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Aia la 'o Pele i Hawai'i—Jace Kaholokulu
Saplan. Based on a traditional Hawaiian
chant with original music, this rousing work for
advanced treble choirs brings all the drama of
a volcanic eruption normally associated with
destruction. But in Hawaiian culture, Pele - the
goddess of volcanos and fire - also evokes awe
and veneration. Layered ostinato patterns and
dramatic divisi harmonies, along with the use of
the Ipu, a Hawaiian percussion instrument, create
an exciting experience!
11415495 SSAA divisi . . . . . . . . . . . . . . . 3.00
Algo Me Dicen Tus Ojos—Rosephanye
Powell. This first piece in the suite Three Spanish
Songs is a darkly romantic setting of its lyrics:
"Your eyes are saying something to me, but what
they are saying I do not know."
11398738 TTBB. . . . . . . . . . . . . . . . . . . . 2.30
11398741 La Cancion Del Camino -
TTBB. . . . . . . . . . . . . . . . . . . . 2.30
11398746 Solidaridad - TTBB . . . . . . . . . 2.30
Canntaireachd—Paul Ely Smith. Made popular
in performances by the famous choral ensemble
Chanticleer, this music is original although its
connection to Scottish Celtic music is undeniable
and quite intentional. The words have no meaning
but continue the essence of the folk song idiom it
is celebrating. It is a joyful concert piece!
11395881 SATB a cappella. . . . . . . . . . . 3.95
Chante Waste Hoksila (My Kind-Hearted
Boy)—arr. Linthicum-Blackhorse. Here is a
traditional Lakota lullaby sung by mothers to their
young boys. The Lakota language has become
nearly extinct, but composer/arranger Linthicum-
Blackhorse has made it his life's work to bring
the language back to life. In this arrangement,
the IPA pronunciation guide is included in the
body of the music in order to make it accessible
to all singers and choirs. Dedicated to the victims
of the Robb Elementary School mass shooting in
Uvalde, Texas.
11413269 SATB. . . . . . . . . . . . . . . . . . . . 2.60
Dilmano, Dilbero—arr. Gaby Hristova & Josh
DeVries. Here is a lively and energetic selection
from Bulgaria. With an asymmetrical meter and
some nice cluster chords, this traditional folk song
also includes hand clapping for a rhythmic piece
that is both challenging and rewarding.
11408369 SATB divisi . . . . . . . . . . . . . . . 2.60
11418401E Instrumental Parts divisi ePrint 5.00
Ha Rese Re Bina—arr. Mbuso Ndlovu.
Traditionally sung to celebrate a victory by a
group of winners in a competition, this South
African "bragging" song is tons of fun to sing. In
five parts throughout, with the first sopranos taking
the call and the rest of the choir the response,
this SeSotho and IsiXhosa song is simple to put
together. Add percussion and ululations for an
authentic South African sound to enhance your
performance.
11415499 SSATB . . . . . . . . . . . . . . . . . . 2.80
Halleluja, Loof Die Here—Franco Prinsloo.
South African composer Franco Prinsloo brings
us this beautiful setting of a sacred text in the
Afrikaans language for treble choirs. A lyrical
melody with a flowing piano accompaniment gives
the opportunity to explore phrasing and musical
sensitivity. Translation and pronunciation aids are
available.
11416625 SA . . . . . . . . . . . . . . . . . . . . . . 2.50
Hela Rotan—arr. Ken Steven. This is a popular
Indonesian folk song about the game of tug of war
from the island of Maluku in the Moluccas. It is a
call to live in togetherness, even though there are
differences that attract each other. Full divisi, the
native language, and close harmonies provide a
challenge, but most of the piece is ostinato-based
which provides an anchor.
11397274 SATB divisi, or SSAATTBB . . 2.85
La Cancion del Camino—Rosephanye
Powell. Here is the second song in the suite Three
Spanish Songs for tenor-bass choir. This music is
powerful and energetic, with a stylistic piano part
that helps drive the energy of the piece.
11398741 TTBB. . . . . . . . . . . . . . . . . . . . 2.30
11398738 Algo Me Dicen Tus Ojos -
TTBB. . . . . . . . . . . . . . . . . . . . 2.30
11398746 Solidaridad - TTBB . . . . . . . . . 2.30
Lo Lefached (Do Not Be Afraid)—Joan
Szymko. "The whole world is a very narrow bridge
and the main thing is not to be afraid at all." Set
in the original Hebrew, with dramatic rhythmic
intensity, this setting of an 18th-century text by
Rebbe Nachman of Breslov conveys the tension
and resolve of his teaching.
11397597 SATB. . . . . . . . . . . . . . . . . . . . 2.50
11397598 SSAA . . . . . . . . . . . . . . . . . . . 2.50
Mang'ong'o—arr. Otenio R. Sylvester. This
celebratory African song is a Kenyan Samia/
Banyala victory song traditionally performed
during wrestling matches. Over time, the context
changed to include the celebration of any form
of success, including graduations, elections,
and even a return to health after being sick. The
setting is for soloist with choir in an up-tempo call-
and-response style. Add percussion for a lively
performance!
11415504 SATB. . . . . . . . . . . . . . . . . . . . 2.80
Mirame Asi (Habanera)—E. Sanchez
Fuentes/arr. George G. Hernandez. Here is a love
song from Cuba that is happy and passionate. The
title means "Look at me like that," and anyone who
has ever fallen in love knows what that means!
The tune is folk-like and beautiful, and this setting
lets the accompanying voices provide the dance-
like rhythms.
11395891 SATB. . . . . . . . . . . . . . . . . . . . 2.75
Solidaridad—Rosephanye Powell. "We shall
sing! We shall jump! We shall shine! We shall fly!"
These opening lyrics in this third piece from the
suite Three Spanish Songs for tenor-bass choirs
are nothing but joy!
11398746 TTBB. . . . . . . . . . . . . . . . . . . . 2.30
11398738 Algo Me Dicen Tus Ojos -
TTBB. . . . . . . . . . . . . . . . . . . . 2.30
11398741 La Cancion Del Camino -
TTBB. . . . . . . . . . . . . . . . . . . . 2.30
Tek Kapidan (Only Door)—arr. Ertugrul
Bayraktar. In this Turkish folk song, a young girl
laments her boyfriend who has died, reminiscing
about their good times together and expressing
the emptiness of material things without love.
Sorrowful but beautiful, this selection will captivate
audiences.
11395896 SATB. . . . . . . . . . . . . . . . . . . . 2.95
Turning—arr. Joni Jensen. This traditional
Irish folk song has been beautifully arranged for
advanced treble ensembles with violin, flute, and
bodhran. The music is energetic and full of drive,
singing of better days ahead.
11398747 SSAA . . . . . . . . . . . . . . . . . . . 3.10
Wahamba Nathi—arr. Daniel Jackson. Here's
a traditional isiZulu celebratory song expressing
thankfulness to God for walking beside us. A
soloist is present throughout most of the call-and-
response arrangement, and the choral harmonies
vary between four and eight parts. There's plenty
of repetition, making it easy to learn and effective
to perform. Add agogo bell and djembe for more
interest and appeal.
11415512 SATB divisi, or SSAATTBB . . 2.90
A Yiddish Lullaby—Mordechai Gebirtig/arr.
Philip Lawson. This lovely choral in Yiddish
features a solo with backing chorals that will
enchant choirs and audiences alike.
11385855 SATB. . . . . . . . . . . . . . . . . . . . 2.35
MULTICULTURAL & WORLD MUSIC
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