HYMN ARRANGEMENTS
Editors' Choice 2023 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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Praise, O Praise the King of Heaven!—
Lloyd Larson. Assertive syncopated rhythms
add energy and joy to this new setting of
the traditional Henry Lyte text. Cast in rondo
form, the refrains gather intensity throughout
the piece, culminating in joyful proclamation:
"Praise the everlasting King!"
11514067 SATB . . . . . . . . . . . . . . . . . . . 2.50
The Promise of Home—Patti Drennan. Using
the text from the hymn There Is a Blessed
Home, this original ballad is expertly crafted
with lush choral writing and a rich, flowing piano
accompaniment. The text paints a beautiful
picture of the home Christ has prepared and
the joy of "singing through endless days."
Suitable for general occasions, Eastertide, and
All Saints Day.
11416799 SATB . . . . . . . . . . . . . . . . . . . 3.10
Rejoice, the Lord is King—arr. Stan Pethel.
Opening crisply, this anthem offers a fresh
and singable choice, especially for choirs
that are returning and rebuilding. Part of the
best-selling Instant Anthem Series, here's a
selection that's truly ready to sing in an instant,
with smooth vocal scoring and a playable
accompaniment. Use for general worship or
Christ the King Sunday.
11397582 SAB . . . . . . . . . . . . . . . . . . . . 2.40
Rise Up to Greet the Morning Dawn—Linda
Kachelmeier. This original setting of some of
the lesser-known verses of Amazing Grace has
an old American folk feel. A cappella, with open
harmonies that ring together like a Sacred Harp
hymn, this rousing setting breathes new life into
the text in a way that is freshly compelling.
11411105 SATB . . . . . . . . . . . . . . . . . . . 2.25
Shall We Gather at the River—Robert Lowry/
arr. Daniel J. Hall. This early American hymn,
born in a time of crisis, is still relevant in our
times. Opening with a flowing artistic piano
accompaniment which continues throughout,
optional solo lines build and open up into full
harmony in a texture that swirls and churns
before arriving at the final destination. This
powerful arrangement is suitable for church,
school, and community choirs.
11392530 SATB . . . . . . . . . . . . . . . . . . . 2.95
Shall We Gather at the River—arr. David
Lantz III. Jazz harmonies and a vocal solo give
new interest and life to the well-loved Robert
Lowry folk hymn. Smooth voice leading means
your choir can focus on nuances of text and
phrasing for meaningful communication that
will resonate deeply with your audience.
11395417 SATB . . . . . . . . . . . . . . . . . . . 2.25
Shall We Gather at the River—arr. Russell
Robinson. This a cappella arrangement of a
sacred standard is a splendid addition to the
repertoire. Slowly revealing itself in subtle
harmonic nuance, it flows through two verses
to a seamless key change. The final verse is
crowned by a soprano descant before the
piece draws to a quiet, reverent close.
11513935 SATB . . . . . . . . . . . . . . . . . . . 2.20
Sing Praise to God, Who Reigns Above—
arr. Richard Williamson. This well-loved hymn
of praise has been set in 6/8 which gives the
tune (
MIT FREUDEN ZART) a joyful and lilting
feel. The gracefully altered rhythm supports
the text that sings of God's healing balm and
ever-present help and love. An easily learned
anthem useful throughout the year.
11515568 Two-Part Mixed. . . . . . . . . . . 2.50
Spirit of the Living God—Daniel Iverson/
arr. Brandon Williams. "Spirit of the living
God, fall afresh on me." The lyrics of Daniel
Iverson's immortal hymn find a fresh voice in
this stirring a cappella arrangement. Some
divisi in the soprano and bass parts helps to
create luscious harmonic moments. Although
it is a brief choral prayer, it will not soon
be forgotten.
11394807 SATB . . . . . . . . . . . . . . . . . . . 2.70
Stand by Me—Charles Albert Tindley/arr.
Russell Robinson. This 1905 American hymn
has lyrics that still resonate strongly today.
"When the storms of life are raging, stand by
me." Beginning in unison, it grows to a full
four-part choral texture with solid harmonies
along with section features for the upper and
lower voices. A welcome addition to your
concert or service.
11393048 SATB . . . . . . . . . . . . . . . . . . . 2.25
Then Sings My Soul (How Great Thou Art)—
arr. Mary McDonald. With altered melody and
lush harmonies, this fresh treatment awakens
a new breadth and splendor into this timeless
hymn, giving rise to the greatness that it invokes
in worshiping God, our Creator. The gorgeous
orchestration by Michael Lawrence is a true
complement to Mary's splendid choral writing.
10235819 SATB . . . . . . . . . . . . . . . . . . . 3.10
10275260 SAB . . . . . . . . . . . . . . . . . . . . 3.10
10554460 Two-Part Mixed. . . . . . . . . . . 3.10
10750789 SSA . . . . . . . . . . . . . . . . . . . . 3.10
10275261 TTBB . . . . . . . . . . . . . . . . . . . 3.10
10235828 P/A CD . . . . . . . . . . . . . . . .29.95
10750849 Handbells 3-5 Octave. . . . . . 7.00
10235829 Orchestration . . . . . . . . . . .89.95
There Is a Name I Love to Hear (Oh, How
I Love Jesus)—Dan Boone. This treasured
hymn lyric is set with inspired original music
that provides new insight into its expressive
potential. Lyrical and lovely, the theme has
elegant contours, and the harmonies are
effective and accessible. A majestic final verse
includes a snippet of the hymn tune before
drawing the piece to a quiet close.
11514134 SATB . . . . . . . . . . . . . . . . . . . 2.35
This Is My Father's World—arr. Elaine
Hagenberg. What a gorgeous setting for
church or school choirs! Superb choral writing
and a marvelous piano accompaniment with
violin obbligato make this a truly exceptional
arrangement of the traditional hymn!
10589958 SATB . . . . . . . . . . . . . . . . . . . 3.35
This Is My Father's World—arr. Stan
Pethel. This highly singable two-part setting
of a favorite hymn is from the Instant Anthems
Series. Intentionally simple to be learned in
only one rehearsal, these anthems are perfect
for choirs small or large looking for an inspired
yet quickly prepared selection.
11417875 Two-Part Mixed. . . . . . . . . . . 2.40
This Is My Father's World—arr. Mark
Shepperd. This lyric arrangement of a favorite
hymn is set with rich piano accompaniment
and optional French horn which adds color
and depth. The ending is full, affirming "The
Lord is King, let heavens ring: God reigns, let
earth be glad!"
11416064 SATB . . . . . . . . . . . . . . . . . . . 2.65
11416065 SAB . . . . . . . . . . . . . . . . . . . . 2.65
11416066 Instrumental Parts
French Horn . . . . . . . . . . . . . 5.00
Touch That Soothes and Heals—arr. Thomas
Keesecker. This easily learned anthem, based
on one of the newer hymn tunes,
CIVILITY, is
lovely, singable, and paired with a message
that is worth singing. The rich text by Mary
Louise Bringle speaks not only of seeing Jesus'
wounded hands and feet but of being his hands
and feet in the world today, showing love and
serving others. While especially useful during
the Easter season, this anthem may be sung
at any time during the year.
11416587 SAB . . . . . . . . . . . . . . . . . . . . 2.75
Trusting in the Savior—arr. Michael Ware.
This unique arrangement takes the words of
Jesus, Savior, Pilot Me and transforms them
into a sea shanty appropriate for church.
Featuring a soloist in the call-and-response
format, this unaccompanied anthem will bring a
smile to everyone's face, as the familiar words
are sung to the rollicking folk-like melody,
Leave Her, Johnny. Unusual and fun!
11416826 SATB . . . . . . . . . . . . . . . . . . . 2.20
11416827 TTBB . . . . . . . . . . . . . . . . . . . 2.20
Turn Your Eyes upon Jesus—arr. Bryan
Sharpe. This delicate and reverent setting of
the reflective hymn features fresh, modern
a cappella techniques blended with a traditional
choral approach. Rich harmonies and creative
textures make it a striking option for choirs
that love singing a cappella. The solo with
background vocables is in a comfortable range
for either female or male soloist.
11415862 SATB . . . . . . . . . . . . . . . . . . . 2.75
Unclouded Day—J.K. Alwood/arr. Shawn
Kirchner. First written as the bright, opening
movement of Heavenly Home: Three American
Songs, this enduring gospel favorite is set with
a straightforward first verse and chorus. The
next two verses combine traditional bluegrass
vocal style with counterpoint and fugue,
resulting in a crescendo of excitement in roof-
raising fashion as the choir sings "in the city
that is made of gold."
10309004 SSAATTBB . . . . . . . . . . . . . . 2.50
10910968 TTBB divisi . . . . . . . . . . . . . . 2.50
We Sing the Mighty Power of God
(Brothers, Let Us Sing!)—arr. Brent Wells.
This triumphant arrangement of the beloved
hymn tune ELLACOMBE is a wonderful selection
for tenor-bass choirs. With an exciting piano
four hands accompaniment and percussion,
the mixed meter brings rhythmic vitality and
the contemporary harmonic colors bring
freshness and a beautiful sonority. With a full
set of alternative secular lyrics about the joy of
singing together, it can be used as a concert
piece or as an element of your worship service.
11415513 TTBB with Piano Four Hands
and Percussion . . . . . . . . . . . 3.20
What a Fellowship (Leaning on the Everlasting
Arms)—David M. Cherwien. By whatever title
you choose - What a Fellowship or Leaning
on the Everlasting Arms - this 19th-century
gospel classic is sure to please singer and
listener alike. The choral parts are rooted in
the old Tabernacle Hymns style with echoing
lines in the refrain and tightly knit vocals. Your
pianist will have great fun playing the stylized
piano with walking bass line. A great choice for
worship or concert.
11394814 SAB . . . . . . . . . . . . . . . . . . . . 2.25
What a Friend We Have In Jesus—arr. Molly
Ijames. This classic hymn is clothed in a
gentle, folk-like style featuring a rhythmic
piano accompaniment, beautiful choral
layering, and unexpected harmonic surprises.
This one will require a little work, but it will be
well worth the effort.
11512722 SATB . . . . . . . . . . . . . . . . . . . 3.20
When the Morning Stars Together—arr.
Jeremy J. Bankson. This festive concertato
setting of the hymn tune
WEISSE FLAGGEN
may be used with or without brass and
timpani. A brilliant and joyous opening to any
service, the text celebrates the glory of God. A
descant soars over the final verse with optional
congregational participation.
11416068 SATB . . . . . . . . . . . . . . . . . . . 2.65
11416069 Full Score . . . . . . . . . . . . . .20.00
11416070 Instrumental Parts. . . . . . . .35.00
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