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JAZZ
ENSEMBLE
M E D I U M
Africa—Paich & Porcaro/arr. John Wasson. Originally
a #1 hit for Toto in the early 1980s, and recorded
again by the group Weezer, this powerful rock
anthem features a distinctive groove and memorable
lines. In this chart it's given a contemporary spin while
maintaining the feel and drive of the original. There's
solo space for trumpet. Highly recommended!
10960648 Jazz Ensemble . . . . . . . . . . . . . . . . 55.00
Blackbird—Lennon & McCartney/arr. Mike Tomaro.
Perhaps one of the Beatles' lesser known tunes,
Blackbird remains one of their most creative and
memorable. Mike Tomaro's smooth setting uses a
blend of light funk along with a brief samba section
to create a truly outstanding effect. The theme is
stated simply in the beginning by trumpet, followed
by an array of orchestrational textures and harmonies.
Highly recommended!
10098755 Jazz Ensemble . . . . . . . . . . . . . . . . 55.00
Get It On—Bill Chase/arr. Victor Lopez. This chart is
exciting jazz-rock...pure and simple! From the jazz-
rock group Chase, it features the trumpet section
and has written solos for tenor sax, trumpet and
trombone. The lead trumpet range is to written Bb
above the staff. There's also a cool cascading chorale
section. Optional parts are included for flute, horn in F,
baritone/tenor sax and tuba. Hit it hard and keep the
energy pumping!
10049714 Jazz Ensemble . . . . . . . . . . . . . . . . 52.00
I Wanna Be Like You—Sherman & Sherman/arr.
John Wasson. What happens when one of the hottest
swing bands in the land cuts loose on a Disney
classic? Cranked up excitement! Big Bad Voodoo
Daddy takes a mambo spin on I Wan'na Be Like You
from "The Jungle Book," and with lots of tutti writing,
your band will get a real powerhouse sound!
2433704 Jazz Ensemble . . . . . . . . . . . . . . . . 55.00
In the Stone—arr. Paul Murtha. With no solos
required and only a driving rhythmic groove, here's
an authentic-sounding version of this Earth, Wind
& Fire classic. The trombones are featured on the
melody and all the signature riffs from the original are
beautifully captured. Guaranteed fun!
10033677 Jazz Ensemble . . . . . . . . . . . . . . . . 55.00
POP CHARTS
TOP 5 BEST-SELLING
VOCAL SOLO FEATURES!
1. Feeling Good—
Bricusse & Newley/arr. Roger Holmes.
From the Broadway musical "The Roar of
the Greasepaint - The Smell of the Crowd,"
this fabulous standard is popular again with a
stunning rendition by Michael Buble. Capturing
the bluesy flavor of this version, here is a vocal
solo feature sure to bring down the house. It
can also be used as an alto sax feature. Highly
recommended! Vocal in C minor.
10297513 Jazz Ensemble & Vocalist
(or Alto Sax) . . . . . . . . . . . M 55.00
2. Sway (Quien Sera)—
Pablo Beltran Ruiz/arr. Mark Taylor.
Recorded most recently by Michael Buble, here
is a smooth arrangement of this appealing Latin
tune for vocal soloist (or optional tenor sax). The
instrumental section features saxes answered by
the brass. This is a natural sounding feature for
any vocalist!
10098760 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . ME 55.00
3. At Last —Harry Warren/arr. Dave Wolpe.
At Last is the ever-popular, bluesy, vocal ballad
feature as arranged by Dave Wolpe. The chart
is arranged in two keys to suit the needs of
all vocalists. Substitute instrumental solos are
included, with a written tenor sax solo in the low
female key and a written alto sax solo in the high
male key. The vocal ranges are: low female in
the key of G, high male in the key of B-flat.
10093215 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . . M 62.00
4. Crazy Little Thing Called Love
(from "Bohemian Rhapsody")—
Freddie Mercury/arr. Roger Holmes.
Released by Queen in 1979, this iconic hit adapts
beautifully for vocal soloist with jazz ensemble,
with its rollicking shuffle style and infectious
simplicity and charm. This feel-good tune will be
an instant audience favorite! If you don't have a
vocalist to feature, there's an optional tenor sax
solo part included. Vocal key: G
10960658 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . ME 50.00
5. Skyfall—
Adkins & Epworth/arr. Roger Holmes.
From the James Bond blockbuster motion
picture Skyfall, pop superstar Adele hit the
airwaves and charts with this powerful and
dramatic theme song that blends a soulful
rock style with a hint of the signature Bond spy
music. Here's a terrific setting for jazz ensemble
that features either a tenor sax or vocal soloist.
Vocal in C minor. Highly recommended!
10348136 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . ME 55.00
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