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NEW POP, STAGE & SCREEN CHORAL MUSIC
Joy—arr. Anita Cracauer. The unofficial king of
"happy pop," Andy Grammer's 2022 hit Joy takes
us through his experience navigating many different
emotions before finally finding joy and its life-changing
effects. The song is a gospel-influenced stomp powered
by a strong floor tom groove. The arrangement is mainly
choral throughout, but it also features a brief solo right
before the final chorus. Perfect for any performance
occasion, it also makes a great closer!
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Land of Confusion—arr. Anita Cracauer. This 1986
hit by Phil Collins & Genesis packs a serious rock and
roll punch! It works equally well with rhythm section
only or full horn section accompaniment options. It
features a wailing soloist in the middle and full choral
harmonies that showcase that '80s sound.
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Live and Let Die—Paul & Linda McCartney/arr.
Anita Cracauer. This arrangement of the classic James
Bond title sequence by Paul McCartney and Wings
stays true to the original form, but with an edgier, more
modern sound. It features a solo for the first section but
allows plenty of room to feature your dancers. Short
and powerful, it makes a great opener!
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Meet Me on the Battlefield—arr. Anita Cracauer.
This hit song by pop singer Svrcina is about soldiers
tirelessly fighting an unending war. Another possible
interpretation is that of a couple going through
relationship struggles as if they were on a battlefield,
so this can work in shows with a variety of themes.
This arrangement features a lengthy solo for the first
verse and chorus that gradually grows into a full
choral setting that transitions through multiple key
changes effectively.
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Middle of a Moment (from "James and the
Giant Peach")—Benj Pasek & Justin Paul/arr. Anita
Cracauer. Penned by the songwriting dynamic duo
Pasek & Paul ("Dear Evan Hansen"; "The Greatest
Showman"), this tune from "James and the Giant
Peach" is a great ensemble feature for your choir.
Piano-led, playful, and upbeat, the lyrics deal with the
magic of living in the moment. It's the perfect change-
of-pace selection with character, and it offers the option
for an opening solo.
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Mr. Roboto—Dennis DeYoung/arr. Anita Cracauer.
The classic 1983 song from Styx is a great novelty
piece that will be enjoyed by all. From the introduction
with Japanese lyrics to themes of AI and technology to
the robotic feel of the melody, it really speaks just as
strongly today as it did then. This fresh arrangement will
function well within many show themes as an opener or
as a transition piece.
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Never Alone—Jesse Bonanno/arr. Anita Cracauer.
This poignant ballad by singer-songwriter Jesse
Bonanno has a really unifying message of friendship
and emotional support during tough times in life. It
features soloists at the beginning and the end and
has beautiful harmonic writing for your ensemble
throughout. Inspirational and meaningful!
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Nothing to Lose—Stephen Flaherty & Lynn Ahrens/
arr. Anita Cracauer. Written by Broadway songwriting
duo Flaherty and Ahrens, this beautiful ballad of hope
and encouragement is a standout feature for choirs. This
arrangement features two soloists in a duet texture for
the first verse and chorus, then moves into a fully choral
presentation with an ever-growing harmonic texture. It
has a lushly orchestrated score with a wide variety of
musical colors. A consistent favorite for choirs, it has won
a number of "best ballad" awards over the years.
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On My Way (from "Violet")—Jeanine Tesori/arr.
Anita Cracauer. From the Broadway musical "Violet,"
this short and snappy tune is about moving on down
the road of life. It packs a huge burst of optimism into
less than two minutes of music, which makes it ideal as
an opener or as an energy reboot after a ballad. With
no solos, it is fully choral throughout, making it a great
way to showcase your entire ensemble.
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The Other Side—arr. Anita Cracauer. This song
with equal parts R&B, funk, soul, and rap is one of
superstar Bruno Mars' earliest hits. Featuring a pair of
soloists on the verses and a rap section in the middle,
it is modern, eclectic, and versatile enough to fit into a
number of different show slots or themes.
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