . . . 2.70
11416786 Full Score . . . . . . . . . . . . . . . . 12.95
11416787 Instrumental Parts Organ. . . . 10.95
11416788 3-5 oct. Handbells
w/opt. 3-5 oct. Handchimes . . 5.95
11416789 P/A CD . . . . . . . . . . . . . . . . . . 29.95
Shalom—Dan Forrest. This tender and
comforting work "passes the peace" as its
simple yet elegant melody washes over the
listener, gently unfolding its text with increasing
texture: "Peace I leave with you, my peace I give
to you, not as the world gives; do not be afraid."
The Hebrew word "shalom" forms the refrains,
and whispers of the word "peace" further paint
the spirit and promise of the text. With piano and
optional violin, this piece is equally at home in
worship or concert settings.
11314187 SATB. . . . . . . . . . . . . . . . . . . . . 2.25
11416605 Two-Part Mixed . . . . . . . . . . . . 2.75
11314188 SSA. . . . . . . . . . . . . . . . . . . . . . 2.25
11314189 TBB. . . . . . . . . . . . . . . . . . . . . . 2.25
Until Love Is Spoken—Karen Marrolli.
This lovely setting of a message of love and
peace is in an accessible a cappella format
suitable for any mixed ensemble. It can be used
in both sacred and school settings, with an
original text that will be inspiring to all!
11416022 SATB. . . . . . . . . . . . . . . . . . . . . 2.25
We Shall Walk Through the Valley—
arr. Undine Smith Moore. The arrangement of
this African American spiritual is both
accessible and gorgeous. A short choral
section is used for the introduction, interludes
between verses, and at the conclusion, adding
cohesion to a lovely setting. Perfect for the
first Sunday of Lent or as a companion anthem
whenever Psalm 23 is scheduled.
11416588 SATB. . . . . . . . . . . . . . . . . . . . . 1.75
ANTHEMS OF PEACE & UNITY
NEW from
Dan Forrest!
HALLELU JAH: THREE
PSALMS OF PRAISE
These three settings of "Hallelujah Psalms" for choir and piano
range from invigorating to deeply touching to dancing for joy!
Optional percussion adds an additional layer of sparkling energy.
For worship or concert, they may be performed as a set
(10 minutes) or as individual movements.
Psalm 148—Dan Forrest. Triumphant strains of "Hallelu Yah" wind and
dance through various meters as they build in rhythmic excitement and
texture. A contrasting middle section offers quiet lyrical reflection before
resuming the exuberance of the opening motive as the piece moves to a
joyful conclusion.
11416629 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
Psalm 147—Dan Forrest. A quiet, contemplative mood helps turn the
focus to people raising their voices alongside nature and hints at the
psalmist's harp in its accompaniment.
11416630 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Psalm 150—Dan Forrest. An exhilarating accompaniment for piano with
optional percussion frames this dance in compound meter that proclaims,
"Let everything that has breath praise the Lord" and "Hallelu Yah." Divisi
harmonies and lilting choral lines weave through the exciting texture to a
dynamic conclusion.
11416631 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
11416924 Score & Percussion Part . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75