SECULAR CONCERT
CONCERT
MUSIC
Editors' Choice 2023 New Basic Library Large Print Edition A Cappella ePrint Downloadable (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision
56
Go to cart
Down the Silver Road—Sarah Quartel.
This selection is a comforting and uplifting
setting of the poem To F.W. by Edith Franklin
Wyatt, which describes the joy of growing
old with a companion. It was premiered by
the choir of Nazareth College, New York at
a concert specifically for individuals living
with Alzheimer's or other dementias and their
families and caregivers. Alongside the flowing
lyrical melodies is a simple vocal part that can
be taught to audience members who may be
encouraged to join in when it occurs.
11415040 SSAA . . . . . . . . . . . . . . . .M 3.65
Draw the Circle Wide—Mark A. Miller. Gordon
Light's text is powerful by itself, but when added
to music composed by Mark Miller it becomes
an anthem of unity for all people, all cultures,
and all generations.
10061177 SATB . . . . . . . . . . . . . . ME 2.50
The Dream Keeper (from Trilogy of Dreams)
—Rollo Dilworth. A persistent underlying rhythm
gives this setting of the Langston Hughes poem
a powerful, mysterious drive. "Bring me all of
your dreams, you dreamers. Bring me all of your
Heart melodies, that I may wrap them in a blue
cloud cloth away from the too-rough fingers of
the world..." Use conga drums to enhance the
impact of this compelling work!
10070633 SATB . . . . . . . . . . . . . . ME 2.30
10011858 Two-Part . . . . . . . . . . . ME 2.20
Dreams of Thee—Eric William Barnum.
An expressive, lyrical work for SAB voices,
optional solo, C instrument and piano, this
has a text taken from "Lines to an Indian Air"
by Percy Bysshe Shelley. A very lovely choral
piece for serious middle-school or beginning
high school choirs.
10008754 SAB . . . . . . . . . . . . . . . ME 2.90
Earth Song—Frank Ticheli. A cry for peace in
a world torn by war, this poignant a cappella
setting of an original text is filled with striking
dynamic contrasts. "Sing, Be, Live, See...
This dark stormy hour, the wind, it stirs. The
scorched earth cries out in vain... But music
and singing have been my refuge, and music
and singing shall be my light..."
10027720 SATB . . . . . . . . . . . . . . . .M 2.75
11196150 SSAA . . . . . . . . . . . . . . . .M 2.25
11396560 TTBB . . . . . . . . . . . . . . . .M 2.75
An Earth Song—Andrea Ramsey. The world
delights as the long winter turns to spring,
new beginnings, and possibilities. Langston
Hughes' text reflects this spirit of optimism and
moving forward. The music is full of rhythm
and energy, enhanced by the addition of the
optional cello and cajon parts.
11513560 SATB . . . . . . . . . . . . . . ME 2.50
El Humo (The Smoke)—Eduardo Cota.
Everyday imagery comes to life; pictures
of smoke trailing from chimneys up to the
sky weave through a charming melody and
accompaniment. This is a great selection for
choirs learning how to sing in two parts, but
its poetry and sonority also work well for older
treble groups.
11514298 Two-Part or SA/SSA . . ME 2.60
Empire of Blue—Rob Dietz. In a style that
is equal parts contemporary and historic, this
unique concert work employs a variety of vocal
styles, including contemporary a cappella,
overtone singing, vocal jazz, and shape note/
sacred harp. Quoting the folk hymn The Lone
Wild Bird, which grapples with understanding
our place in the world, this piece resonates
with a youthful voice and style that will surely
be impactful.
11415498 SSAATTBB . . . . . . . . . . .M 3.10
Encourage One Another—Mark Burrows.
This energetic echo song brings out the best in
young treble voices and offers a joyful message
of friendship and community. The text focuses
on caring qualities, and the optional djembe,
claves, and shaker (parts available separately),
as well as the body percussion cues, create a
dynamic and spirited performance!
11416970 Unison/Two-Part . . . . . . . E 2.45
11416971 Instrumental Parts . . . . . E 11.95
Endless Song—David L. Brunner. This new
melody for the How Can I Keep from Singing?
text is gentle and thoughtful. The easy lyricism
in these phrases will assist your singers in
hearing the familiar words in a new way.
11514299 SA or Two-Part . . . . . . ME 2.80
Enough—Roger Emerson & Ethan Hanzlik.
Here's a powerful and inspirational mid-tempo
ballad that addresses loneliness at a time when
young people seem to be connected in more
ways than ever before. "Hold me, see me, tell
me I'm worthy of love. Tell me that I am enough."
11513567 SATB divisi . . . . . . . . . . .M 2.20
Evening Lullaby—Reginal S. Wright. With
a text by Louisa May Alcott, lilting melodies,
and subtle suspensions, this original setting
captures the essence of a soothing lullaby. A
lyrical and emotionally sensitive selection with a
flowing piano accompaniment that will help your
choir develop musical maturity while enveloping
your audience in nature's evening slumber.
11370894 SAB . . . . . . . . . . . . . . . ME 2.75
Evening Song—Christopher Rust. Like a
contemporary lullaby, this tender original work
ushers in the sights and sounds of the setting
of the sun. With a beautiful, lyrical melody,
gentle harmonies, and a simple yet effective
accompaniment, it is an exquisite selection for
treble choirs of all ages.
11510558 SA or Two-Part . . . . . . . . E 2.75
Everlasting Melody—Rollo Dilworth. This
gospel-style original will set every toe tapping
and fill every heart with harmony! Well-written
vocal and piano parts ensure success, and
the positive message is relevant to choirs of
all ages. It's the perfect closer for your next
concert; guaranteed!
3212610 Two-Part . . . . . . . . . . . ME 2.20
3212628 P/A CD. . . . . . . . . . . . . . . . .26.99
Every Season—Karl Hitzemann. This
hauntingly beautiful song about the changing
seasons is perfect for performances any time
of year. The recorded accompaniment is
very stirring and includes piano, flugelhorn,
wind chimes, strings, and a melancholy
countermelody played on a trumpet that adds
to its soulful sound.
11372567 Unison/Two-Part
optional third part. . . . . . . E 1.95
11372568 P/A CD. . . . . . . . . . . . . . . . .19.95
Every Time—Jim Papoulis. "Every time I try
to make a difference in the world, I wonder
if I'm on. Tell me I am not alone." Upbeat,
and able to be performed in a contemporary
a cappella style or with the notated piano
accompaniment, this pop-style concert work
is full of rhythm and energy. Optional parts
for djembe and shaker are available as a
download on the publisher's website.
11513570 SATB opt. Piano
Accompaniment . . . . . . .M 2.60
11513413 TTBB opt. Piano
Accompaniment . . . . . . .M 2.60
Everyone Sang—Mark Burrows. This setting
of the powerful poem by Siegfried Sassoon
offers great hope as jubilant voices are
"suddenly lifted - and beauty came." Not to
be overlooked, this is the perfect piece for an
advanced mixed choir. "May the singing never
be done."
11410885 SATB . . . . . . . . . . . . . . . .M 2.75
Everything Has a Time and Place—Becki
Slagle Mayo. In a melodic and flowing 6/8,
this original concert work pairs expressive
music with lyrics that remind us that though
things may not seem to always make sense,
everything has a time and place. An ideal piece
for teaching lyricism and expression for treble
singers of all ages.
11510559 Two-Part . . . . . . . . . . . . . E 2.95
11510560 SSA . . . . . . . . . . . . . . . . . E 2.95
Fairest Lady—Nick Page. This gentle lullaby
based on a nursery rhyme uses London Bridge
Is Falling Down as a descant over a soothing
original melody and accompaniment. The
peaceful moment is a loving lullaby for a fair
little lady whose mother reassures her that
London Bridge will not fall down, rather it will
fly away. Sensitive and touching.
3244092 Unison . . . . . . . . . . . . . . . E 2.15
10449077 SSA . . . . . . . . . . . . . . . . . E 2.15
Falling Star—Glenda E. Franklin. Sara
Teasdale's poem The Falling Star is blended
with lines from childhood rhymes like Twinkle,
Twinkle, Little Star and Star Light, Star Bright in
a creative pairing of celestial texts. A minor key
brings a mysterious feel, and the lyrical lines
are enhanced with a flowing, delicate piano
accompaniment and optional flute obbligato.
11510561 SSA . . . . . . . . . . . . . . . ME 2.75
Falling Stars—Kevin Padworski. This piece
is a reflection on the transient nature of
existence and the importance of living in the
present moment. Accessible vocal writing
supported by an energetic and purposeful
piano accompaniment makes this a dynamic
work, especially for high school singers.
11514301 SATB . . . . . . . . . . . . . . . .M 3.10
Feel Good—arr. Barbara Baker & David Elliott.
Feel Good is a contemporary African-American
gospel song that should be performed with joy,
exuberance and enthusiasm! Highly rhythmic
with judicious hand claps and utilizing a secular
text of positiveness and high self-esteem, this
exciting work is certain to be a favorite of
singers and audiences alike!
1874163 SSA . . . . . . . . . . . . . . . ME 2.30
Fire and Ice—Emily Crocker. This Robert Frost
poem reflects on the end of the world, musing
whether it might be consumed in fire or ice, and
comparing the two elements with the emotions
of desire and hate. The poetry sparkles in this
treble concert work, capturing the contrasts in
the text and offering the singers a chance to
dramatically express these important concepts.
There's a great piano accompaniment, too!
11427775 SSA . . . . . . . . . . . . . . . . .M 2.30
Firefly—Andy Beck. Excellent craftsmanship
is apparent in this delightful tone painting as
an accented vocal theme creates the image
of flickering fireflies on a dark summer night.
Carefully selected ranges and intervals,
youthfully inquisitive lyrics, a delicate
accompaniment and a whispered ending all
add up to a very special concert feature for
young choirs!
10029937 Two-Part . . . . . . . . . . . . . E 2.05
Firefly—Eddie Cavazos. Ideal for younger
treble choirs, this piece compels the listener to
learn from the firefly how to live in the moment
with joy. Charming and creative suggestions
to imitate the firefly are included, using
flashlights, LEDs, or other hand-held lights. A
truly delightful song!
11419604 Unison opt. Two-Part . . ME 2.20
First Songs for the Emerging Tenor-Bass
Choir—Mark Patterson. A set of three songs
composed specifically for young male singers
whose voices are unchanged or are in the
process of changing from the composer of
Heroes and Vagabonds and other well-known
solo collections for young voices. Each song
may be performed independently in unison, as
a solo, or with the optional second part. Songs
include: Come Sail Away With Me, A Future
Shared and Gloucester Moors.
10846411 Unison/Two-Part . . . . . . . E 2.50
Plan. Print. Play.
My Library gathers the
Pepper services you love under
one umbrella.
PROGRAM
PLANNER
