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Editors' Choice 2023 New Basic Library Large Print Edition A Cappella ePrint Downloadable (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision
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To Sit and Dream—Rosephanye Powell. "To
sit and dream...all you who are dreamers, too.
Help me make our world anew. I reach out my
hands to you." These transformative words
penned by Langston Hughes beckon us to
reach toward the dreams of a better world
where peace, equality, and justice reign. Set
with a lush jazz-influenced harmonic palette,
the ethereal and dreamy quality makes this
an interesting and musically sensitive concert
work for mixed or treble choirs.
10091834 SATB . . . . . . . . . . . . . . . .M 2.30
11407373 SSAA divisi . . . . . . . . . . .M 2.60
11408453E Full Orchestra ePrint . . . . .175.00
Today's Hope—Jacob Narverud. With uplifting
student-written lyrics, this pop-style original
encourages young people to embrace their ability
to effect change. A strong contemporary groove,
multiple solo opportunities, and accessible
ranges will engage your developing choir.
11503310 SAB . . . . . . . . . . . . . . . ME 2.20
11503311 Two-Part . . . . . . . . . . . ME 2.20
11503274 P/A CD. . . . . . . . . . . . . . . . .44.99
Tonight—Enrique Lacarcel B.. Sara
Teasdale's ethereal poetry creates vivid sky-
and-moon imagery that transports listeners to
a starry night. Singers will appreciate the close
SSA choral inversions and colorful harmonic
palette in this lush musical setting. An optional
string quartet adds to the tender story of
devotion. "Eternity was made for them; tonight
for us."
11503313 SSA . . . . . . . . . . . . . . . . .M 2.05
11503314 Instrumental Parts
String Quartet . . . . . . . . . . .25.00
A Traveler's Heart—Christi Jones. The
beauty of nature can inspire art and healing.
In this English setting of Chinese poet Cheng
Fang-Sheng's fourth-century text, lyrical lines
with sensible voice leading allow treble choirs
to explore tone, balance, and expression to
create a lovely concert or festival selection.
11397027 SSA . . . . . . . . . . . . . . . ME 2.25
Tree Song—Anders Edenroth. With lyrics that
follow rules for ancient Scandinavian Viking
meters, this beautiful song is a tribute to the
tree and to nature - but even more a call for
action to protect and preserve.
11514317 SSAA . . . . . . . . . . . . . . MA 2.80
The Trout (Die Forelle)—Franz Schubert/arr.
Douglas E. Wagner. Perhaps the most famous
of Schubert's lieder, this charming art song has
been adapted for young developing choirs.
The choice of key fits comfortably within range
and the choice to sing in the original German
or singable English version presents flexibility.
Listen for the rippling water and leaping fish
in the playful accompaniment, which may be
played with either two or four hands.
11343555 Three-Part Mixed . . . . . .M 2.05
11343556 Two-Part . . . . . . . . . . . . .M 2.05
11346367 Multi-Song
Accompaniment CD . . . . . .44.99
True Colors—arr. Jesse Hampsch. "Don't be
afraid to let your true colors show!" A message
that all of us need to hear. This iconic song by
pop/rock legend Cyndi Lauper is timeless. This
fresh, new arrangement relies on the strong
heritage of the original while bringing new
sensitivities that reflect the times we live in.
10834871 Three-Part Treble
or SSA . . . . . . . . . . . . . ME 2.40
The True Lover's Farewell—Dan Davison.
Based on a old English folk ballad text, this
hauntingly exciting musical setting bring all the
drama this text requires. Written in a clever two-
part harmonic setting with ranges of only a fifth in
every voice part, it is a truly accessible piece that
young choirs will be able to perform successfully.
11501666 SAB or SA(T)B
or Two-Part Mixed
(opt. Tenor) . . . . . . . . . ME 2.50
11501625 SA . . . . . . . . . . . . . . . . ME 2.25
11501649 TB. . . . . . . . . . . . . . . . . ME 2.25
Tundra—Ola Gjeilo. Majestic scenes from
Ola Gjeilo's native Norway inspired Charles
Silvestri's text for this contemporary tone poem.
The words and music are fused in a poignant,
lyrical way to convey the intense beauty of
the landscape. An excellent winter feature or
festival choice for mature choirs.
11200696 SATB . . . . . . . . . . . . . . . .M 3.95
10276418 SSAA . . . . . . . . . . . . . . . .M 3.20
11414808 Instrumental Parts
for SATB . . . . . . . . . . . . . . .45.00
10297376 Instrumental Parts
for SSAA . . . . . . . . . . . . . . .45.00
Tuttarana—Reena Esmail. From the Italian
word tutti, meaning all or everyone, and the
Hindustani (northern Indian) term tarana, a
musical form that allows solo singers to display
vocal agility, this original work brings both
together to create a unique experience for
choirs. With mixed meter, a fast tempo, and
quickly moving rhythmic phonetic syllables
similar to scat, it is a challenging work that will
be well worth the effort.
11360657 SATB divisi,
or SSAATTBB . . . . . . . MA 3.35
11372422 SSA divisi,
or SSSSAA . . . . . . . . . MA 3.35
Two Teasdale Settings for SA Choir—Noah
Reese. A perfect selection for developing treble
choirs, these two Teasdale settings provide
plenty of material with flexible options. Perform
them as a set or as stand-alone pieces,
accompanied or a cappella. Ample unison lines
and simple harmonies are used throughout -
ideal for beginning choirs that are just learning
to blend and sing in harmony.
11501624 SA opt. a Cappella . . . . . E 2.50
Tyger—Elaine Hagenberg. This fiery setting
of William Blake's The Tyger is sure to be
a thrilling piece for your choir! Energetic
mixed meter combined with an active piano
accompaniment creates exciting moments
to hear the tiger growl and pounce. Consider
programming as a companion piece with
Hagenberg's setting of The Lamb, as these
poems were designed by Blake to contrast
with one another.
11341296 SATB . . . . . . . . . . . . . . . .M 2.95
11107824 SA . . . . . . . . . . . . . . . . . .M 2.95
United—Michael Engelhardt. "We are united
as one. We stand for harmony and love.
You are invited to come on and join with us."
Written in an upbeat gospel style, this inclusive
piece joyfully expresses the idea that when we
are united, we make a better way together.
Rhythmic and full of vitality, it will make an
excellent concert opener or closer and will be
fantastic for large choir events and festivals.
11415511 SATB . . . . . . . . . . . . . . ME 2.80
United in Purpose—Rollo Dilworth. This is a
rhythmic, contemporary gospel-style anthem
featuring the words of Maya Angelou, charging
all of us to take responsibility for making
our communities safe, supportive, and just.
Reinforced by a gospel-inspired harmonic
palette and accompaniment, your singers and
audience alike will feel united after performing
this piece.
11405285 SATB . . . . . . . . . . . . . . ME 2.60
11514798 SSA . . . . . . . . . . . . . . . ME 2.60
11413825 TTBB . . . . . . . . . . . . . . ME 2.60
11514799 Instrumental Parts
Bass, Drums . . . . . . . . . . . .10.00
Until Love Is Spoken—Karen Marrolli. This
lovely setting of a message of love and peace
is in an accessible a cappella format suitable
for any mixed ensemble. It can be used in both
sacred and school settings, with an original text
that will be inspiring to all!
11416022 SATB . . . . . . . . . . . . . . ME 2.25
Until We Meet Again—Reginal Wright.
A rich choral tapestry and artistic piano
accompaniment embrace the traditional melody
in this setting of the Irish Blessing text. Flowing
and lyrical with attractive harmonic movement,
this is accessible to high school choirs and
appropriate as a closing song or benediction.
11514232 SATB divisi . . . . . . . . . ME 2.95
Veritas et Virtus—Jacob Narverud. "Truth and
Virtue" - the text consists of ancient secular
Latin motivational quotes and phrases; the
musical setting is accessible with plenty of
unison and two-part textures and comfortable
ranges. Modern harmonies, a section of
chanted Latin phrases, and a rhythmic,
energetic piano accompaniment give it vibrant
appeal, and the texture allows opportunities
for everyone to shine! Easy to teach and very
impressive to perform!
11500839 SATB . . . . . . . . . . . . . . ME 2.25
11500840 SAB or
Three-Part Mixed . . . . ME 2.25
11500841 SSA . . . . . . . . . . . . . . . ME 2.25
11500842 TBB . . . . . . . . . . . . . . . ME 2.25
Vimy Ridge—Lizzy Hoyt/arr. Keith Sinclair.
This stunning setting takes the performers
back to the famous battle on Vimy Ridge during
World War I. It traces a moving story that will
captivate audiences with a determined piano
accompaniment and declamatory choral writing.
11512076 TTBB . . . . . . . . . . . . . . . .M 3.15
Viva! (from "Il re pastore")—W.A. Mozart/
arr. Patrick M. Liebergen. A triumphant
Mozart masterwork for today's choirs! This
joyful opera finale opens and closes with a
boisterous choral fanfare that features a brief,
expressive vocal duet in the middle. The text
is in Italian with optional English translation
and IPA pronunciation guide included. The
choral parts are supported by an exciting
piano accompaniment for an arrangement
that remains true to the original while being
accessible to school choirs. Not necessarily
familiar, but undeniably fantastic!
10752452 SATB . . . . . . . . . . . . . . ME 2.05
10752453 SAB . . . . . . . . . . . . . . . ME 2.05
11197472 SSA . . . . . . . . . . . . . . . ME 2.05
11197473 TTB . . . . . . . . . . . . . . . ME 2.05
Voice on the Wind—Sarah Quartel. Sarah
Quartel's own inspiring text about the
empowerment of singing is set to a catchy
melody with imitative scat singing and a driving
hand drum accompaniment. This piece has all
the hallmarks of her innovative style.
10954225 SATB . . . . . . . . . . . . . . . .M 3.65
10561409 SSAA . . . . . . . . . . . . . . . .M 3.65
Wait with Me—Coleman Peterson. With
glorious suspensions and modern parallel
a cappella movement, this original piece
explores the promises we can make to the
people we love to wait with them through the
difficult seasons of life. With powerful pop-like
harmonies and vocal lines, this expressive
ballad allows for poignant and emotive singing
and musical sensitivity.
11427037 SATB divisi . . . . . . . . . . .M 2.50
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