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MADRIGALS
Madrigals
All Star (as an English Madrigal)—Greg Camp/
arr. Nathan Howe. This arrangement turns the
1999 Smash Mouth hit into an English madrigal.
Using wonderful harmonic progressions and a
tune that most will recognize from the "Shrek"
movies, this a cappella piece is a fun way to
introduce the genre to young singers and a
novel change of pace for more experienced
singers. Very clever!
10981030 SATB . . . . . . . . . . . . . . ME 2.25
11171685 SAB . . . . . . . . . . . . . . . ME 2.25
11171686 SSA . . . . . . . . . . . . . . . ME 2.25
11171688 TBB . . . . . . . . . . . . . . . ME 2.25
Can Cala Me—arr. Steve Parsons. This
traditional Cornish May Day song sings like a
madrigal in this pristine a cappella arrangement.
The quick tempo allows for a light and energetic
style of singing which is briefly contrasted in the
fourth verse with a slower triple feel. Ideal for
spring concerts or festivals!
11510872 SATB . . . . . . . . . . . . . . ME 2.25
Fa Una Canzona—Orazio Vecchi/arr. John
Leavitt. This well-known Italian madrigal by
Orazio Vecchi is offered in two voicings,
enabling singers to be successful while staying
true to the style of the period.
11513571 SATB . . . . . . . . . . . . . . . .M 2.15
11513572 SAB . . . . . . . . . . . . . . . . .M 2.15
Il est bel et bon—Pierre Passereau/arr.
David Das. This classic French chanson
is skillfully arranged for three-part mixed
choirs. Independent vocal lines, staccato and
legato phrasing, and the a cappella setting
provide wonderful learning opportunities for
developing choirs.
11204563 SAB . . . . . . . . . . . . . . . ME 2.30
Il est bel et bon—Pierre Passereau/arr. Russell
Robinson. This classic French madrigal is a
teaching staple and concert highlight. Perfect
for teaching precision and independence of
line, this polyphonic Renaissance piece can be
performed a cappella or with the optional piano
accompaniment in the style of a lute. In French
throughout, and it's just fun to sing!
11510882 SAB opt. Piano
Accompaniment . . . . . ME 2.15
Je Ne Suis Moins Aimable (My Love Is
Everlasting)—Pierre Certon/arr. Patrick M.
Liebergen. This sprightly madrigal with its light
and joyous feel has been adapted for SAB
voices and given the option to be performed
a cappella or with the supportive piano
accompaniment. This edition also provides the
full French text, a full pronunciation underneath
the French text in the score, and a singable
English version for added flexibility.
11389515 SAB opt. Piano
Accompaniment . . . . . ME 2.15
Madrigal Remix—arr. Kirby Shaw. A fresh
take on a couple of standard choral repertoire
selections! Two beloved madrigals, Fa Una
Canzona and Sing We and Chant It!, are
reimagined with piano, bass, and drums
accompaniment. Lively rhythms in a modern
setting breathe new life into these songs you'll
want your singers to learn.
11413700E Three-Part Mixed
ePrint . . . . . . . . . . . . . . ME 2.05
11413701E Two-Part ePrint . . . . . . ME 2.05
Sing We and Chant It—Thomas Morley/arr.
Russell Robinson. Introduce your choir to a
cappella madrigal singing with this wonderful
Thomas Morley classic designed especially
for young singers by Russell Robinson. This
edition sounds full and captures all the spirit
and joy of madrigal singing. Suitable for large
choirs as well as small groups, you can add
this work to your choral library and use it year
after year. An excellent teaching piece, it is a
standard at contest and festival time, too.
3252707 SATB . . . . . . . . . . . . . . ME 2.25
1861459 Three-Part Mixed . . . . ME 2.05
3252715 SSA . . . . . . . . . . . . . . . ME 2.25
10515720 TTBB . . . . . . . . . . . . . . ME 1.90
Three Madrigals—Emma Lou Diemer. With
text taken from Shakespeare's "Twelfth Night,"
"Measure For Measure" and "Much Ado
About Nothing," this three-movement work by
Emma Lou Diemer is well-conceived for more
experienced choral groups. It is consistently
a "conductor's choice" for festival choirs year
after year.
1254432 SATB . . . . . . . . . . . . . . . .M 2.15
10062938 Two-Part . . . . . . . . . . . . .M 2.25
Throw Open Your Shutters! (A Festive
Madrigal)—Amy F. Bernon. The festive style of
this high-energy original will add a colorful flair
to any program! Jaunty accents and staccatos
in the middle "Hey! Ding-a dong" sections
highlight the wonderful interplay between voice
parts and add to the merriment as the piece
builds to a thrilling climax. Useful for Christmas
or any time of year!
3253739 SATB . . . . . . . . . . . . . . ME 2.75
10011577 Three-Part Mixed . . . . ME 2.95
10011578 SSA . . . . . . . . . . . . . . . ME 2.95
10011579 TBB . . . . . . . . . . . . . . . ME 2.95
Two Madrigals for the Developing SAB
Choir—Thomas Morley & Robert Johnson/
arr. Kevin Padworski. Madrigal singing
has long been a staple of the choral
repertoire, particularly for the development
of independent singers with the use of
polyphonic harmony. And, they're fun to sing!
Here are two madrigals for the price of one,
arranged in a simpler three-part setting for
younger or smaller choirs: Do You Not Know?
by Thomas Morley and Full Fathom Five by
Robert Johnson.
11513842 SAB . . . . . . . . . . . . . . . . .M 2.60
Wannabe (as an English Madrigal)—arr.
Nathan Howe. With this follow-up to the top-
seller All Star (as an English Madrigal), this
fun madrigal adaptation of the Spice Girls hit
from the 1990s is another fun way to teach
this genre to young singers, and sure to be
a hit for your audience! Clever part-writing
techniques and harmonic progressions
make this familiar melody a standout
novelty selection!
11348135 SATB . . . . . . . . . . . . . . ME 2.35
11348137 SAB . . . . . . . . . . . . . . . ME 2.35
11348136 SSAA . . . . . . . . . . . . . . ME 2.35
BEST
SELLERS
Tenor-Bass Concert
& Festival Selections
These bestsellers are chosen most often by
directors! Look online for the most current
information on recordings, instrumental parts,
large print and digital edition availability.
Ad Astra (To the Stars...)—
Jacob Narverud.
11370919 TBB . . . . . . . . . . . . . . . . . . . . . . M 2.75
Duct Tape (Materia Potens et Adhaesiva)—
Mark Burrows.
11393854 TB . . . . . . . . . . . . . . . . . . . . . . . E 3.20
Desperta Ferro! (Rise, Iron!)—
Christopher Fox.
11197163 TTB . . . . . . . . . . . . . . . . . . . . .ME 2.05
Journey On—Derrick Fox.
11397272 TTB . . . . . . . . . . . . . . . . . . . . . . E 2.30
The Wellerman—arr. Jacob Narverud.
11338398 TTBB. . . . . . . . . . . . . . . . . . . .ME 2.25
Bella Ciao—arr. Christi Jones.
11198019 TB opt. a Cappella . . . . . . . . .ME 2.25
The Dawn's Awake!—Laura Farnell.
10443513 TTB or TB . . . . . . . . . . . . . . . .ME 2.50
She Walks in Beauty—Laura Farnell.
3303445 TB . . . . . . . . . . . . . . . . . . . . . . . E 2.30
Steal Away—arr. Stacey V. Gibbs.
10775511 TTBB. . . . . . . . . . . . . . . . . . . .ME 2.35
Come Travel With Me—Scott Farthing.
3281565 TTB . . . . . . . . . . . . . . . . . . . . .ME 3.00
Rest Not!—Laura Farnell.
10043946 TB . . . . . . . . . . . . . . . . . . . . . .ME 2.20
Laudate Dominum—Dan Davison.
10067350 TB . . . . . . . . . . . . . . . . . . . . . .ME 2.80
Wade in the Water—arr. Dan Davison.
10715332 TB . . . . . . . . . . . . . . . . . . . . . .ME 2.75
Tshotsholoza (Go Forward)—
arr. Jeffery L. Ames.
3304220 TTBB. . . . . . . . . . . . . . . . . . . . . M 3.00
Pirate Song—Tim Y. Jones.
10065407 TTBB. . . . . . . . . . . . . . . . . . . . . . . 3.00
The SAB Choir
Goes Renaissance
Thomas Weelkes/
arr. John Leavitt.
Here is a
fantastic resource for introducing
madrigals of the Renaissance
to the developing ensembles or
groups with limited male singers.
The five works by Thomas Weelkes
are: Come, Let's Begin; Four
Arms, Two Necks, One Wreathing;
Late in My Rash Accounting; The
Nightingale, Since Robin Hood;
Strike It Up, Tabor.
10760445 SAB Choral Score . . . 3.95
The Art of the
King's Singers
The King's Singers GOLD
The King's Singers.
This lovely collection of 12 works
is a celebration of the 50th
anniversary of the King's Singers.
The a cappella volume contains
mostly madrigals and early music,
with a few selections from later
composers. A pronunciation guide
is included, along with translations
and insightful performance tips.
Titles include: Sing Joyfully;
Abendlied; Die Nacht; Sicut
Cervus and more.
10818872 SATB Choral
Score divisi . . . . . . . . . 9.95
