CONCERT
MUSIC
Editors' Choice 2023 New Basic Library Large Print Edition A Cappella ePrint Downloadable (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision
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SACRED CONCERT & SPIRITUALS
Deep River—arr. Victor C. Johnson. The
artistically crafted piano accompaniment
creates a gentle, wave-like motion to support
the warm, lush choral textures and harmonies
in this superb arrangement of the beloved
spiritual. This elegant setting is a perfect
opportunity to expand your choir's harmonic
language and cultural understanding. A
valuable Learning Resource Page is included
for even more educational value.
10996345 SATB . . . . . . . . . . . . . . ME 2.60
10996346 SAB . . . . . . . . . . . . . . . ME 2.60
11395972 SSA . . . . . . . . . . . . . . . ME 2.60
11100722 P/A CD. . . . . . . . . . . . . . . . .27.95
Deus Meus—Daisy Fragoso. Based on Ruth
1:16, this slow, lyrical piece highlights the
friendship shared between Ruth and Naomi,
teaching the importance of loyalty and
commitment. Set with Latin text, the piece
provides opportunities for singers to perfect
pure vowel sounds while singing gentle
legato phrases.
11380634 SATB . . . . . . . . . . . . . . ME 2.30
11380632 Three-Part Treble
or SSA . . . . . . . . . . . . . ME 2.30
Didn't My Lord Deliver Daniel—arr. Roger
Emerson. A top seller now available in a
flexible SATB voicing, this driving rock spiritual
features a subdued opening that explodes into
high-powered energy, sure to be a hit with
your developing mixed choirs in middle and
high school.
10455944 SATB . . . . . . . . . . . . . . ME 2.20
1819317 Three-Part Mixed . . . . ME 2.20
1819325 Two-Part . . . . . . . . . . . ME 2.20
Didn't My Lord Deliver Daniel?—arr. Greg
Gilpin. This energetic spiritual setting is
everything you need for a rousing performance
by your young singers. A driving piano
accompaniment with solid vocal writing and
many dynamic twists and turns sets this
spiritual on fire!
10439048 SATB . . . . . . . . . . . . . . ME 2.50
10291720 Three-Part Mixed . . . . ME 2.50
10295470 Two-Part . . . . . . . . . . . ME 2.50
10995229 TB. . . . . . . . . . . . . . . . . ME 2.10
10295929 Multi-Song
Accompaniment CD . . . . . .44.99
Didn't My Lord Deliver Daniel—arr. Moses
Hogan. Moses Hogan has brought his
remarkable arranging talent to bear in this
dynamic, exciting setting of the familiar spiritual!
3180163 SATB . . . . . . . . . . . . . . . .M 2.15
Didn't My Lord Deliver Daniel?—arr. Russell
Robinson. Developing choirs will enjoy this
fresh arrangement of the traditional spiritual!
All the parts have the opportunity to sing
the melody at some point, and the stylistic,
accessible piano accompaniment enhances
the engaging vocal lines. Plus, it's loaded with
lots of fun syncopation and dynamic contrasts
to create an engaging musical concert or
festival performance.
10988044 Three-Part Mixed . . . . ME 2.60
11395974 Two-Part . . . . . . . . . . . ME 2.45
11100727 P/A CD. . . . . . . . . . . . . . . . .27.95
Dies Irae—Christi Jones. Choirs of all abilities
will embrace singing this powerful and intense
contemporary setting using the Day of Wrath
text. The powerful melodic statements and
lyrical part-writing contrast beautifully with the
rhythmic, percussive piano accompaniment.
Bold yet accessible, this piece makes a terrific
selection for concert or festival.
11370910 Three-Part Mixed . . . . ME 2.50
10846395 SSA . . . . . . . . . . . . . . . ME 2.50
10735259 TTB . . . . . . . . . . . . . . . ME 2.25
Dies Irae—Ryan Main. This heart-pounding
setting of the Dies Irae is becoming a favorite
at festivals and honor choirs. Driving rhythms
overlap with flowing lines to create a piece that
is easy to learn and impressive in performance
for developing choirs. A uniquely accessible
and rewarding work!
10661116 SATB . . . . . . . . . . . . . . ME 2.95
10661117 SSAB . . . . . . . . . . . . . . ME 2.95
10661119 SAB . . . . . . . . . . . . . . . ME 2.95
10661121 SSA . . . . . . . . . . . . . . . ME 2.95
10950171 TB. . . . . . . . . . . . . . . . . ME 2.95
10604740 TTB . . . . . . . . . . . . . . . ME 2.95
Dies Irae (Day of Wrath)—David Farrell
Smith. Employing the text from the Requiem
Mass, this dramatic, exciting, rhythmic setting
propels the angular melodies forward. The
contrasting, lyric B section allows for a brief
respite and will challenge the singers to explore
color in tone and expression. This is sure to be
a compelling piece for middle school and young
high school choirs.
10443549 SAB . . . . . . . . . . . . . . . ME 2.50
11410876 SSA . . . . . . . . . . . . . . . ME 2.50
Dies Irae (from "Requiem")—Michael John
Trotta. Pulsating rhythmic ostinatos, cluster
harmonies, and soaring soprano lines are
all present in this exciting a cappella concert
work, possessing all the elements you'd
expect from the composer of Veni, Veni
Emmanuel. Based on the 13th-century Dies
Irae chant, the exciting minor texture contrasts
driving rhythms and beautiful legato singing
while still remaining accessible. A perfect way
to showcase your choir as a concert opener,
closer, or for festival use.
11315425 SATB divisi . . . . . . . . . . .M 3.10
11415260 SSAA divisi . . . . . . . . . . .M 3.10
Dies Irae—W.A. Mozart/arr. Patrick
Liebergen. This edition of the well-known
choral masterwork from Mozart's "Requiem,"
now available for mixed, TTBB, and SSAA
voices, has become a standard for today's
choirs. Patrick Liebergen has re-scored the
keyboard accompaniment and transposed the
work down a major second to make it more
accessible for accompanists and singers.
Generally considered Mozart's last musical
sketch, it was featured in the closing scenes of
the movie "Amadeus."
1860873 SATB . . . . . . . . . . . . . . . .M 2.05
1860881 SAB . . . . . . . . . . . . . . . . .M 2.05
10881594 SSAA . . . . . . . . . . . . . . . .M 2.05
10274863 TTBB . . . . . . . . . . . . . . . .M 1.80
10275227 Multi-Song
Accompaniment CD . . . . . .44.99
Domine Deus—David Caldarella. While short,
this fast-paced work with a unique meter is
rich with modal inflections and modulations. It
is well suited to intermediate high school and
college choirs.
11514297 SATB divisi,
or SSAATTBB . . . . . . . MA 3.00
Dominus Vobiscum—Jacob Narverud. This
powerful, flowing a cappella work in Latin
opens with a beautiful unison chant and
closes with a quiet "Amen." It is infused with
interesting and varied harmonies, changing
meter, and dramatic dynamics. This will bring
out the musicianship of your a cappella voices
very nicely!
11195040 SATB . . . . . . . . . . . . . . . .M 2.25
10735148 SAB . . . . . . . . . . . . . . . . .M 2.25
10510012 SSA . . . . . . . . . . . . . . . . .M 2.25
10584802 TBB . . . . . . . . . . . . . . . . .M 2.50
Down by the Riverside—Michael Burkhardt.
A very accessible setting of this classic
spiritual, this is wonderful for those just starting
to learn part-singing. Useful for both school and
church settings.
11416033 SSA . . . . . . . . . . . . . . . ME 2.65
Down by the Riverside—arr. Robert T.
Gibson. Your basses and baritones are going to
love this one! They carry the melody for much
of this traditional spiritual that blends gospel
genres before culminating in a funky bridge that
is oh so fun to sing. You'll want to invite a bass
player and drummer to improvise along with the
score, or use the lively accompaniment track.
11393276 SATB . . . . . . . . . . . . . . ME 2.20
11393277 SAB . . . . . . . . . . . . . . . ME 2.20
11393278 P/A CD. . . . . . . . . . . . . . . . .29.99
Down by the Riverside—arr. Russell
Robinson. Young choirs will enjoy the swing
style in this arrangement of the well-known
traditional spiritual. Conservative ranges on
each part, an added descant or solo line,
handclaps, and a sturdy supportive piano
accompaniment make this approachable to
learn and fun to perform.
11393034 Three-Part Mixed . . . . ME 2.15
11393033 Two-Part . . . . . . . . . . . ME 2.15
Down in the River to Pray—arr. Jace Wittig.
In the SSAA voicing, this piece went viral
when the Colorado All-State Treble Choir sang
from the balconies in a hotel lobby! This a
cappella arrangement of the folk hymn made
popular in the movie "O Brother, Where Art
Thou?" utilizes body percussion, compelling
harmonies, and an authentic vocal style to
create an unforgettable choral piece. Great to
open or close a concert!
11514191 SATB divisi . . . . . . . . . . .M 2.95
10999983 SSAA divisi . . . . . . . . . . .M 2.95
Down to the River to Pray—arr. Sheldon
Curry. From the film "O Brother, Where Art
Thou," this Appalachian-flavored spiritual is
a genuine, heartfelt plea for prayer. With a
moving low-voice solo and optional parts for
strings, this powerful work creates a deeply
emotional Saturday night revival mood. This is
one choral offering that is not to be missed!
8059526 SATB . . . . . . . . . . . . . . ME 2.20
8064007 SAB . . . . . . . . . . . . . . . ME 2.10
8064008 Two-Part . . . . . . . . . . . ME 2.10
8060681 P/A CD. . . . . . . . . . . . . . . . .26.99
8060400 Instrumental Parts . . . . . . . .40.00
Eatnemen Vuelie (Song of the Earth)—Frode
Fjellheim/arr. Emily Crocker. The opening
musical number from the Disney animated
feature "Frozen," this song is inspired by
indigenous Saami and Norwegian culture, a
combination of Saami yoiking and the Danish
Christmas hymn Dejlig er jorden, or Fairest
Lord Jesus, by B.S. Ingemann. Yoik is a very
old vocal tradition among the Saami people
of Scandinavia and Russia, characterized by
short melodic phrases that repeat again and
again, with small variations. With English,
German and Norwegian versions of the text,
synthesizer, percussion and optional male yoik.
10519311 SATB . . . . . . . . . . . . . . . .M 2.50
10519310 SAB . . . . . . . . . . . . . . . . .M 2.25
10519158 Two-Part . . . . . . . . . . . . .M 2.15
3298108 SSAA . . . . . . . . . . . . . . . .M 2.25
Elijah—Dan Davison. Dan Davison's gift for
writing for developing voices is exemplified
through this driving original based on the
Biblical story of Elijah. The music is filled
with articulations such as staccatos, tenutos,
accents, and sforzandos, resulting in a lively
and expressive performance. The baritone
part is carefully crafted with alternate notes
for developing voices, making it the perfect
addition to your high school or middle
school repertoire.
10445659 SAB . . . . . . . . . . . . . . . ME 3.20
Elijah Rock—arr. Rollo Dilworth. Building
on the heritage of the great arrangements
of Jester Hairston and Moses Hogan, Rollo
Dilworth has created his own unique approach
to the traditional spiritual. Through layering
of motivic material and percussive effects
in the lyrics, elements of jazz, blues, and
gospel music combine to great success in
this accompanied version of Elijah's dramatic
ascension into heaven.
11203941 SATB . . . . . . . . . . . . . . ME 2.10
10447343 Three-Part Treble . . . . ME 2.35
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