Editors' Choice 2023 New Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
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TOP-SELLING MARCHES
A L L L E V E LS
Aces of the Air (March)—Karl King/arr.
Swearingen. From the always popular collection of
Karl King marches has come another great work
of masterful writing. All the colorful ingredients
of a traditional march can be found in this fun to
perform piece by the preeminent composer of
circus music. His timeless pieces are performed
around the world and this exciting march will
hopefully find its way into the music folders of your
students.
10280589 Band Set & Score . . . . . . . . ME 65.00
Alamo March—Karl L. King/arr. James
Swearingen. When it came to writing marches that
sounded great with bands at all grade levels, Karl
King had no peer. Dedicated to the heroes of The
Alamo, this very playable march has that certain
quality which made it one of King's favorites at
the easy grade level. With a full concert band
instrumentation, along with subtle changes in the
instrumental scoring and percussion lines, James
Swearingen's arrangement enhances its charm
even further. A guaranteed winner!
2231751 Band Set & Score . . . . . . . . ME 60.00
All for One, One for All (March)—Carol
Brittin Chambers. This concert march was written
specifically for young musicians. As the title
indicates, the jubilant and upbeat spirit portrays
a strong sense of unity that emanates throughout
the piece. It's perfect for reinforcing march style
in a manner that will stand out in any contest or
festival program.
11001010 Band Set & Score . . . . . . . . VE 55.00
Amparito Roca—Jamie Texidor/arr. Winter.
The "Grand-daddy" of all Spanish marches! This
excellent work is unquestionably the epitome
of Spanish marches, and as such deserves an
active place in every good band library. Highly
recommended!
147512 Band Set & Score . . . . . . . . . M 85.00
Amparito Roca—Jaime Texidor/arr. Fagan.
This classic Spanish march has been expertly re-
cast in an authentic-sounding edition for younger
players. Brass ranges and the instrumentation
have been modified while all the charm and
energy of the original remain. A most welcome
addition to band repertoire.
10052942 Band Set & Score . . . . . . . . ME 70.00
Andalucia—Victor Lopez. Andalucia has always
been a very musical land and the unique music
and exotic dances have inspired composers
throughout history. This tradition continues
with this inspired work, flavored by the colorful
blended sounds of the flamenco traditional march
styles. Full of fire and energy it will spice up any
young band concert!
10218260 Band Set & Score . . . . . . . . VE 56.00
Boulder Ridge March—Chris Ferguson. Here
is an excellent introduction to the march style. It
is spirited and features a lovely countermelody
in the upper woodwinds. Your percussionists will
have fun opportunities with auxiliary instruments,
and even your low voices will get some exposure!
Marches have it all, and this is no exception!
11346000 Band Set & Score . . . . . . . . . B 45.00
Darklands March (Flexible Instrumen-
tation)—Randall Standridge. This somewhat
dark and edgy concert march is written in minor
mode with the militaristic first half of the march in
stark contrast to the lyrical trio. An expertly-written
easy concert march that is also an excellent
work for teaching march style, dotted eighth/
sixteenth note rhythms, and motivic development.
This flexible version will provide directors with
adaptable parts for a variety of situations.
11308314E Band Set & Score ePrint . . E 70.00
Darklands March (March Through the
Dark Forest)—Randall D. Standridge. This
somewhat dark and edgy concert march is
written in minor mode with the militaristic first half
of the march in stark contrast to the lyrical trio.
An expertly-written easy concert march that is
also an excellent work for teaching march style,
dotted eighth/sixteenth note rhythms and motivic
development.
10457936 Band Set & Score . . . . . . . . . E 70.00
El Zorro Rojo (Concert March)—Randall D.
Standridge. This spirited concert march portrays
the lighthearted, mischievous nature as well as
the flowing and graceful beauty of this wonderful
creature, the red fox. Vibrant Spanish harmonies
and the buoyant 3/4 time signature give this march
a decidedly stimulating and exotic character.
11001401 Band Set & Score . . . . . . . . ME 58.00
Espana Cani—P. Marquina/arr. Longfield. Fiery
rhythms and flowing Spanish melodies make this
one of the most famous of all the great "paso
dobles" and Robert Longfield's exceptional new
arrangement makes it real a showstopper for
band! From the opening trumpet fanfare to the
whirlwind finish, this is perfect programming for
high school groups, as well as community and
college bands. A real winner for both performers
and audiences!
2396307 Band Set & Score . . . . . . . . . M 72.00
Espana Cani—arr. Michael Story. This famous
Spanish march has been masterfully scored
in an easy setting. Contains all the appealing
elements of the original... the noble introduction,
the exciting trumpet fanfare and the paso doble
style that is so unique and appealing. Extremely
playable and stylish, it will add a colorful spark to
any performance.
10066632 Band Set & Score . . . . . . . . . E 62.00
Flying Cadets—Karl L. King/arr. James
Swearingen. Another classic march from the
vault of musical treasures by the great Karl King,
masterfully arranged. It goes without saying that
King was a master at creating tuneful marches
that have certainly stood the test of time. As
with all his marches you can be assured that this
edition is certain to be another real crowd pleaser
of monumental proportions.
10609509 Band Set & Score . . . . . . . . ME 68.00
Forward March!—Paul Murtha. Here's a
snappy little march that your drummers are just
going to love! They get a spotlighted percussion
break, and there's also a nice "trio" melody
for clarinets, strong melodic writing with easy
counterlines and a strong full band finish. Bright,
invigorating and reminiscent of some of the great
classical marches, this is a strong choice for your
beginners!
2445344 Band Set & Score . . . . . . . . VE 50.00
Hillside March—Randall Standridge. Your
audience and performers will be charmed by this
idyllic, cheerful march! Take a stroll across the
countryside as your ensemble plays pleasant
tunes reminiscent of British marches. Its quirky
character and uplifting ambiance are sure to bring
a smile to your next concert crowd!
11331930 Band Set & Score . . . . . . . . . E 65.00
Luz y Sombra—Jorge Vargas. This original
concert march is sure to be a favorite at your next
concert! Delightful melodies and harmonies are
utilized within the traditional march form to create
a piece that sounds both new and familiar. A great
addition to the march repertoire.
11400083 Band Set & Score . . . . . . . . . E 60.00
March of the Trolls (from "Lyric Suite",
op. 54)—Edvard Grieg/arr. Beck. Here's a terrific
transcription that provides a contrasting selection
for concert programs. The soft but intense
opening builds in intensity and draws the listener
in as it grows in energy and volume. A welcome
work that bands at all levels will want to perform.
10093405 Band Set & Score . . . . . . . . ME 78.00
March Phantasma—Randall Standridge.
Looking for a fresh and nontraditional march?
Look no further! This march creates a decidedly
creepy vibe while staying true to the traditional
march form. Minor modes, catchy melodies, and
plentiful percussion help make this an excellent
and unique selection for your next concert or
festival performance.
11400071 Band Set & Score . . . . . . . . . E 65.00
Marche Diabolique—Brian Balmages. This
sinister-sounding march is perfect for directors
looking for something completely different.
Using elements from a traditional march set in a
contemporary framework, the music is based on
tritone intervals surrounded by expansive, dark
harmonic language. A wealth of percussion adds
great color to the unsettling character of the music.
Quite effective and intriguing!
10459831 Band Set & Score . . . . . . . . ME 60.00
Midway March—John Williams/arr. Moss.
This is the tuneful John Williams march written
for the W.W. II era movie, "Midway." In this very
playable version, Williams' lilting 6/8 style and
shifting key centers give the march format a fresh
and stirring feel.
2306553 Band Set & Score . . . . . . . . ME 75.00
Rough Riders—Karl L. King/arr. Swearingen.
What a terrific march at this level! Sometimes
termed a galop, this is one of King's easier
marches, and James Swearingen's edition for
modern concert band is right on the mark! Rough
Riders will make a great choice for concert,
festival or contest use, and is sure to be the hit of
your next performance.
2347037 Band Set & Score . . . . . . . . ME 60.00
Southampton March—Robert Sheldon.
The charm and style of a British-style march is
brought front and center in this delightful concert
march for young band. The tuneful melodies are
reminiscent of English folk tunes and create a
tasty international palette with which to open a
concert or festival performance.
10739115 Band Set & Score . . . . . . . . . E 49.00
Spania! (Spanish March)—David Shaffer.
A real showstopper for developing bands! A
delightful and exciting Spanish march for
developing bands that's a real confidence builder
and effective teaching tool. Written in the classic
paso doble style, all sections have interesting
parts to play in this fiery original. A real winner!
2481432 Band Set & Score . . . . . . . . ME 59.00
Union March—Mekel Rogers. Now even the
youngest of bands can play a great traditional
march without excessive demands on chops or
technique. Complete with opening strain, dog-
fight section, and final strain, this musical march
lets directors focus on teaching march style and
phrasing. An excellent and welcome addition for
very young bands!
10279376 Band Set & Score . . . . . . . . VE 45.00
CONCERT
BAND
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