J.W. Pepper Catalogs

2023-24 Church Fall & Christmas

J.W. Pepper Music Catalog

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HYMN ARRANGEMENTS Editors' Choice 2023 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision 52 Go to cart Hymn Arrangements for Adult Choir Abide with Me—arr. Jantz A. Black. Perfect for evening worship or funeral and memorial services, this arrangement of the familiar hymn is easily learned with flexible voicing. The tune is lightly embellished, and the harmony adds interest and color to create a setting that is simple yet elegant. The beautiful piano accompaniment supports and enhances the singers. With a well-placed key change and subtle shift in character, you will feel "the heavens open" in the final stanza. 11416577 Two-Part . . . . . . . . . . . . . . . . 2.50 All Things Bright and Beautiful—John Rutter. The delicate melody befitting this familiar text gains gentle momentum by a continual movement in the keyboard. A quintessential piece for spring from renowned composer John Rutter. 1673078 SATB . . . . . . . . . . . . . . . . . . . 3.25 10648587 SSA . . . . . . . . . . . . . . . . . . . . 3.25 1484310 Unison/Two-Part . . . . . . . . . . 3.25 10648586 Full Score . . . . . . . . . . . . . .31.50 4535720 Instrumental Parts. . . . . . . .72.50 All Who Hunger, Gather Gladly—arr. David M. Cherwien. After a lengthy introduction featuring organ and C instrument, the choir enters singing HOLY MANNA, first in unison and then in canon. Transitional harmonic regions color the third verse, then the return of unison voices is joined by soprano descant and C instrument. A reminiscence of the introduction closes the piece. Nice for general worship and services of communion. 11512126 SAB . . . . . . . . . . . . . . . . . . . . 2.65 11512127 Instrumental Parts. . . . . . . . . 6.00 Awake, My Soul—Lee Black & Tony Wood/ arr. Michael Frazier. When blessed by new mercies from the Lord each day, our only response is to sing and praise our Creator! Penned by Dove Award-winning writers, this modern hymn of celebration is extremely singable and a quick learn. Straightforward choral harmonies are supported by an energetic contemporary accompaniment in this accessible arrangement. 11417616 SATB . . . . . . . . . . . . . . . . . . . 1.99 11417617 P/A CD . . . . . . . . . . . . . . . .24.99 Be Thou My Vision—Bob Chilcott. This heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment. 11512309 SAB . . . . . . . . . . . . . . . . . . . . 3.25 Be Thou My Vision—arr. Dan Forrest. This masterfully crafted essay on the timeless Irish hymn balances melody, the singers, and the accompanist. Liquid vocals appear over understated piano lines, followed by judicious a cappella phrases and a sweeping crescendo to the phrase "Heart of my own heart, whatever befall." A worshipful treatment of a timeless melody. 10002552 SATB . . . . . . . . . . . . . . . . . . . 2.15 10515945 Two-Part Mixed. . . . . . . . . . . 2.10 10515946 SSA . . . . . . . . . . . . . . . . . . . . 2.10 10515947 TTB . . . . . . . . . . . . . . . . . . . . 2.10 10515948E Instrumental Parts ePrint . .10.00 Be Thou My Vision—arr. Kyle Pederson. This simple but lovely reimagining of the iconic hymn features a gentle syncopation of the familiar SLANE melody. The text, while similar to the traditional, has a more socially responsive slant that will be appropriate for worship, school, or concert. Optional oboe or C instrument adds lovely tone color. 11416024 SATB . . . . . . . . . . . . . . . . . . . 2.65 11416025 Instrumental Parts. . . . . . . . . 5.00 Be Thou My Vision—arr. Jay Rouse. Your choir and congregation alike will enjoy the energy of this interpretation of the SLANE tune. A gentle syncopation and violin obligato add a nice texture to the choral sound, complementing the natural groove of the piano accompaniment throughout. 11514236 SAB with Violin . . . . . . . . . . . 2.95 10033265 SATB with Violin . . . . . . . . . . 3.75 Beautiful Savior—arr. David Angerman. Elegant and refined, this unaccompanied gem will be a wonderful addition to your repertoire. Thoughtful part-writing makes it approachable, and the styling brings new emotion to this beloved text. 11416428 SATB . . . . . . . . . . . . . . . . . . . 2.20 Canticle of Commitment—arr. Benjamin Harlan. This beloved hymn of commitment receives a rich and flowing setting in the hands of a skilled arranger. Using the traditional text and tune (HENDON), this arrangement is highly singable and fulfilling for all. 11417863 SATB . . . . . . . . . . . . . . . . . . . 2.40 Ceaseless Praise (You Are Holy)—arr. Joshua Metzger. A familiar text and tune (HENDON) are given new life in this lightly syncopated arrangement. The original chorus "You are holy, you are worthy" adds a special worship moment with optional harmony. Incorporate the optional percussion (shaker and claves) for a creative offering of praise. 11397186 SATB . . . . . . . . . . . . . . . . . . . 2.25 11397187 SAB . . . . . . . . . . . . . . . . . . . . 2.25 11397188 Unison/Two-Part . . . . . . . . . . 2.25 Celtic Praise (Crown Him Lord of All)—arr. Faye Lopez. The energy and excitement in the music make this a cheerful, upbeat rendition of this regal text. Functioning equally well as a general anthem or a call to worship, this short piece in 6/8 features the American folk hymn LAND OF REST in a joyful Celtic style. Optional instrumentation includes flute, B-flat clarinet, guitar, and bass. 11415829 SATB . . . . . . . . . . . . . . . . . . . 2.75 11419042E Instrumental Parts ePrint . .19.95 Christ Is Made the Sure Foundation—arr. Mark Edwards. This is a new tune for a classic text. Careful part-writing throughout yields nice choral opportunities. The second stanza allows for unison singing by both the SA and TB parts, while the final stanza is regal and rich in choral texture. The ending features a voice-layering effect that feels majestic and triumphant. 11512588 SATB . . . . . . . . . . . . . . . . . . . 2.25 11512589 Orchestration CD-ROM . . .35.00 Christ Our Hope in Life and Death—Keith Getty, Jordan Kauflin, Matt Papa, Matt Boswell, & Matthew Merker/arr. David Angerman. This theologically rich hymn springs from New Testament hope and delivers an encouraging reminder of the promises of faith. Written in homophonic texture with an exuberant piano part, this popular and sturdy modern hymn sings naturally and authentically. Powerful! 11384259E Instrumental Parts ePrint . .60.00 The Church of Christ, in Every Age—arr. David M. Cherwien. This festive arrangement of the familiar hymn is set in classic hymn concertato style. The introduction for organ and trumpet gives way to congregation and choral stanzas with varied accompaniments and descants for voice and trumpet. Stanza three is written for choir only and reflects the text "Let the servant church arise" in beautifully ascending passages, making this an uplifting addition to the Augsburg Choral Hymn Series that highlights the need for social justice and care of neighbors. 11515569 SATB w/ Organ. . . . . . . . . . . 3.00 The Church's One Foundation—arr. Dan Forrest. A powerful festival arrangement for SATB choir, organ (or piano) optional brass sextet and percussion. A perfect way to begin a service of celebration, with a joyous opportunity for the congregation to participate on the final verse. Highly recommended! 10757386 SATB . . . . . . . . . . . . . . . . . . . 2.25 10758622 Reproducible Choral Congregational Sheet. . . . . . 5.00 10758623 Instrumental Parts Brass Sextet/Percussion . .30.00 Come, Thou Fount of Every Blessing—arr. Mack Wilberg. This American folk hymn is marvelously arranged for SATB voices and organ. The accompaniment is written with the organist in mind, giving the organist interesting parts that are an integral part of the music. Printed on oversized paper. A classic. 5701776 SATB . . . . . . . . . . . . . . . . . . . 4.00 Come to Zion—Kevin Siegfried. Rhythmic, joyous, and fun to sing, this inventive a cappella arrangement of a 19th-century Shaker tune opens slowly and freely before it quickly segues into animated singing. Occasional bursts of call-and-response energy ("Shout!") spring from the homophonic texture in the spirit of the sacred harp singing tradition. It provides a great taste of this historical style for both school and church choirs. 11512132 SATB . . . . . . . . . . . . . . . . . . . 2.25 Come, Christians, Join to Sing!—Randall Kempton. Four-hand piano combines with optional violins and drum to accompany this lively anthem in early American style. An outstanding and vigorous call to worship, the work begins with gradually increasing voices and works through varied textures toward its rousing conclusion. 11395397 SATB 4 hand piano . . . . . . . 2.35 11395398 Instrumental Parts Violin I & II and Drum . . . . .19.95 BEST SELLERS Hymn Arrangements SATB Choir These bestsellers are chosen most often by directors! Look online for the most current information on recordings, instrumental parts, large print and digital edition availability. O Love—Elaine Hagenberg. 10667410 SATB. . . . . . . . . . . . . . . . . . . . . . . . 2.50 Come, Christians, Join to Sing!— Randall Kempton. 11395397 SATB 4 hand piano . . . . . . . . . . . . 2.35 Just a Closer Walk with Thee— arr. Joel Raney. 11393635 SATB. . . . . . . . . . . . . . . . . . . . . . . . 3.00 What a Fellowship (Leaning on the Everlasting Arms)—David M. Cherwien. 11394814 SAB. . . . . . . . . . . . . . . . . . . . . . . . . 2.25 Jesus Paid It All—Marianne Forman. 11395406 SATB/SAB . . . . . . . . . . . . . . . . . . . 2.50 How Firm a Foundation— arr. Craig Courtney. 11395400 SATB. . . . . . . . . . . . . . . . . . . . . . . . 2.15 Great Is Thy Faithfulness— arr. Dan Forrest. 11166190 SATB. . . . . . . . . . . . . . . . . . . . . . . . 2.50 Like a River in My Soul—arr. Tim Osiek. 10907660 SATB. . . . . . . . . . . . . . . . . . . . . . . . 2.50 Come, Thou Fount of Every Blessing— arr. Lloyd Larson. 11393953 SATB. . . . . . . . . . . . . . . . . . . . . . . . 2.20 Jesus, the Very Thought of Thee— Mark Hayes. 11395407 SATB. . . . . . . . . . . . . . . . . . . . . . . . 2.15

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