HANDBELL MUSIC
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The Holly and the Ivy—arr. Sandra Eithun.
This glorious interpretation of the classic
Christmas carol features a delicate and intricate
melody that is supported by lush harmonies
and subtle dynamics. The use of different
handbell techniques, such as echoes and
mallets, and optional tambourine, orchestra
chimes, and chimetree add to the tranquil and
introspective mood of the arrangement, making
it a perfect addition to any holiday program.
11514162 4-7 Octave. . . . . . . . . . L4+ 5.95
How Far Is It to Bethlehem—arr. Anna Laura
Page. This flowing setting of a traditional English
tune is delicate in its simplicity. With traditional
harmonies, the lush scoring gives a very
satisfying feeling to the piece. A worthy choice
for the early intermediate ensemble looking to
stretch their musicality this holiday season.
11394252 3-5 Octave. . . . . . . . . . L2+ 4.95
How Great Our Joy!—arr. Lloyd Larson. Music
will burst onto the scene with this triumphant
arrangement of the traditional German carol.
Scored for 3-5 octaves of handbells and piano,
the antiphonal nature of this carol comes through
beautifully as piano and bells alternate. The bell
parts are accessible and the piano fills out the
harmony and supports the bells throughout.
11393700 3-5 Octave & Piano . . . L2 6.25
11393701 Full Score & Parts. . . . L2 14.95
I Saw Three Ships—arr. Dave Howland. This
very tasteful setting of the old English carol,
which dates back to the 17th century, will be
well received in school, church, or community
concerts. With limited bass bells, it is easily
prepared with smaller ensembles.
11515538 3-5 Octave. . . . . . . . . . . L2 5.25
I Want to Walk as a Child of the Light—
Kathleen Tomerson/arr. Mark Hayes & Brenda
E. Austin. This 20th century hymn is useful
for so many occasions during the church
year including Epiphany, Transfiguration,
Discipleship, Advent and the second coming
of Christ. This handbell setting that can stand
alone or serve as the accompaniment to the
related choral anthems.
11393703 3-6 Octave. . . . . . . . . . L2+ 7.00
I Wonder As I Wander—John Jacob Niles/
arr. Hart Morris. John Jacob Niles was born
in Kentucky and had a keen interest in the
folk tunes that were heard throughout the
Appalachian mountain region, and as an
avocation, collected and wrote down many of
these folk tunes. The story goes that he heard
a bit of this melody while in eastern North
Carolina and was inspired to create this now-
famous Christmas song. Hart was asked to
arrange this lovely tune for harp and handbells
and together they are a perfect combination of
texture and tone for an enchantingly beautiful
setting. Singing bell, LVs, delicate random rings,
and gentle malleted notes support the melody,
which is featured in both instruments. Perfectly
placed nuances in tempo and dynamics plus a
lovely segue to a key change will engage the
listener throughout. If a harp is not available,
keyboard or synthesizer with a digital harp
sound may be used. This is a very special
arrangement that is sure to become a favorite
addition to your Christmas handbell repertoire!
11516241 3-6 Octave. . . . . . . . . . .L3- 4.25
11516242 Full Score . . . . . . . . . . .L3- 5.25
11516243 Instru. Parts Harp . . . . .L3- 3.25
In the Bleak Midwinter—arr. Fred Gramann.
This setting of Holst's tune CRANHAM begins
with a solo eighth-note line inspired by the
lyrics "Snow had fallen, snow on snow" and is
soon joined by whole-note chords using tower
swings to suggest "frosty winds made moan."
The second appearance of the tune expresses
the simplicity of the final verse of the poem:
"Yet what I can I give Him: give my heart."
11514712 3 Octave or
5 Octaves . . . . . . . . . . L2+ 4.95
In the Bleak Midwinter—arr. Anna Laura
Page. This gentle arrangement is a beautiful
and heartfelt setting of the
CRANHAM tune. The
piece features delicate melodies that capture
the tenderness of the Christmas story, including
a sweet rendition of Infant Holy, Infant Lowly.
The harmonies are simple yet expressive,
creating a peaceful and calming atmosphere
that is perfect for the winter months.
11514157 3-5 Octave. . . . . . . . . . L2+ 4.95
In the Bleak Midwinter—arr. Linda Scholes.
This accessible yet moving arrangement of the
tune
CRANHAM will provide a prayerful moment
in your holiday worship or concert. The melody
moves between all parts of the ensemble,
giving all ringers the chance to shine. Echos
and swings add gentle sonority.
11202861 2-3 Octave. . . . . . . . . . .L2- 3.95
Infant Holy, Infant Lowly—arr. Cathy
Moklebust. This sweet and simple arrangement
of the traditional Polish Christmas lullaby
W
ZLOBIE LEZY
is complemented by an original
melody which serves as introduction, interlude,
and closing. Either handbells or handchimes
may be used throughout the entire piece or
in various sections at the director's discretion.
The melody takes its turn in both the treble and
bass clefs, with LV accompaniments in the
opposite clef. There are no bell changes, and
the editions are compatible.
3254703 2-3 Octave. . . . . . . . . . . L2 3.95
11514704 3-5 Octave. . . . . . . . . . . L2 4.95
Joy to the World—arr. Ron Mallory. This
setting of the Christmas classic is very easy to
put together with little rehearsal time, but the
result is a nice big, joyful sound. Just put it in the
folders and play! 68 measures. Key of G Major.
10761758 2-3 Octave. . . . . . . . . . . L2 4.95
Keep It Simple - Carols for Christmas—
Lloyd Larson. Full, lush and dynamic chords
characterize these readily accessible
arrangements of Christmas favorites. Each
selection is ideal for less-experienced groups
as well as small experienced ensembles
needing to prepare several yuletide selections
with limited time. Titles include: Hark! The
Herald Angels Sing; Away in a Manger; In the
Bleak Midwinter; O Come, All Ye Faithful; O
Come, O Come Emmanuel; Silent Night! Holy
Night!; We Three Kings and Joy to the World.
10090259 2 Octave . . . . . . . . . . . L1 18.95
Lift Up Your Heads, Ye Mighty Gates (Christ
Is Alive! Let Christians Sing)—arr. Patricia
Hurlbutt. "Festive" and "grand" describe this
setting of the hymn tune
TRURO. After some
surprising chords and modulations, the tune is
given to the bass bells. A majestic final stanza
leads to the stirring conclusion. Published
in compatible editions, this setting will be
especially useful during the Easter season.
11514713 2-3 Octave. . . . . . . . . . .L3- 4.95
11514714 3-5 Octave. . . . . . . . . . .L3- 4.95
Lullaby Carols—arr. Karen Lakey Buckwalter.
Three lesser-known Christmas carols are
artfully combined into one gorgeous medley
that is worthy of a spot in any Advent or
Christmas service. The changes in texture
and the movement from bells to chimes and
back keep the piece interesting throughout.
Intermediate ensembles will find just enough
challenge to grow as musicians, while
advanced ringers will enjoy the ability to
enhance their expressive playing.
11394254 3-5 Octave. . . . . . . . . . .L3- 4.95
Mary, Did You Know?—arr. Derek Hakes.
This hauntingly beautiful arrangement of
the beloved contemporary Christmas song
will captivate listeners through the use of
compelling techniques, harmonies and
dynamics. Perfect for concerts or worship.
11514599 2-3 Octave. . . . . . . . . . . L3 7.00
11393704 3-7 Octave. . . . . . . . . . . L3 7.00
Moon of Wintertime—arr. Jason W. Krug. An
ethereal opening featuring randomly malleted
suspended bells gives way to a setting of
the well-known tune underscored by flowing
sixteenth notes. Unexpected harmonies
appear prominently throughout the piece,
and textural changes on various inflection
points provide a respite from the relentless
accompaniment figures. The melody moves
throughout the ensemble, giving all parts a
chance to shine. A fantastic choice for the
ensemble looking for something different this
holiday season!
11394255 3-6 Octave. . . . . . . . . . . L3 4.95
The Moon of Wintertime (with O Come, O
Come, Emmanuel)—arr. Karissa Dennis.
This reflective piece combines Twas in the
Moon of Wintertime with O Come, O Come,
Emmanuel, making it perfect for Advent or
Christmas. Echo and LV make for a warm tone
in the chordal and arpeggio accompaniment
while the melody floats above. The ending
encompasses both tunes, simply conversing
to a close on an open chord, emphasizing the
mystery of that holy night.
10907609 3-5 Octave. . . . . . . . . . L2+ 6.25
Night of Stars (Creator of the Stars of Night)
—arr. Bruce W. Tippette. As night begins to
show itself, one by one the stars slowly twinkle.
In this arrangement, the stars are represented
by the random ringing of handbells while the
original hymn tune
CONDITOR ALME SIDREUM is
rung underneath. A low open-fifth drone creates
an ethereal atmosphere, perfect for setting the
tone for any church service, especially during
Advent. The piece concludes very much as it
begins, with the night stars fading away into the
half-light of dawn.
11399291 3-5 Octave. . . . . . . . . . . L2 4.95
Now the Green Blade Riseth (Sing We Now
of Christmas)—arr. Kevin McChesney. Back
by popular demand, this classic arrangement of
the French Carol Noel Nouvelet has alternate
texts which allow it to be used at Christmas
and Easter. Malleted bass rhythms open the
piece and continue beneath the tune, driving it
forward. A full sounding arrangement, this one
keeps every hand busy yet still is very workable.
An excellent and fun arrangement for everyone!
3067717 3-5 Octave. . . . . . . . . . . L3 6.25
10487029 Instrumental Parts
Orchestration . . . . . . . . . . .59.95
10487031 Concert Band
Accompaniment . . . . . . . . .59.95
8058528 Choral Octavo- SATB . . . . . 2.90
O Come, All Ye Faithful—arr. Jason W.
Krug. Perfect for the developing ringer, this
arrangement of the classic carol uses fun
techniques yet remains Level 1. Straightforward
and pleasingly engaging.
11393698 2-3 Octave. . . . . . . . . . . L1 6.25
Finding the right music is at
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