J.W. Pepper Catalogs

2023 Marching Band

J.W. Pepper Music Catalog

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Pepper 2023 Marching Band Catalog Editors' Choice 2023 New Available via ePrint 26 Go to cart 3 Warm-Up Chorales (for Marching Band)—Tyler Baker/arr. Dallas Burke. These three short warm-up chorales for marching winds and percussion will help your band focus on musicality and sound before that big performance! 11198350 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 60.00 3-Minute Warm-Up—Chris Sharp & Chip Birkner. Give your group a warm up that makes perfect sense in under three minutes time! The woodwinds play scales and the brass does lip slur exercises while the percussion focuses on sticking and rudiments. There is also a section of rhythmic exercises to get the entire band focused and articulating together as well as a balance and tuning chordal exercise. 10046359 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00 Advanced Contest Warm-Ups—arr. Dallas Burke. Get rehearsals off to a great start while stressing the fundamentals! Lip slurs, articulation drills, tuning and chorale sections help reinforce proper playing. 2463271 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00 Back To Basics Warm Ups—Dallas Burke. This chart will give your group a solid warm up in under 3 minutes while focusing on the basics needed for success. Winds go thru sections on long tones, articulations, lip slurs and balance exercises while the percussion works on 8th notes on one hand, 16 note drills, accent placement, rolls and diddles. The warm up ends in a beautiful chorale section to finish tuning, balance and blend emphasis. 10449421 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00 Band Camp—Ayatey Shabazz. These exercises are designed to help with the development of timing, chord balancing, phrasing and dynamic control. Use your own dynamics and tempos to create a different warm up experience every time. Included are: Tuning Slurs; Balance and Intonation; Articulation and Control and Toccata Fanfare. 10305900 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 100.00 Bb Tuning (Major and Minor Versions)— Wayne Downey/arr. Meehan. Made famous by the Blue Devils (originally as F Tuning on G Bugles), this chordal warm-up exercise contains both major and minor versions. 10274708 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 40.00 Championship Chorales—arr. Dallas Burke. This set of chorales from the classical masters is the perfect way to warm up your band and focus on tuning, balance and blend. Includes chorales from: Bach's Chorale Prelude No. 26; Beethoven's Pathetique Sonata; Chopin's Prelude Op. 28, No. 4 - Largo; Mahler's Symphony No. 5 and Richard Strauss' Also Sprach Zarathustra. 10358066 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00 GO!—Murray Gusseck. This sequence represents a complete warm-up package for the battery ensemble. It was designed to be a self-contained warm-up that very specifically targets the various muscle groups of the fingers, wrists, and forearms in an equally specific order of events. With over 20 individual exercises in nine different categories, this mammoth practice tool contains something for just about everyone. 11316483 Drumline . . . . . . . . . . . . . . . . . . . . . . . . .A 35.00 It Is Well (Hornline Warmup)—arr. Ayatey Shabazz. Get your horn line locked and loaded with this short but effective warm up that will get them ready to roar. The musical lines present a wide range of dynamics and contrasting textures that will develop listening skills, strengthen embouchures, and reinforce playing skills that will have your players sounding their best when they take the field. 11199064 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00 Marching Band Warmups—Ward Miller. Rehearsal time is important, and this is designed to be brief but effective. In just ten minutes a day these warm-ups will develop brass sound and range, increase woodwind technique, and improve overall intonation and volume. 10509391 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 100.00 Maximum Strength Warmups—arr. Gary Gilroy. This warm-up covers all the basics - lip slurs, articu- lation, intonation, phrasing, breath support, timing and more! 2464154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 70.00 Middle School Drumline 101—Carl Major. This warm-up is for beginning or middle school drumlines that are learning the basics. From single beat patterns to double beats, triplets, diddles, and rolls, these technical exercises will get your drummers movin' and groovin'! 10305104 Drumline . . . . . . . . . . . . . . . . . . . . . . . . .E 50.00 Salvation—Scott Fairdosi. A front ensemble warm-up with two marimba parts, one vibe, and one bell/xylophone. 10998763 Drumline . . . . . . . . . . . . . . . . . . . . . . . . M 30.00 Schlitz & Giggles—Murray Gusseck. This was a core battery warm-up of the Santa Clara Vanguard in the late 1990s and beyond. Its format allows for plenty of variations. It works well at a variety of tempos and should cause some toe tapping in any onlookers if played correctly. Play it once, or on repeat, for a fun and accessible way to drill some basic battery technique! 11316507 Drumline . . . . . . . . . . . . . . . . . . . . . . . . M 20.00 Sectional Warm Ups (for Brass and Woodwinds)—Allen Gray. This set of warm ups is tailored to each section's specific developmental needs. The brass section focuses on tone and proper playing positions, pedal tones to stretch the embouchure and lip slurs to develop range. The woodwinds focus on scales and two octave runs in six major keys, chromatic scales, articulation exercises and tuning exercises. The chorale/tuning section can be played by just the woodwinds, brass alone or all wind instruments together at the end of the warm up. In a focused five minute drill, each section gets the most of what they need to develop quickly! 10274541 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00 Ultimate Marching Band Warm-Ups— Gino Cipriani & Jay Bocook. Based on warm-ups used by the Cadets drum and bugle corps, here is an indispensable book of developmental and warm-up exercises for just the brass and woodwinds. Also included is a short chorale to help develop breathing and phrasing skills. 10008200 Woodwinds . . . . . . . . . . . . . . . . . . . . . . . M 5.00 10012079 Brass . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 5.00 10012080 Conductor . . . . . . . . . . . . . . . . . . . . . . . M 17.00 10012081 Value Pak of 24 Part Books . . . . . . . . M 100.00 The Ultimate Warm Up—Gary Gilroy. An integrated warm-up for winds and percussion...your band will be ready to wail in three minutes! The last section makes a great field warm-up! 2315794 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00 Warm-Ups for Developing Bands—arr. Dallas Burke. This is a complete set of warm-ups that includes articulation studies, tuning exercises, scale exercises, and a beautiful chorale. 2472148 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 55.00 Warm-Ups for Marching Band—Sam Pilafian & Patrick Sheridan. Everyone who performs, exercises, or participates in an extreme activity always does some form of warm up. This series of exercises is not just a warm up. It is a comprehensive set of exercises that, if done properly and on a consistent basis, will provide substantial growth in your band! 10296234 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00 Warm-Up Pack (Let's Get Ready to Rumble!)—arr. Dallas Burke. Start each rehearsal or show off right with this great set of warm ups! Work on phrasing, articulation, slurring, rhythm and more. 2477677 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 55.00 Warm-Ups J.W. Pepper Is a Remarkable Company "J.W. Pepper's customer service is second to none: their reps are knowledgeable and truly helpful. The selection of music is amazing and being able to listen to so many of the musical selections is a HUGE plus! This is my go-to site as a music director." Deborah

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