Editors' Choice 2022-2023 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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African Psalm—Victor C. Johnson.
With lively call and response, options for
percussion, and repetition to enable quick
learning, this energetic arrangement of a
traditional Zambian folk song will have your choir
and congregation responding to the call. Simple,
well-written and effective. Not to be missed!
10601337 SATB. . . . . . . . . . . . . . . . . . . 3.20
10882035 SAB. . . . . . . . . . . . . . . . . . . . 3.20
10601338 P/A CD . . . . . . . . . . . . . . . . 29.95
An African Worship Song—
Joseph M. Martin & John R. Paradowski.
Based on the Ghanaian folk song Nanuma,
this anthem highlights important elements
of worship: praising God in song, praying,
and going forth to share God's love. Written
for children, youth, and adults, the piece can
be sung by one choir or multiple choirs for a
multigenerational presentation. Handclaps,
percussion instruments, and a rhythmic piano
accompaniment join with other options to
create an unforgettable multicultural experience.
11376214 SATB. . . . . . . . . . . . . . . . . . . 2.35
11376213 Unison/Two-Part . . . . . . . . . 2.35
Akekho Ofana NoJesu (There's No One
Like Jesus)—arr. Charlotte Botha. A setting
of a South African hymn in the isiZulu language.
Written for solo and choir, the solo sections may
be sung by a small group. Djembes may be
included for concert performances, and body
movement is encouraged! This piece is sung in
diverse contexts and exudes joy!
11368965 SATB. . . . . . . . . . . . . . . . . . . 2.25
Anta Atheemon (You Are a Great God)—
Ziad Srouji/arr. Greg Scheer. This is a popular
devotional song among Arabic-speaking
Christians. Opening with a verse in Arabic, the
anthem transitions to a call-and-response verse
with the men singing in English and the women
responding in Arabic. Its final verse is full SATB
choir in Arabic before drawing to a quiet close
with the tag: "You are a Great God, a Mighty
God. How great You are." Translation and
pronunciation guides are included.
11395292 SATB/SAB . . . . . . . . . . . . . . 2.60
Bonse Aba (Traditional Zambian Song)—
arr. Andrew Fischer. Here is an exuberant
a cappella number that's loaded with African
atmosphere! The traditional Zambian words are
sung throughout with such a buoyant, rhythmic
feel that you are transported into the center of
a native celebration. The lyric translates as "All
that sing have the right to be called the children
of God." The song is brief, but may be repeated
as many times as desired. Various voicing
options are possible, and African percussion
may be added as the piece progresses. Your
choir will definitely want to improvise some
celebratory whoops and shouts!
10012300 SATB. . . . . . . . . . . . . . . . . . . 2.10
10062620 TTBB. . . . . . . . . . . . . . . . . . . 2.10
Bonse Aba—arr. Victor C. Johnson.
Sizzling with celebratory rhythmic energy, this
Zambian folk song loosely translates as: "Those
who sing have the right to be called the children
of God." The only accompanying instruments
are hand drum (treble drum), djembe (bass
drum), and shaker, which add authentic flavor
and opportunities for improvisation. The vocal
parts are easily learned due to their repetition
and call-and-response style.
10302661 SATB. . . . . . . . . . . . . . . . . . . 3.20
10089711 Three-Part Mixed . . . . . . . . . 3.20
10089722 Two-Part . . . . . . . . . . . . . . . . 3.20
10307386 SSA . . . . . . . . . . . . . . . . . . . . 3.20
10307387 TTB . . . . . . . . . . . . . . . . . . . . 3.20
10089725 P/A CD . . . . . . . . . . . . . . . . 26.95
Come, All You People (Uyai Mose)—
Alexander Gondo/arr. John L. Bell, adapt.
Gary Daigle. This joyful South African song of
praise is now available in an expanded form,
with call-and-response verses calling on all of
creation to praise God. It is set for three-part
choir and keyboard, with a guitar part available
separately. Energetic and welcoming!
11166808 SAB. . . . . . . . . . . . . . . . . . . . 2.20
El Senor Es Mi Pastor (The Lord Is My
Shepherd)—Gary Daigle. This setting of Psalm
23 is in a bilingual edition. The call-and-response
refrain is quickly learned. The verses alternate,
one in Spanish, one in English, and so on. You
will be hard pressed to find a musical setting
that can more adeptly match the comforting
tone of Psalm 23. Useful and meaningful.
11166798 Two-Part Mixed . . . . . . . . . . 2.50
Es Mi Cuerpo (Take and Eat)—
Charles A. Tindley/arr. Tony Alonso.
A beloved Communion song in many Spanish-
praying communities, this traditional hymn is
arranged in a contemporary style with both
Spanish and English texts for bilingual liturgies
throughout the year. The pairing of the Spanish
text with Tindley's tune is particularly poignant
because he used his ministry to unite people of
many races into a single community.
11384846 SAB. . . . . . . . . . . . . . . . . . . . 2.80
11384847 Guitar Part . . . . . . . . . . . . . . 6.00
Family (Familia)—Mark Burrows.
When we look at our neighbors, what do we
see? This endearing two-part piece celebrates
the wonderful diversity of our communities and
neighborhoods, with a gentle challenge to see
one another as God sees us: beautiful children
of the world. Set in both English and Spanish,
this accessible piece extends a hand of welcome
and embrace, asserting that "we are more
than neighbors, we are family." Includes the
composer's thoughtfully updated text for Jesus
Loves the Little Children. A perfect selection for
elementary and middle school choirs!
11347641 Two-Part . . . . . . . . . . . . . . . . 2.10
Hands Are Knockin'—Kyle Pederson.
A fascinating mix of English and Arabic text
reinforces the universal message to open our
minds, hearts, and hands to each other. The
lively piano accompaniment, notated djembe
percussion part, and syncopated vocal lines
that highlight the text come together to
create a meaningful piece that will be long
remembered. Exceptional!
10981924 SATB. . . . . . . . . . . . . . . . . . . 2.25
11196420 SSAA or SA divisi . . . . . . . . . 2.25
11313918 TB divisi or TTBB . . . . . . . . . 2.50
Hine Ma Tov—arr. Allan Naplan.
Inspired by Psalm 133, Hine Ma Tov is
translated "How good it is for all of us to dwell
together in peace." The meaning of the Hebrew
text is universal, as is the appeal of the lively
music, which cleverly shifts between major and
minor. The delightful "lai lai lai" refrain will make
your audience want to clap along!
10370730 SATB. . . . . . . . . . . . . . . . . . . 2.25
1978097 Two-Part . . . . . . . . . . . . . . . . 2.30
In Meeting We Are Blessed—
Troy Robertson. The use of a djembe imparts
a traditional African feeling to this easy original
a cappella work. The Gatsnahos text, inspired
by John Donne, has a theme of friendship
and unity that all can relate to. "We are met
together and in meeting we are blessed. Peace
in coming and in going, peace in labor and in
rest..." This is accessible to choirs at many
levels, and it makes a wonderful processional!
10589968 SATB. . . . . . . . . . . . . . . . . . . 2.95
10996247 SSA . . . . . . . . . . . . . . . . . . . . 2.25
11169350 TTBB. . . . . . . . . . . . . . . . . . . 2.55
Jaya Ho (The Solid Rock)—
arr. Diane Hannibal. This singular choral
offering pairs a traditional Hindhi melody with
the traditional hymn text, The Solid Rock. The
a cappella texture features layered ostinati
("jaya, jaya ho") supported by percussion (part
included). Program this for general worship or
commemorations of the global church.
11393959 SATB. . . . . . . . . . . . . . . . . . . 2.20
Kapayapaan, Peace Be with You—
Maria Nieva. Freely adapted from the well-
known prayer of St. Francis, this lovely setting
intersperses the Filipino word kapayapaan,
meaning "peace be with you," throughout
the English text. The setting is ideal for
congregations with an English-speaking majority
who are looking to demonstrate the universal
and cross-cultural appeal of God's message of
love and peace. There are accompaniments for
piano and guitar in the octavo. Parts for string
quartet are available separately.
11415779 SATB. . . . . . . . . . . . . . . . . . . 2.85
Let Us Talents and Tongues Employ—
arr. Doreen Potter. This is a delightfully
different piece for your programming. Based on
a traditional Jamaican melody, optional hand
chimes will add an island feel to bring the spirit
of joy, hope, and love into this communion
anthem. The writing is approachable and
perfectly crafted for this unique message that
celebrates the community of faith.
11374120 SATB. . . . . . . . . . . . . . . . . . . 2.30
11374121 SAB. . . . . . . . . . . . . . . . . . . . 2.30
11374122 Two-Part . . . . . . . . . . . . . . . . 2.30
11402740E Instrumental Parts ePrint . . 15.00
Miracle of Grace/Milagro de Gracia
(Bread of Life/Pan de Vida)—Curtis Stephan.
Combining rich Eucharistic imagery and text
with a deeply moving contemporary melody,
this assembly song is sure to resonate with
young and old alike. Presented bilingually with
a new Spanish translation, this song will reach
new communities of believers. It is scored with
keyboard and guitar accompaniment.
11396593 Two-Part . . . . . . . . . . . . . . . . 2.85
MULTICULTURAL ANTHEMS
