Editors' Choice 2022-2023 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
HANDBELL MUSIC
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He Lives!—arr. Mitchell Eithun. This
arrangement of this Easter classic majestic
expresses the joy of the day. The staccato
notes throughout add a great deal and may
be thumb damped or malleted with the bells
on the table. Handchimes enter later in the
arrangement and add a beautiful mellow
sound in the lower register. For a musical
performance, always take care of the melody
when all of the other bells are playing staccato.
11418010 3-5 Octave . . . . . . . . .L3 5.95
I Know That My Redeemer Lives—
arr. Brenda E. Austin. Mallets and other
stopped techniques call for a staccato-style
performance of this lively Easter setting of the
tune SHOUT ON. There is a hint of Indigenous
American music in this intriguing arrangement
that brings out the uniqueness of what
handbells can do.
11416846 3-6 Octave . . . . . . . L2+ 6.25
I Want Jesus to Walk with Me—arr.
Karen Lakey Buckwalter. This familiar African
American spiritual is often used during the
Lenten season yet may also be used at
other times during the year. This flowing
arrangement of the haunting melody brings
the listener into the timeless text of yearning
for help in difficult times. The center section
depicts this struggle with a slightly more
chromatic treatment followed by full, rich
harmonies before returning to the haunting
opening measures.
11417009 3-6 Octave . . . . . . . . .L3 4.95
I Will Rise—Various Composers/arr. Joel
Raney. This lovely contemporary Easter
hymn has been appropriately set for
handbells through the use of chimes, LV and
other various techniques. Utilizing optional
handchimes and synth can further add to the
ambiance of the piece.
11165182 3-5 Octave . . . . . . . . .L2 6.75
11165183 Synthesizer Part . . . . . . . . 9.95
Just as I Am—arr. Ron Mallory. This beautiful
arrangement of the beloved tune
WOODWORTH
is a joy to ring and a delight to hear. With a
lilting feel and the occasional unexpected
harmony, it brings fresh life to this old standby.
Traveling through different moods and keys,
the tune is thoroughly explored throughout the
course of the piece.
11375865 3-5 Octave . . . . . . . . .L3 4.95
The King of Glory—arr. Michael Helman. An
Israeli folk melody is expertly combined with
All Glory, Laud, and Honor in this piece that's
an ideal choice for Palm Sunday. The haunting
folk melody is underscored with delicate
mallet work, while the hymn tune receives a
full chordal treatment worthy of the Savior's
entrance into Jerusalem. The piece grows in
intensity through to the final glorious chord.
11375874 3-5 Octave . . . . . . . . L3- 4.95
Lamb of God—Twila Paris/arr. Lloyd Larson.
With minimal bell changes and the support
of the piano accompaniment, this is easily
learned and a powerful presentation for the
Lenten and Easter season. The arrangement
is very straightforward with no techniques and
a few easy meter changes. Beautiful.
10956635 3-5 Octave and piano L2 6.75
10978127 Full Score &
Organ/Keyboard . . . . . . . 12.95
Lord of the Dance—arr. Jason W. Krug. Join
the celebration with this fresh arrangement of
Sydney Carter's vigorous hymn based on
SIMPLE GIFTS. This accessible setting is rich
with fun rhythms and stopped techniques - a
sure winner for the Easter season.
11416848 3-5 Octave . . . . . . . . .L2 5.95
Mfurahini Haleluya (Christ Has Arisen,
Alleluia)—arr. Cathy Moklebust. This is a
delightful Easter tune from Tanzania. The two
settings are compatible, making this a great
choice for festivals. Even more festive are
the optional African percussion instruments:
djembe or congas, shekere or other large
shaker, claves, gankokwe or agogos, and
caxixi or maracas. Optional 3-octave chimes
add to the color variety. This accessible yet
upbeat arrangement features easy-to-learn
rhythms and a variety of handbell techniques
that will be sure to lift everyone's spirits all
through the Easter season.
11375590 2-3 Octave . . . . . . . L2+ 5.95
11375591 3-5 Octave . . . . . . . L2+ 5.95
11375592 Full Score & Parts Djembe/
Congas, caxixi/maracas,
shekere, claves, gankokwe/
agogos . . . . . . . . . L2+ 19.95
Now the Green Blade Riseth (Sing We
Now of Christmas)—arr. Kevin McChesney.
Back by popular demand, this classic
arrangement of the French Carol Noel Nouvelet
has alternate texts which allow it to be used at
Christmas and Easter. Malleted bass rhythms
open the piece and continue beneath the tune,
driving it forward. A full sounding arrangement,
this one keeps every hand busy yet still is very
workable. An excellent and fun arrangement
for everyone!
3067717 3-5 Octave . . . . . . . . .L3 5.95
10487029 Orchestration . . . . . . . . . 55.95
10487031 Concert Band
Orchestration . . . . . . . . . 55.95
O Sacred Head Now Wounded—arr. Brian
Childers. This quiet and somber setting of
the Lenten hymn
PASSION CHORALE is very
accessible to less-experienced choirs but has
several ossia measures for choirs that would
like a bit more of a challenge. For an even
more reflective mood, ring this on chimes.
A lovely choice for Lent, Holy Week, or any
communion service.
11400253 3-7 Octave . . . . . . . . L2- 4.95
O Sacred Head Now Wounded—arr. Linda
Scholes. Tower swings and the echo technique
provide warmth and tenderness to this
arrangement of the revered
PASSION CHORALE.
The level is attainable by any ensemble but
even groups with more experience will find
a challenge in perfecting the musicianship of
their techniques.
11383567 2-3 Octave . . . . . . . L1+ 4.95
11385611 3-5 Octave . . . . . . . L1+ 4.95
O Sacred Head, Now Wounded—arr. John
A. Behnke. Perfect for the Lenten season, this
beautiful arrangement of
HERZLICH TUT MICH
VERLANGEN
uses no bell changes. Because of
this, ringers have the option of using music
stands instead of tables and can be positioned
safely in church or concert hall. A three-note
motive unifies this haunting arrangement and
the use of singing bell in the middle adds to the
overall effect.
11324026 3-5 Octave . . . . . . . . .L2 3.95
The Power of the Cross—Keith Getty &
Stuart Townend/arr. Bettcher. Fitting for both
traditional and contemporary worship, this
effective arrangement combines two hymns,
The Power of the Cross and When I Survey
the Wondrous Cross. This thought-provoking
reflection on Christ's suffering is appropriate
for any Lent, Easter or communion service.
Shakes are utilized in the final section, bringing
the piece to a powerful and convincing close.
10341882 2-3 Octave . . . . . . . L2+ 6.75
10082004 3-5 Octave . . . . . . . . .L3 6.75
Remembering—John A. Behnke. An original
piece to remember those who have passed
away due to the COVID-19 pandemic, this
reflective piece has minimal bell changes and
no sharing of bells. The music begins with
a tolling bell, then a melody emerges which
seeks to express the significance of each life
lived, including their struggle with this virus.
Use for All Saints or for a memorial Sunday.
11332835 2 Octave . . . . . . . . . . .L2 3.95
11332834 3-5 Octave . . . . . . . . .L2 3.95
Thine Is the Glory—Susan Geschke. From
the Two Octave Gem Series and using only
20 bells, celebrate Easter with this joyous
hymn,designed specifically for the two octave
choir. Reflecting the reverent and celebratory
optimism of the day, martellato and echo
techniques are used to enhance the exultant
refrains. This is easily learned and accessible
for any youth or adult handbell choir.
10293738 2 Octave . . . . . . . . . . .L2 5.95
Three Pieces for Lent and Easter—Karissa
Dennis. This set of arrangements provides two
selections for Lent and Holy Week observances
and one for Easter Sunday. In keeping with
level-one guidelines, there is no subdivision
of the beat and the few handbell changes
are prepared. Ringers will enjoy developing a
variety of techniques, including echoes, tower
swings, and martellatos, and working on
legato passages that use LVs.
10811593 2-3 Octave . . . . . . . L1+ 6.50
Through the Night of Doubt and Sorrow—
arr. Anna Laura Page. This arrangement of
EBENEZER provides a contemplative moment in
any lenten service. Written in 6/8, the flowing
and repeated eighth notes keep the piece
moving forward while the haunting harmonies
provide fresh interest.
11416666 3-5 Octave . . . . . . . L2+ 4.95
Triumphant!—Linda Scholes. This original
tune is triumphant indeed! With prominent
syncopation and bold chords throughout, it sets
a joyous and celebratory mood from the outset.
A slower, more thoughtful section featuring
chimes and light malleted bass bells offers
a nice textural contrast before a return to the
opening figure and feel, which rounds out the
piece on a bold celebratory note. While perfect
for an Easter celebration, use this piece for any
moment of celebration in worship or concert!
11375878 3-5 Octave . . . . . . . . .L3 4.95
Ubi Caritas—Gustav Holst, Traditional/arr.
Matthew Compton. Church and community
ensembles alike will love the sensitivity
and chance for expressive ringing in this
arrangement that combines the traditional
Gregorian chant Ubi Caritas with Holst's
THAXTED from Jupiter. After a featured verse
of each tune, the arrangement moves to
some original material under the chant
before one last bold statement of the two
tunes layered over one another. This moving
arrangement will be a perfect fit in worship
services and concerts.
11397795 4-7 Octave . . . . . . . . .L3 4.95
What Wondrous Love Is This?—arr.
Susan Geschke. The beloved Appalachian
folksong is presented in all its simple beauty
with these two compatible settings, one for
2-3 octaves and one for 3-5 octave groups.
Effective when played by either handbells or
handchimes, it moves quietly from measure to
measure with minimal bell changes and easy
techniques such as shake and echo. It is a
marvelous setting to introduce your beginning
ringers to this hymn, or a simple-to-prepare,
prayerful addition to the repertoire for more
capable ensembles.
10080658 2-3 Octave . . . . . . . L1+ 4.50
10080659 3-5 Octave . . . . . . . L1+ 4.50
Who Is This? (based on the Southern
Harmony tune
BOZRAH)—arr. Kathleen
Wissinger. This little-known Southern Harmony
gem enthralls with a unique form, minor mode,
and an intriguing melody. Three variations
(verses) incorporate martellato, interesting
harmonies, and parts for an optional vocal
solo or unison hymn. The two noncompatible
settings allow for different bell and vocal
ranges. Three hymn texts are included: Lent,
Epiphany, and Palm Sunday. Score "A" is in G,
"B" is in C.
11375612 2 Octave . . . . . . . . . . .L3 5.00
11375613 3-7 Octave . . . . . . . . .L3 5.00
Wounded and Afflicted—arr. Lloyd Larson.
This arrangement of the tunes
PASSIONAL
CHORALE and HERZLIEBSTER JESU features
optional cello, which helps set the tone for a
somber Lenten service.
11416668 3-5 Octave . . . . . . . . .L2 4.95
11416669 Cello Part . . . . . . . . . . . . . 4.95
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