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JAZZ
ENSEMBLE
POP CHARTS
Tomorrow (from "Annie" - Key of F)—Charles
Strouse & Martin Charnin/arr. Mark Taylor. Arranged
here in a light rock style, this timeless song from
the hit musical "Annie" is sure to bring a smile.
Perfectly scored to sound great, and a natural choice
for a vocalist.
11401156 Jazz Ensemble & Vocalist . . . . . . . . 55.00
What a Wonderful World—Douglas & Weiss/arr.
Alan Baylock. Alan Baylock sets this wonderful tune in
a sultry 12/8 groove played at about 72 bpm, making
it feel lazy and relaxed. There are no solos, just sweet
ensemble writing all the way. The lead trumpet range
is to A above the staff and optional parts are included
for expanded instrumentations. This outstanding chart
is an ideal contrasting piece for any performance!
10997206 Jazz Ensemble . . . . . . . . . . . . . . . . 52.00
JAZZ APPRECIATION MONTH
Celebrate Jazz Appreciation Month with these historic standards
from some of the greatest in the game.
In the Mood—Joe Garland/arr. Michael Sweeney.
This one's a must! Glenn Miller's big band classic is one of the best known tunes from the swing era,
and Mike's excellent arrangement puts it within reach of young bands. Comfortable ranges, easy rhythm
patterns and written solos make this a perfect choice to teach your students how to swing!
2314268 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
In the Mood—Joe Garland/arr. Paul Lavender.
An authentic sounding, easier version of this classic big band standard, arranged to let younger players
experience the energy and fun of Glenn Miller's biggest hit.
2170348 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
Pennsylvania 6-5000—Jerry Gray/arr. Rick Stitzel.
Made famous by the Glenn Miller Orchestra, here is one of the iconic hits from the big band era! The
saxes are featured on the main melody and the entire band gets in on the vocal chant. Scored for the
youngest groups, it also includes written solos for any trumpet and any alto sax. Plus, it's playable with
optional reduced or expanded instrumentations. Celebrate the big band era!
11100178 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
So What—Miles Davis/arr. Michael Sweeney.
In a very easy version, this Miles Davis' classic is a must for beginning bands! The modal structure
teaches the dorian scale and the practical chart includes teaching tips and practice exercises. What a
great introduction to one of the all time legends of jazz!
2470822 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
Take Five—Paul Desmond/arr. John Zontek. Take Five in 4/4 and not 5/4, you say? Yes, and it works
just fine in this clever chart on a super classic everyone will recognize. The bossa nova tempo is around
130 bpm and there are written or improvised solos for piano and alto saxophone. Additional features
include a reoccurring interlude that offers contrast, the lead trumpet range is to written B-flat above the
staff, and optional parts are provided for augmented instrumentations. It all works great!
10756392 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 52.00
Take the 'A' Train—Billy Strayhorn/arr. Michael Sweeney. Billy Strayhorn's iconic jazz standard,
recorded by Duke Ellington, is skillfully adapted in this easy version. From the trademark introduction,
saxes on the main theme, and short written or ad lib. solos, this will sound great even with young players.
11357094 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
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