SECULAR CONCERT
CONCERT
MUSIC
Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: orders@jwpepper.com
49
Go to cart
And So It Goes—Billy Joel/arr. Bob Chilcott.
One of The King's Singers' most frequently
requested arrangements is this lush a cappella
setting of Billy Joel's hit ballad. A first-rate
choice for any concert program!
1911023 SATB . . . . . . . . . . . . . . ME 2.30
And So We Sing—Mark Hayes. Celebrate
music with this original work that will be effective
as an opener or closer, or as great selection for
arts advocacy in March or any time of year. A
powerhouse piece, these traditional full choral
harmonies are supported with a virtuosic piano
accompaniment that really adds to the drama.
11393263 SATB . . . . . . . . . . . . . . ME 2.05
11393264 SAB . . . . . . . . . . . . . . . ME 2.05
11393265 Two-Part . . . . . . . . . . . ME 2.05
11393344 Multi-Song
Accompaniment CD . . . . . .44.99
And the Night Shall Be Filled With Music—
Greg Gilpin. This reflective musical setting
brings Henry Wadsworth Longfellow's text to life.
Featuring a cascading a cappella introduction,
this approachable work is a an ideal way to
celebrate the power that music has to help
overcome the problems of the day. A beautiful
choice for concert or festival programming!
3301147 SATB . . . . . . . . . . . . . . ME 2.75
11510546 SAB . . . . . . . . . . . . . . . ME 2.75
10519891 SSA . . . . . . . . . . . . . . . ME 2.75
11510547 TBB . . . . . . . . . . . . . . . ME 2.75
And the Night Shall Be Filled With Music—
Michael John Trotta. A celebration of the
power of music, this work is a sonorous setting
of Henry Wadsworth Longfellow's well-known
poem. A rhythmic, energetic accompaniment,
an a cappella middle section, and optional
percussion on the final refrain make this piece
a great option for a concert closer.
11515259 SATB . . . . . . . . . . . . . . ME 3.10
Animal Crackers—Eric Whitacre. Here are
three whimsical settings of Ogden Nash poems
that are sure to appeal to Eric Whitacre fans:
The Panther; The Cow and The Firefly. For
mixed choirs, this is a novelty selection with
sophistication and class!
10025930 SATB . . . . . . . . . . . . . . . .M 3.25
Anything—Ayrian Norman. In a driving style
full of excitement and adventure, this is an
encouraging song of purpose, self-esteem,
and honorable duty. A perfect choice for
graduation or moving-on ceremonies, or any
celebration of beginning something new,
it instills confidence and affirms character
development. This piece can be easily learned
and effectively performed, and the ranges are
ideal for younger, developing voices, too!
11510551 TB. . . . . . . . . . . . . . . . . ME 2.95
Apple Tree—arr. Katerina Gimon. This song is
about the potential hidden in all of us - we can
all save the world if we put our minds to it. The
lyrics are the thoughts and dreams of young
people, and both the text and the music will
resonate especially with them. The texture is
a cappella, but it includes both percussion and
body percussion that really add to the rhythmic
and modern feel.
11513462 SATB divisi . . . . . . . . . . .M 2.85
Aqui Te Amo (Here I Love You)—Bruce
W. Tippette. Textured choral writing glides
effortlessly over a graceful piano
accompaniment in this elegant setting of the
text by Chilean poet and Nobel Prize-winner
Pablo Neruda. Artistically done in a romantic
choral setting, this original musical work
embodies the romanticism of its lyrics.
11393266 SATB . . . . . . . . . . . . . . ME 2.20
11393267 SSAA . . . . . . . . . . . . . . ME 2.20
Arise and Greet the Day—Victor C. Johnson.
Driving accompaniment helps fuel the excite-
ment in this celebratory work for developing
choirs. There's a contrasting legato middle
section that complements the opening
fanfare before returning to the joyous
opening statement propelling us to the
inspiring conclusion. Perfect for a concert or
festival opener!
11514631 Three-Part Mixed . . . . ME 2.60
11514632 Two-Part . . . . . . . . . . . ME 2.60
The Art of Being—Philip Silvey. Commissioned
to celebrate the 100th anniversary of the
Eastman School of Music, this celebration
of creativity is a recognition of the vision
and commitment as well as the vulnerability
that accompanies the life of an artist. SEL
resources are also available.
11513463 SATB . . . . . . . . . . . . . . . .M 2.30
11513464 SSA . . . . . . . . . . . . . . . . .M 2.30
As the Rain Hides the Stars—Elaine
Hagenberg. "As the rain hides the stars, as
the autumn mist hides the hills..." Here is an
exquisite setting of a traditional Gaelic prayer
that will enhance the ethereal beauty of your
choral sound. As the clouds finally part, the sun
shines clearly for the first time. "Yet, if I may
hold your hand in the darkness, it is enough."
10748271 SATB . . . . . . . . . . . . . . . .M 2.95
10519865 SSA . . . . . . . . . . . . . . . . .M 2.95
At the Round Earth's Imagined Corners—
Williametta Spencer. This contemporary, a
cappella setting by Williametta Spencer of
the sonnet by John Donne is a strong contest/
festival selection for mature mixed choruses.
4035259 SATB . . . . . . . . . . . . . . MA 2.75
At the Spring Dawn—Andrea Ramsey. Poet
Angelina Weld Grimke was an important
figure in the Harlem Renaissance of the
1920s. Here she describes the dawning of
a new day, a text captured by the composer
in colorful and descriptive writing. Scored for
marimba, optional piano, and treble voices,
this is a beautiful example of word painting as
the choir sings, "It is good to love, it is good to
be alive."
11513469 SSAA . . . . . . . . . . . . . . . .M 2.85
August—Jacob Narverud. The elegant
beauty of Francis Ledwidge's poem about the
late summer shimmers in this original work
for a cappella mixed chorus. Slowly moving
harmonies that range between four and six
parts ebb and flow with harmonic clusters that
are ideal for developing ensemble unity, blend,
and musicality in sensitive, expressive choirs.
11410677 SATB . . . . . . . . . . . . . . . .M 2.20
Autumn Vesper—Audrey Snyder. This original
work sets a well-known Emily Bronte poem in
a lyric song style. Flowing vocal lines and rich
musical colors offer choirs many opportunities
for expressive singing. The SATB version is
adapted and arranged by Jacob Narverud.
11503160 SATB . . . . . . . . . . . . . . ME 2.05
1907294 SAB . . . . . . . . . . . . . . . ME 2.25
1903970 Two-Part or SSA . . . . . ME 1.85
Awakening—Christi Jones. Based on the
inspirational poem by civil rights advocate
James Weldon Johnson, this selection
features beautiful cluster chords over a
driving syncopation that your treble choirs
will love. With a mature quality that is not too
difficult to achieve, this piece will certainly
empower your singers!
11370896 SSA . . . . . . . . . . . . . . . ME 2.50
Ballade to the Moon—Daniel Elder. "...Come
sing with me! The twinkling sky casts forth its
tune: O must I leave thy charms so soon? I
weep with joy beneath the moon." Marked
Adagio Misterioso, this evocative work has
been appearing on festival lists all over the
country, and for good reason - it is an important
contribution to the choral repertoire.
10283255 SATB . . . . . . . . . . . . . . . .M 2.90
10527161 TTBB . . . . . . . . . . . . . . . .M 2.80
The Bat—Andy Beck. This creative original
piece written especially for two-part choirs
features quick-changing dynamics, textures,
and articulations that will both challenge and
reward young singers. Consider programming
in the fall for Halloween, or as a song cycle
with Firefly and The Moon, pieces on a similar
theme by the same composer.
11503298 Two-Part . . . . . . . . . . . ME 2.05
11503274 P/A CD. . . . . . . . . . . . . . . . .44.99
Be Like Jane—Michael Bussewitz-Quarm.
Inspired by three influential women, all with
the same first name - Jane Goodall, Jane
Bolin, and Jane Tomlinson - this selection is
the embodiment of dedication, perseverance,
and determination. Each woman has her own
struggles but continues to fight her way toward
a better future, which is reflected in the music's
unrelenting energy including rhythmic clapping.
The lyrics, "Pain is not unusual in the journey to
find ourselves" speaks to having the courage to
move forward even when it seems like there is
no light at the end of the tunnel. Always fight,
live, love, and dream!
11502774 SSAA . . . . . . . . . . . . . . MA 2.90
Be the Change—Laura Farnell. With a
multicultural flair, this energetic and rhythmic
work conveys a singular force for change.
Combining texts from Mahatma Gandhi, Dr.
Martin Luther King, Jr., and Matthew 5:15 with
original lyrics, the piece also incorporates This
Little Light of Mine. An optional divisi descant
will challenge younger choirs while remaining
accessible. Optional djembe and shaker parts
are included.
11203571 SATB divisi, opt. Piano
Accompaniment . . . . . ME 2.30
11397402 Two-Part or SA. divisi, opt. Piano
Accompaniment . . . . . ME 2.35
Be the Change—Jacob Narverud. Following
on the heels of his wildly popular Sisi Ni
Moja, Jacob Narverud returns with another
show-stopping piece in a similar style. With
influences from world music and an upbeat
rhythmic style, this socially responsive text of
empowerment and peace is a great choice for
choirs of all ages.
11134295 SATB . . . . . . . . . . . . . . ME 2.35
11345231 SA . . . . . . . . . . . . . . . . ME 2.30
11161031 SSA . . . . . . . . . . . . . . . ME 2.20
11161032 TTBB . . . . . . . . . . . . . . ME 2.20
