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Basic Library Large Print Edition A Cappella Available via ePrint Downloadable (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision
Dies Irae (from "Requiem")—Michael John
Trotta. Pulsating rhythmic ostinatos, cluster
harmonies, and soaring soprano lines are all
present in this exciting a cappella concert work,
possessing all the elements you'd expect from the
composer of Veni, Veni Emmanuel. Based on the
13th-century Dies Irae chant, the exciting minor
texture contrasts driving rhythms and beautiful
legato singing while still remaining accessible. A
perfect way to showcase your choir as a concert
opener, closer, or for festival use.
11415260 SSAA divisi . . . . . . . . . . . . . . . 3.10
Empire of Blue—Rob Dietz. In a style that is
equal parts contemporary and historic, this unique
concert work employs a variety of vocal styles,
including contemporary a cappella, overtone
singing, vocal jazz, and shape note/sacred harp.
Quoting the folk hymn The Lone Wild Bird, which
grapples with understanding our place in the
world, this piece resonates with a youthful voice
and style that will surely be impactful.
11415498 SSAATTBB. . . . . . . . . . . . . . . 3.10
Especially Do I Believe in the Negro
Race (from "Credo")—Margaret Bonds/ed.
John Michael Cooper. Written in a gospel style,
this lyrical second movement extracted from the
larger work Credo utilizes a text by W.E.B Du
Bois: "Especially do I believe in the Negro Race;
in the beauty of its genius, the sweetness of its
soul, and its strength in that meekness which
shall yet inherit this turbulent earth." The intense
beauty of the music reflects Bonds' deep affinity
for the spirit of Du Bois' words. It features a
soprano soloist throughout.
11421190 SATB. . . . . . . . . . . . . . . . . . . . 2.95
Everyone Sang—Mark Burrows. This setting
of the powerful poem by Siegfried Sassoon offers
great hope as jubilant voices are "suddenly lifted
- and beauty came." Not to be overlooked, this is
the perfect piece for an advanced mixed choir.
"May the singing never be done."
11410885 SATB. . . . . . . . . . . . . . . . . . . . 2.75
Exultate Justi—Dan Davison. Utilizing a
classical style of composition, this piece just
might transport you back to the time of Mozart!
Full of educational opportunities, the musical style
and interpretation is authentic sounding, and the
Latin text, generous doubling, and well-supported
choral parts make this an easily learned concert or
festival choice that is sure to impress.
11411102 TBB . . . . . . . . . . . . . . . . . . . . . 2.50
Exultate Pacifica—Randall Johnson.
Combining melodic and rhythmic fragments
from island cultures throughout the Pacific, this
exciting work for tenor-bass choirs uses a Latin
text and a variety of two-, three- and four-part
harmonic textures throughout. The distinctive
piano accompaniment moves the piece along
with rhythmic intensity - but then exits to give way
to a more lyrical a cappella section in four-part
harmony that features a gentle hymn from the
Solomon Islands.
11410679 TTBB. . . . . . . . . . . . . . . . . . . . 2.30
God Wouldn't Bring You This Far to
Leave You—Tom Trenney. This soulful setting
of an original text invokes a gospel music tradition,
preaching its text through declamation and bluesy
harmonies: "God wouldn't bring you this far to
leave you; no height nor depth nor anything else
can separate us from the love that God will show."
Your choir and audience will love the narrative
episodes between refrains, the effective styling of
the piano part, and the closing vamp that builds to
its emphatic ending: "God will not ever let go!"
11416632 SATB divisi . . . . . . . . . . . . . . . 2.75
Great Is Thy Faithfulness—arr. Dan For-
rest. It would be difficult to find a more powerful
arrangement of this beloved hymn. This choral
setting with piano offers several additional
performance options, including optional organ,
brass quintet, percussion, and orchestra. A quiet
opening builds very gradually through the stanzas
and several key changes to a final brilliant stanza
with optional congregation. Very well done and
inspirational.
11416620 SSAA . . . . . . . . . . . . . . . . . . . 2.50
11416621 TTBB. . . . . . . . . . . . . . . . . . . . 2.50
Halleluja, Loof Die Here—Franco Prinsloo.
South African composer Franco Prinsloo brings
us this beautiful setting of a sacred text in the
Afrikaans language for treble choirs. A lyrical
melody with a flowing piano accompaniment
gives the opportunity to explore phrasing and
musical sensitivity. Translation and pronunciation
aids are available.
11416625 SA . . . . . . . . . . . . . . . . . . . . . . 2.50
I Am a Voice That Sings—Michael Buss-
ewitz-Quarm. With a fresh, contemporary feel,
this selection brings an uplifting message of hope
and friendship through times of darkness. With
its wide appeal, it is available in several voicings,
including the Ember Arrangement which provides
a wonderful opportunity to feature many of your
outstanding solo singers. "Together, we will find
something of grace and peace. I am a voice that
sings! Together we will sing!"
11416202 SATB or SSAATTBB
A Cappella . . . . . . . . . . . . . . . 2.95
11397316 SATB . . . . . . . . . . . . . . . . . . . 2.95
In Profundum Maris—Richard Nance. Poet
Kathryn I.W. Sparks uses allusions to nature to
explore the idea of the inexplicable power of music
to heal and save. This original concert work sets
the text with artistry and sensitivity to the extreme
emotions of the lyrics, while bringing in a sense
of calm and acceptance. It is a beautiful work for
more advanced divisi choirs.
11415502 SSAATTBB. . . . . . . . . . . . . . . 3.10
The Island Itself—Sarah Quartel. This is an
homage to the island of Omey in County Galway,
Ireland, done in a modern Celtic and contemporary
a cappella style. With background harmonies that
weave and flow around the melody, the vocal
movement imitates a water current, carrying the
listener through this lovely piece.
11415045 SSAATTBB. . . . . . . . . . . . . . . 4.50
Justitiae Domine—Michael John Trotta.
Beautiful a cappella harmonies on a Latin text
from Psalm 19 are a wonderful way to develop
part independence and musical sensitivity.
Opening on a simple unison note, the harmonies
build in accessible counterpoint before a
contrasting homophonic middle section. Lyrical
and expressive, this piece is suitable for concerts,
festivals, and services.
11415267 SSA. . . . . . . . . . . . . . . . . . . . . 2.90
Leave Her, Johnny—arr. Daniel Lynch. This
gently rocking sea shanty was generally reserved
for the end of a long voyage when the sailors would
be leaving the ship. The "her" in the song refers to
the ship, and the lyrics express the hardships of
the voyage. This lyrical arrangement is ideal for
beginning tenor-bass choirs. The musical setting
is often in two parts but expands occasionally to
three parts in this easily learned version.
11410683 TTB . . . . . . . . . . . . . . . . . . . . . 2.25
2
CONCERT WORKS
ADULT
COMMUNITY
CHOIR
Theme:
LYRICS BY POETS
Measure Me, Sky!—Elaine Hagenberg.
11416229 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
My Heart Be Brave—Marques L. A. Garrett.
11384396 SAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
Our Voices Linger—Charles Anthony Silvestri &
James Eakin III.
11394215 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.30
The Road Not Taken—Z. Randall Stroope.
11397055 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
Seeking Light—Brandon Williams.
11334133 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
There Will Come Soft Rains—Matt Podd.
11398438 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.10
Things That Never Die—Brad Nix.
11348366 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
To Sit and Dream—Rosephanye Powell.
10091834 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.30
United in Purpose—Rollo Dilworth.
11405285 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.60
Where the Light Begins—Susan LaBarr.
11392537 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.85
Time-honored, proven repertoire.
BASIC LIBRARY
