HANDBELL MUSIC
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The Unclouded Day—J.K. Alwood/arr. Brian
Seemann. The setting of this cherished gospel
hymn begins with singing bell and a serene
unison statement of the melody. It quickly
moves into an upbeat country-style rhythmic
mode that incorporates mallets and other
stopped techniques. Each verse is unique,
but the refrain is always full and satisfying. For
worship or concert use.
11416852 3-6 Octave. . . . . . . . . . . L3 6.95
Variations on the Doxology—arr. Sondra
K. Tucker.
OLD HUNDREDTH is featured in
this knockout arrangement. A straightforward
chorale setting leads into an energetic toccata
section, then an easy fughetta morphs into
the brilliant finale. There are a few rhythmic
challenges in the final section, making this a
learning piece for your developing choir. Only
one shared bell (G#Ab5) and bass ringers -
pay attention to the assignment suggestion!
11374273 2-5 Octave. . . . . . . . . . . L2 5.95
What a Friend We Have in Jesus—arr. John
A. Behnke. This jazzy and bluesy setting of
the familiar tune
CONVERSE will be loved by
ringers and listeners alike. The first section in
C features plucking against the hymn melody,
while the second section in F uses both bells
and optional chimes (3-5 octaves.) The
return to the opening material concludes this
soulful setting.
11397370 3-5 Octave. . . . . . . . . . . L3 4.25
What a Friend We Have in Jesus—arr.
Mitchell Eithun. This gentle setting of the familiar
hymn is warm and uplifting. Written for either
handbells or handchimes, the piece has no bell
changes and may be played without tables if
desired. The flute part, while optional, greatly
enhances the beauty of this lovely arrangement.
11375588 3-4 Octave. . . . . . . . . . . L1 5.50
When Morning Gilds the Skies—arr. Sondra
K. Tucker. The beautiful hymn tune LAUDES
DOMINI
appears in over 600 hymnals and has
been arranged hundreds of times for a variety
of choral and instrumental settings. This fresh
setting begins with pealing bells that fill us with
the joy of a new morning and another praise-
filled day. Beginning in C major, the treble
descending LV passages provide a constant
backdrop for the hymn melody rung by bells,
then handchimes (three octaves). This final
section is rich and majestic, and the addition
of nicely placed shakes brings the amazing
setting to a glorious end. This is must-have
worship and concert repertoire!
11405366 3-6 Octave. . . . . . . . . . . L3 4.95
You Raise Me Up—arr. Joel Raney. This
beloved tune made famous by Josh Groban
has been set here for handbells, 3-6 octave
handchimes (optional), and piano. Usable in
churches, schools, and concerts, the handbell
part is very accessible, and the piano part helps
to broaden the harmony and scope.
11416854 3-5 Octave w/ Piano . . . L2 7.00
11416855 Full Score & Parts. . . . L2 14.95
'Twas in the Moon of Wintertime—
arr. Sandra Eithun.
This stunning and ethereal setting of the Huron
Carol will take some work, but the result will
be an impressive addition to any Christmas
performance. Commissioned for the Raleigh
Ringers, the piece has lots of rhythmic interest
with mixed meters and syncopation. Optional Bb2
and A2, 4-7 octaves handchimes and percussion.
11359401 4-7 Octave. . . . . . . . . . . . . . . L5 5.50
11359402 Full Score & Parts Percussion . .12.95
A Maritime Christmas—
arr. Caleb J. Onstead.
This creative arrangement combines Joy to the
World (ANTIOCH),
I SAW THREE SHIPS, and IN
DULCI JUBILO
in an exciting setting perfect for your
next holiday or Christmas concert! It begins quite
simply with singing bell and hints of the melody
to come. The interplay among the three tunes is
engaging, lyrical, and rhythmic, and the segues
between sections are seamless and interesting in
their own right. A nice mix of ringing and malleting
with a few stopped sounds adds to the expression.
This will be a fun and rewarding addition to your
intermediate repertoire.
11405333 5-7 Octave . . . . . . . . . . . . . L4+ 6.95
11405334 Full Score & Parts . . . . . . . L4+ 7.95
11405335 Percussion Parts . . . . . . . . . . . . . 2.95
Diminished Minor Alterations—
David Lovrien/arr. Chris Peck.
Originally composed for concert band, enjoy this
unique and engaging collection of Christmas and
holiday tunes for handbells. It begins in B-flat minor,
segues to C minor, and ends in G minor. Yes - you
read correctly: Christmas tunes arranged in minor
keys - thus the title! Changes in style, tempo, and
dynamics plus melody appearing in both treble
and bass with the addition of handchimes will keep
everyone engaged as this arrangement rollicks
along. This will be a thoroughly delightful addition to
your holiday concert!
11420877 4-5 Octave w/
4-5 oct Handchimes . . . . . . L4+ 4.25
11420876 Handbells Full Score . . . . . L4+ 5.95
11421343 Percussion . . . . . . . . . . . . . . . . . . 2.95
God Rest Ye Merry, Gentlemen—
arr. Benjamin A. Tucker.
This Brubeck-inspired setting of the familiar
English carol is a challenge for your ringers and
a delight for your audience! After a deceptively
lyric introduction, the piece explodes with rhythmic
energy in 5/4 with a syncopated melody that will
bring a smile to your face. Not to be missed!
11397618 3-6 Octave
w/opt. Handchimes . . . . . L3-L4 5.95
The Holly and the Ivy—arr. Sandra Eithun.
This glorious interpretation of the classic
Christmas carol features a delicate and intricate
melody that is supported by lush harmonies and
subtle dynamics. The use of different handbell
techniques, such as echoes and mallets, and
optional tambourine, orchestra chimes, and
chimetree add to the tranquil and introspective
mood of the arrangement, making it a perfect
addition to any holiday program.
11514162 4-7 Octave . . . . . . . . . . . . . L4+ 5.95
Masters in This Hall—
arr. Matthew Compton.
Advanced ensembles will love this very exciting
arrangement of the traditional English carol. Fast
technique changes and creative harmonies as
well as an earworm of an original melody create
a knockout concert piece!
11397785 3-7 Octave . . . . . . . . . . . . . . L5- 5.95
Tomorrow Shall Be My Dancing Day—
arr. Kevin McChesney.
This English carol, which dates from the 1600s, is
a predecessor to Lord of the Dance as the lyrics
are spoken from Jesus' viewpoint and describe
aspects of His life as a dance. Several variations
of this theme with different dancelike qualities take
ringers and listeners through a lovely journey of
Christ's life. Meter changes dictate the level, as
there are few bell changes. Consider programming
this piece as it is beautiful, musical, and magical.
11515548 3-5 Octave . . . . . . . . . . . . . . L5 5.25
Ukrainian Fantasy—arr. Marquise Usher.
Here is an amazingly creative and exciting setting
of the Ukrainian folk tune Shchedryk which will
be a fun challenge for your advanced group. The
repetitive ostinato four-note pattern is present
throughout, but there are unexpected variations
that are sure to excite the audience and keep
the musicians focused on the changing rhythmic
patterns. At tempo, this could be a Level 5;
however, reducing the tempo a few clicks should
make it accessible to solid Level 4 groups.
11405364 3-7 Octave . . . . . . . . . . . . . L4+ 4.95
ADVANCED HANDBELL CONCERT
REPERTOIRE FOR CHRISTMAS
praise theLord
with musical instruments
