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Editors' Choice 2023 New Basic Library Large Print Edition A Cappella ePrint Downloadable (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision
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FOLKSONGS
At the River—Aaron Copland. Powerful
and rhythmic, this number also serves as a
classic example and introduction to contem-
porary craftsmanship.
154088 SATB . . . . . . . . . . . . . . ME 2.15
4904736 SA or two-part . . . . . . . ME 2.15
3274586 Unison . . . . . . . . . . . . . ME 2.15
153999 SSA . . . . . . . . . . . . . . . ME 1.95
4960480 TTBB . . . . . . . . . . . . . . ME 2.25
Aura Lee—George R. Poulton/arr. Kirby Shaw.
This classic arrangement was originally scored
for mixed voices and is now available for treble
choirs! Jazz harmonies are found throughout
this lovely a cappella setting which is full of
opportunities to teach expressive singing and
vocal blend.
11513475 SATB . . . . . . . . . . . . . . . .M 2.15
11513476 SSAA . . . . . . . . . . . . . . . .M 2.15
Baloo Baleerie—arr. Ruth Elaine Schram.
This arrangement of a Scottish lullaby features
a beautiful melodic line and wonderful harmonic
moments. The text is in English with Gaelic
subtext, and an accessible pronunciation guide
is included. Lovely, lyrical, and simply beautiful!
10510062 Three-Part Mixed . . . . ME 2.25
10735219 SSA . . . . . . . . . . . . . . . ME 2.50
Bandyrowe—arr. Susan Brumfield. "Way
up yonder above the moon, a bluebird sits
in a silver spoon. Kitty alone and I..." This
Irish nonsense song is a whirling, twirling
kaleidoscope of sound - an excellent showcase
for young treble choirs! "To me tat, me tear, me
ditt'n o-dill, Kitty alone and I."
11000948 Two-Part or SA . . . . . . ME 2.35
10508727 SSA . . . . . . . . . . . . . . . ME 2.60
Barnyard Jamboree—arr. Patti Drennan. Also
known as I Bought Me a Cat, this Kentucky
mountain folk song is a joy to sing for younger
choirs. Ample unison and simple harmonies are
complemented by the additive animal noises that
are shared between the voices. The hoedown-
style piano accompaniment and optional fiddle,
string bass, guitar, tambourine, and washboard
will set every toe tapping in the house!
11395963 Two-Part . . . . . . . . . . . ME 2.45
11395964 P/A CD. . . . . . . . . . . . . . . . .27.95
Be Thou My Vision—arr. Kyle Pederson.
This simple but lovely reimagining of the
iconic hymn features a gentle syncopation of
the familiar SLANE melody. The text, while
similar to the traditional, has a more socially
responsive slant that will be appropriate for
worship, school, or concert. Optional oboe or
C instrument adds lovely tone color.
11416024 SATB . . . . . . . . . . . . . . ME 2.65
11416025 Instrumental Parts . . . . . . . . . 5.00
Beautiful Dreamer—Stephen Foster/arr. Russell
Robinson. This beautifully elegant setting of
a beloved piece of Americana is accessible
to SATB ensembles of all sizes. Not to be
overlooked for concerts throughout the year.
11411099 SATB . . . . . . . . . . . . . . . .M 2.25
Black Is the Color of My True Love's Hair
—arr. Jamey Ray. The haunting tone of this
traditional Appalachian folk song is beautifully
expressed in this arrangement by Voctave's
arranger Jamey Ray. The a cappella
harmonies shift between closer contemporary
harmonies and moments of open harmonic
structure that suit this genre in a way that is
simply breathtaking! A beautiful concert feature
for mixed choirs!
11348174 SATB . . . . . . . . . . . . . . . .M 2.25
Blow the Wind Southerly—arr. Philip
Lawson. This tender setting of the traditional
folk song from the British Isles has a gentle
rocking feel and expresses the longing for
one's absent love.
10456880 SATB . . . . . . . . . . . . . . ME 2.25
10610427 SAB . . . . . . . . . . . . . . . ME 1.95
11513506 SSA . . . . . . . . . . . . . . . ME 2.15
Blow the Wind Southerly—arr. Douglas
E. Wagner. Peace and tranquility are truly
experienced in this beautiful arrangement of
the traditional Northumbrian folk song. Warm
choral sonorities and an accompaniment that
ebbs and flows are hallmarks of this setting
for treble voices. This is certain to become a
favorite of singers for many seasons to come.
11514634 SSA . . . . . . . . . . . . . . . . .M 2.45
Bound for Australia!—arr. Jill Gallina. Heave
away! This spirited traditional sea shanty will
captivate the imagination with its catchy lyrics
and swashbuckling rhythms. Also known as
Cape Cod Girls, this easy-to-learn song has
simple harmonies for young singers and will be
so fun to perform!
11392456 Three-Part Mixed . . . . ME 2.25
11392458 Two-Part . . . . . . . . . . . ME 2.25
Bound for the Rio Grande—arr. Andrew Parr.
The sea shanty craze continues! Designed
with younger singers in mind, this historic sea
shanty is sure to be a fun choice for your mixed
choir. It has conservative ranges, and with
repetitive melodic and harmonic material, it's
easy to learn and will be engaging to perform.
11388539 Three-Part Mixed . . . . ME 2.15
Bright Morning Stars—arr. Jay Althouse.
"Bright morning stars are rising...Day is
breaking in my soul..." This Appalachian
folksong, arranged for a cappella voices, has
a contemplative, spiritual quality. Opening and
closing with a trio, it's a wonderful example of
the old-time American music style.
10069050 SATB . . . . . . . . . . . . . . ME 2.05
11195166 SAB . . . . . . . . . . . . . . . ME 2.05
10069051 SSAA . . . . . . . . . . . . . . ME 1.85
Bright Morning Stars—arr. Shawn Kirchner.
A perennial festival favorite, this tender
Appalachian folk melody is given an artistic
setting and wonderful piano accompaniment all
the while maintaining the traditional folk flavor
of the song. Not to be missed!
10001321 SATB . . . . . . . . . . . . . . . .M 2.20
10340148 SSAA . . . . . . . . . . . . . . . .M 2.20
10513252 TTBB . . . . . . . . . . . . . . . .M 2.20
Bright Morning Stars—arr. Ruth Elaine
Schram. In this stunning setting of the traditional
Appalachian folk song, the haunting tune is
seamlessly paired with colorful vocal scorings
and a captivating accompaniment, resulting
in a soundscape that feels both modern and
timeless. This well-crafted arrangement is a
reminder that beauty can be found in a new
and fresh interpretation of an ageless classic.
11514636 SATB . . . . . . . . . . . . . . ME 2.45
11514637 SAB . . . . . . . . . . . . . . . ME 2.45
Bring Me Little Water, Silvy—arr. Greg Gilpin.
In this dynamic arrangement of the Huddie
Ledbetter tune, Greg Gilpin has captured the
strong rhythmic pulse and harmonic energy
that is characteristic of the Lead Belly style.
To intensify the driving pulse of the chorus,
it is suggested that percussion instruments
(shaker, guiro, high drum and low drum) and
body percussion be added. This creative
programming gem will provide a marvelous
contrast on your next concert or festival.
10512770 SATB . . . . . . . . . . . . . . . .M 2.45
10512771 SSAB . . . . . . . . . . . . . . . .M 2.10
10512772 SSAA . . . . . . . . . . . . . . . .M 2.25
Bring Me Little Water, Silvy—attr. Huddie
Ledbetter/arr. Adam Podd. This American folk
song attributed to Huddie Ledbetter (Leadbelly)
has been covered and performed by countless
singers and choirs. The melody is infectious
and appealing, easily taught, and memorable.
Accompanied mainly by upright bass with
body percussion or accessory percussion,
this fresh take offers a distinctively American
quality. Additional resources include notated
percussion parts and a video to demonstrate
the body percussion.
11374411 SATB . . . . . . . . . . . . . . ME 2.50
11397090 SAB . . . . . . . . . . . . . . . ME 2.50
11397091 Two-Part . . . . . . . . . . . ME 2.50
11397094 Unison . . . . . . . . . . . . . ME 2.50
11397098 SSA . . . . . . . . . . . . . . . ME 2.50
11374412 Instrumental Parts Full Score
(SATB & SAB). . . . . . . . . . . . 5.00
11406263 Instrumental Parts Full Score
(Two-Part, Unison & SSA) . . 5.00
Bring Me Little Water, Sylvie—arr. Robert
Jones. The Sharon Gratto Global Music Series
is dedicated to providing historical context to
multicultural and folk music. This arrangement
of the classic tune attributed to Huddie
Ledbetter is accompanied by a stand-up bass
that gives the work an authentic American
homespun quality. Added handclaps along
with great vocal lines make this work truly fun
to sing!
11195616 SATB . . . . . . . . . . . . . . ME 2.95
10997677 SAB . . . . . . . . . . . . . . . ME 2.55
10873395 SSA . . . . . . . . . . . . . . . ME 2.95
11513216 TTB . . . . . . . . . . . . . . . ME 2.95
Caledonia—Douglas Menzies MacLean/arr.
Daniel Brinsmead. This setting of a Scottish
folk ballad has lyrics that speak of life lessons
learned, the passing of time, and enduring
affection for "home." Choirs will enjoy the song's
easy conversational style, moderate tempo, and
opportunity for several soloists to shine.
11381573 Two-Part . . . . . . . . . . . ME 2.75
Can Cala Me—arr. Steve Parsons. This
traditional Cornish May Day song sings
like a madrigal in this pristine a cappella
arrangement. The quick tempo allows for a light
and energetic style of singing which is briefly
contrasted in the fourth verse with a slower
triple feel. Ideal for spring concerts or festivals!
11510872 SATB . . . . . . . . . . . . . . ME 2.25
Carrickfergus—arr. Russell Robinson. A song
of great longing and beauty, this lyrical Irish folk
song includes solo opportunities throughout,
and the gorgeous melody is further enhanced
by the optional flute obbligato. A gorgeous
piece for developing musicality, register
changes, and purity of tone with your young
treble choirs!
10990280 SA . . . . . . . . . . . . . . . . ME 2.50
11396492 SAB . . . . . . . . . . . . . . . ME 2.50
Cedar Swamp—arr. Emily Crocker. This bright
and upbeat folk-flavored song celebrates some
of the favorite country pastimes of camping,
fishing, and delicious food! The tenor and
baritone ranges are perfect for changing,
unchanged, and changed voices, and the
addition of body percussion will provide a layer
of rhythmic fun to performances.
11377925 TB. . . . . . . . . . . . . . . . . ME 2.25
Charlie Is My Darling—arr. Cristi Cary Miller.
This upbeat treble choir arrangement of a
Scottish folk song includes an optional fiddle
part to complement the voices. The simple yet
rhythmically bouncing melody line gets passed
off through the different voices, giving each an
opportunity to shine.
11397423 Three-Part
Treble or SSA . . . . . . . ME 2.60
Cindy—arr. Mack Wilberg. Combining eight-
part writing, hand clapping, foot stomping,
string bass, and xylophone, this tour de force
is excellent concert & festival material.
1717610 SATB . . . . . . . . . . . . . . . .M 7.99
10509817 Instrumental Parts . . . . . . . .75.00
at jwpepper.com
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