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GENERAL ANTHEMS
The Promise of Grace—Mary McDonald.
In this flowing, lyrical original anthem, we are
reminded of God's promise of grace in Jesus
Christ. On the final verse, the congregation
joins the choir in singing Amazing Grace. The
accompaniment offers both piano and optional
flute, clarinet, and violin or cello.
11514368 SATB . . . . . . . . . . . . . . . . . . . 3.00
11514369 Instrumental Parts. . . . . . . .22.95
Psallite, Exsultate—Douglas E. Wagner.
With an energetic setting and a traditional Latin
text, this piece is an ideal opening selection
for concerts, festivals, or services. Different
melodic themes overlay as countermelodies to
build and develop the choral texture, making
this a great choice for teaching and holding
harmony parts for new or smaller choirs.
11510581 SAB . . . . . . . . . . . . . . . . . . . . 2.75
11510582 Two-Part . . . . . . . . . . . . . . . . 2.75
Psalm 117 (From All That Dwell)—Dale
Peterson. An exciting call to worship or
general anthem, this dynamic setting of Isaac
Watt's text on Psalm 117 (From All that Dwell)
features memorable melodic gestures. A driving
accompaniment supports the vocal syncopation
and occasional mixed meter. Brief moments of
a cappella singing provide nice contrast.
11393823 SATB . . . . . . . . . . . . . . . . . . . 2.95
Psalm 121 (I Lift My Eyes)—Austin Hunt. This
gorgeous and accessible setting of Psalm 121
is both comforting and hopeful, with soaring,
plaintive melodic ideas. Treble choirs from
youth to adults will enjoy this simple yet elegant
anthem of assurance.
11410890 SA . . . . . . . . . . . . . . . . . . . . . 2.50
Psalm 147 (from "Hallelu Yah: Three Psalms
of Praise")—Dan Forrest. A quiet, contem-
plative mood helps turn the focus to people
raising their voices alongside nature (from
Psalm 147) and hints at the psalmist's harp in
its accompaniment. Standing alone, or as the
opening movement of the work "Hallelu Yah:
Three Psalms of Praise." this is a work worthy
of inclusion in concerts and services.
11416630 SATB . . . . . . . . . . . . . . . . . . . 2.50
11416923 Full Score
& Percussion Part . . . . . . . .20.00
Psalm 148 (from "Hallelu Yah: Three Psalms
of Praise")—Dan Forrest. Triumphant strains of
"Hallelu-Yah" wind and dance through various
meters as they build in rhythmic excitement
and texture. A contrasting middle section offers
quiet lyrical reflection before resuming the
exuberance of the opening motive as the piece
moves to a joyful conclusion. Standing alone, or
as the opening movement of the work "Hallelu
Yah: Three Psalms of Praise." this is a work
worthy of inclusion in concerts and services.
11416629 SATB divisi . . . . . . . . . . . . . . 2.75
11416922 Full Score
& Percussion Part . . . . . . . .20.00
Psalm 150 (from "Hallelu Yah: Three Psalms
of Praise")—Dan Forrest. An exhilarating
accompaniment for piano with optional
percussion frames this dance in compound
meter that proclaims, "Let everything that has
breath praise the Lord" and "Hallelu Yah."
Divisi harmonies and lilting choral lines weave
through the exciting texture to a dynamic
conclusion. As a stand-alone piece, or as the
third movement of the ten-minute work "Hallelu
Yah: Three Psalms of Praise," this is a glorious
addition to your concert or service.
11416631 SATB divisi . . . . . . . . . . . . . . 2.75
11416924 Full Score
& Percussion Part . . . . . . . .20.00
Psalm 46—arr. Mark Hayes. This strong
setting of Psalm 46 utilizes a forceful piano
part and subtle meter shifts. The anthem
alternates between sections of driving intensity
with moments of lyrical beauty. Finally, it
culminates in a resounding affirmation that
"God is our refuge and our strength!" Perfect
for the sanctuary or concert setting!
11512710 SATB . . . . . . . . . . . . . . . . . . . 3.20
Redeemer, Rock, and Refuge—Joseph M.
Martin. Based on Psalm 62, this crisp and
invigorating anthem declares God as our
redeemer and rock in whom we shall seek
refuge and not be moved. The optional trumpet
part adds a touch of stateliness and is included
in the choral score.
11416792 SATB . . . . . . . . . . . . . . . . . . . 3.10
Sanctus! Sanctus!—Christopher T. Gabel.
This dynamic and energetic piece is written
in an ABA style with comfortable ranges in
the voice parts. Making use of mixed meters
and solid homophonic harmonic writing, this
selection is appropriate for concerts year-round
and will work very well as a festival opener.
11501669 SATB . . . . . . . . . . . . . . . . . . . 2.50
11501661 SAB . . . . . . . . . . . . . . . . . . . . 2.50
11198018 TBB . . . . . . . . . . . . . . . . . . . . 2.25
See the Brilliant Glow Before Us—Diane
Hannibal/arr. Roger Thornhill. This regal
anthem captures the mystery and the majesty
of the transfiguration of Christ. The choral parts
are presented with sturdy unison singing along
with solid four-part writing.
11416468 SATB . . . . . . . . . . . . . . . . . . . 2.20
Shalom—Dan Forrest. This tender and
comforting work "passes the peace" as its
simple yet elegant melody washes over the
listener, gently unfolding its text with increasing
texture: "Peace I leave with you, my peace I
give to you, not as the world gives; do not be
afraid." The Hebrew word "shalom" forms the
refrains, and whispers of the word "peace"
further paint the spirit and promise of the text.
With piano and optional violin, this piece is
equally at home in worship or concert settings.
11314187 SATB . . . . . . . . . . . . . . . . . . . 2.25
11416605 Two-Part Mixed. . . . . . . . . . . 2.75
11314188 SSA . . . . . . . . . . . . . . . . . . . . 2.25
11314189 TBB . . . . . . . . . . . . . . . . . . . . 2.25
Sing For The Earth—Greg Gilpin. With a lively
tune and a relevant message, this celebration of
creation will help bring into focus the believer's
response to the environment. A main theme
with easy syncopations and approachable
harmonies make for quick learning.
11416473 SATB . . . . . . . . . . . . . . . . . . . 2.20
Sing Praise to the Triune God—David
Lantz III. Here is an exciting and useful text
for Trinity Sunday or general use. The setting
is upbeat and rhythmic in style, accessible
to smaller choirs yet challenging enough to
make it interesting and fun to sing. A soaring
descant, though optional, enhances the theme
of praise. Your singers will enjoy preparing and
performing this one!
11414647 SATB (some divisi) . . . . . . . . 2.55
Sing to the Lord a New Song—Lawrence
Laureano. This original anthem is a upbeat
exclamation of praise followed by a tranquil
"Alleluia" section of a cappella harmony for the
lower voices. A joyful reprise closes the piece.
This is a wonderful selection for an offertory or
longer introit.
11510868 SATB , some TTBB divisi. . . 2.50
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