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Mary, Did You Know?—arr. Craig Courtney.
This popular contemporary Christmas song
receives a fresh treatment in this arrangement.
An ethereal sound is set by the use of chord
clusters and an aleatoric section. The melody is
then introduced by a soloist. Truly an exceptional
setting that will become a favorite of your choir.
11514050 TTBB. . . . . . . . . . . . . . . . . . . . . . . 2.50
A Medieval Fa La La—Reginal S. Wright.
Madrigal marries Deck the Hall in this beautifully
crafted arrangement well suited for developing
choirs of all ages. Use handbells, vibraphone,
or piano along with hand drum for a delightful
and novel opening or processional for your next
holiday concert.
11365819 TB with opt.
Handbells & Hand Drum . . . . . . . 2.25
Noel, Noel—Vijay Singh. Welcome the
Christmas season with this festive original work
for two-part treble or tenor-bass voices! Accented
and vigorous, this a cappella setting in compound
meter is the perfect way to open a concert or
service in impressive fashion.
3186699 TB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
O Come, All Ye Faithful—arr. Dan Forrest.
This powerful setting of a Christmas classic is sure
to become a favorite. Scored for chorus, piano
duet and optional string quartet, the strong legato
chorus is driven by the marcato accompaniment
to a magnificent conclusion that will leave you
breathless. A musical announcement of the
glorious arrival of Christ the Lord.
10513806 TTBB. . . . . . . . . . . . . . . . . . . . . . . 2.25
O Come, Emmanuel—Elaine Hagenberg.
"Haunting" is the best word to describe this original
setting of the traditional Advent text, scored for
choir, piano and cello. Marked "mysterioso" in
triple meter, it is such a creative interpretation, the
effect in performance is truly extraordinary!
11514051 TTBB. . . . . . . . . . . . . . . . . . . . . . . 2.75
O Come, O Come Emmanuel—
arr. Noah Reese. A beautiful way to prepare
for the season, this ancient carol is arranged
for tenor-bass choirs with lyrical lines that
bring both freshness and familiarity. The piano
accompaniment brings exciting movement with
driving rhythms that complement the chant-like
choral lines.
11397046 TB . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
O Little Town of Bethlehem—
arr. Dan Forrest. This stunning arrangement of
one of our most treasured Christmas carols offers
a poignant musical picture of that glorious night
in Bethlehem. The gentle scoring for choir and
piano is well within the range of most groups.
Optional accompaniment possibilities, including
soprano saxophone (or B-flat clarinet or oboe),
string quartet, or orchestra, offer additional layers
of beauty.
11395344 TTBB. . . . . . . . . . . . . . . . . . . . . . . 2.50
Of the Father's Love Begotten—
arr. Terre Johnson. Beginning softly and
atmospherically, this lovely setting radiates joy
and peace. Building with a march-like quality, it
explodes with majesty before ending in the quiet
spirit of the opening. It can be performed with
piano, chamber orchestra, or full orchestra and was
the 2018 Christmas highlight at Luther College.
11415998 TTBB. . . . . . . . . . . . . . . . . . . . . . . 2.85
Personent Hodie—arr. Austin Hunt.
Here's a vibrant, rhythmic setting of
PERSONENT
HODIE
that expresses the tune in compound
meter, resulting in a joyful energy for the singers.
The optional hand drum and finger cymbals
complement the melody with an exciting, dance-
like pulse while the piano accompaniment brings a
fresh motion to the ancient melody.
11501684 TB . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
Rise Up, Shepherd, and Follow—
arr. Greg Gilpin. This traditional Christmas
spiritual has a lively gospel feel, conservative
ranges, and a syncopated piano accompaniment.
Clever voice leading, stacking harmonies, and
just the right amount of repetition make this well-
paced arrangement easy to learn and a joy to
sing. A perfect addition to your Christmas concert
or service!
10990271 TTB . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Rise Up, Shepherd, and Follow—
arr. Jack Schrader. Written in a relaxed swing
style, this is a wonderful arrangement of one of the
most popular Christmas spirituals. The fun, stylized
piano part can be combined with a full orchestration
of woodwinds, brass, rhythm, percussion, harp, and
strings to create a great choice for adult or youth
choirs in either church or school.
11514362 TTBB. . . . . . . . . . . . . . . . . . . . . . . 2.90
The Shepherd's Spiritual—
arr. Donald Moore. Here's a swingin' gospel
treatment of Rise Up, Shepherd, And Follow
that your ensemble will enjoy singing year
after year! It's a great confidence-builder, an
exciting audience-pleaser, and just plain fun
for all involved, especially when you use the
tambourine part!
3126398 TB . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Silent Night—arr. Dan Forrest.
A gentle instrumental introduction sets the
stage for this setting of the classic Christmas
carol, continuing under the familiar text with
a quiet intensity as it builds to the strong
statement of purpose: "Christ, the Savior, is
born." Then it quietly rests in the strength of that
truth. Accompaniment for string quartet or full
orchestra is available for each voicing.
11202830 TTBB. . . . . . . . . . . . . . . . . . . . . . . 2.10
Sing We Now of Christmas—
arr. Vicki Tucker Courtney. This rhythmically
charged arrangement of the well-known French
carol opens and closes with new melodic material
which is also used as a bridge between sections.
The familiar tune receives a fresh treatment
with a bit of syncopation in this fun-to-sing and
accessible selection.
11198036 TB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
This Endris Night—Sarah Quartel.
This fresh take on a familiar 15th-century
Christmas text is for unaccompanied voices with
an optional part for handbells, percussion, or the
chime stop on the organ. The dotted rhythms in
6/8 meter create a lilting feel, and the memorable
melody for the carol text passes through each of
the voice parts.
11372352 TTBB. . . . . . . . . . . . . . . . . . . . . . . 3.25
The Virgin Mary Had a Baby Boy—
arr. Russell Robinson. This arrangement of
the popular calypso carol from the West Indies
reflects all the energy of the original, complete
with piano and optional notated percussion for
djembe and congas. Everyone is sure to enjoy the
chorus "He come from the glory; He come from
the glorious kingdom" in the rhythmic, harmonic
refrain. For school and church choirs, this is a
delightful choice for Christmas!
10583510 TBB. . . . . . . . . . . . . . . . . . . . . . . . 2.75
We Three Kings—John H. Hopkins/
arr. CJ Madsen. This spectacular arrangement
or the traditional Christmas carol was crafted
for the Brigham Young University Men's
Chorus. It creatively employs a four-hand piano
accompaniment, oboe obbligato, and percussion
along with a trio of soloists. The text comes alive
as the expressive setting moves through the gifts
brought by the Three Kings. The four-part tenor-
bass harmonies are full and lush - the overall
effect is mesmerizing.
11371726 TTBB. . . . . . . . . . . . . . . . . . . . . . . 2.95
The Work of Christmas—Dan Forrest.
"When the song of the angels is stilled, when the
star in the sky is gone... the work of Christmas
begins." This setting of a poem by Howard
Thurman, presented as an ethereal benediction,
is truly a captivating moment in song. Beautifully
conceived, it is impossible to overstate its impact
on those within its hearing.
11202841 TTBB with Piano. . . . . . . . . . . . . . 2.35
