CONCERT
MUSIC
Editors' Choice 2023 New Basic Library Large Print Edition A Cappella ePrint Downloadable (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision
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SACRED CONCERT & SPIRITUALS
For the Beauty of the Earth—John Rutter.
John Rutter's engaging melody over a
flowing accompaniment is equally beautiful
in either the SATB or SA treatment. Full
instrumentation includes strings, winds, harp
(playable on keyboard), and drums. Reduced
orchestration includes flute, oboe, harp, and
organ. Instrumental lines soar as beautifully as
the vocal melody. A perennial favorite, this is a
tasteful blend of text and musical expression.
Vintage John Rutter.
1418599 SATB . . . . . . . . . . . . . . ME 3.65
1363399 SA . . . . . . . . . . . . . . . . ME 3.25
10432346 TTBB . . . . . . . . . . . . . . ME 3.65
10664870 Full Score. . . . . . . . . . . . . . .31.50
4534657 Instrumental Parts . . . . . . . .72.50
11315690 Full Score Flute, Oboe,
Harp & Organ . . . . . . . . . . .40.99
Gaudeamus Hodie—Earlene Rentz. The
strong, driving rhythms and exciting dynamic
contrasts of this Latin setting will keep your
audience and choir engaged right up to the
final vigorous "Hallelujah!" Very catchy, fun to
sing and easy to sound good on, this piece will
work well as a processional or opener. Now
available in a unison voicing.
10047633 SATB . . . . . . . . . . . . . . ME 2.50
10047632 Three-Part Mixed . . . . ME 2.50
10303379 Two-Part . . . . . . . . . . . ME 2.50
11197748 Unison . . . . . . . . . . . . . ME 2.25
10303381 SSA . . . . . . . . . . . . . . . ME 2.50
10510042 TBB . . . . . . . . . . . . . . . ME 2.25
Gaudete!—arr. Michael Engelhardt. From
Piae Cantiones, this setting of Gaudete! is
in a progressive style, yet well suited to the
medieval melody. Its energy is derived from the
accented rhythms and dance-like percussive
elements, all adding to the joyous nature of
the piece. Percussion parts for four players are
available separately.
10467505 SATB . . . . . . . . . . . . . . . .M 2.90
10276399 SSA . . . . . . . . . . . . . . . . .M 2.80
10304776 TTBB . . . . . . . . . . . . . . . .M 2.80
10968325 Instrumental Parts
SATB Full Score and
Percussion Parts . . . . . .M 20.00
10276400 Instrumental Parts
SSA Full Score and
Percussion Parts . . . . . .M 20.00
10968326 Instrumental Parts
TTBB Full Score and
Percussion Parts . . . . . .M 20.00
The Gift of Love—arr. Hal H. Hopson. Pairing
the American folk tune O Waly Waly with the
text of the beloved Corinthians bible verse is
truly inspired! The text on love is appropriate in
church or school settings and welcome at any
time of year. Available in two keys, with multiple
voicings, this anthem is usable in most settings.
1475912 SATB A Major . . . . . . . . . E 2.80
10906881 SATB G major . . . . . . . . . E 2.80
10305832 SAB . . . . . . . . . . . . . . . . . E 2.80
521559 Two-Part . . . . . . . . . . . . . E 2.80
3025632 SSA . . . . . . . . . . . . . . . . . E 2.80
10310036 P/A CD. . . . . . . . . . . . . . . . .29.95
10906882 3-5 Octave Handbell
Accompaniment
(G Major Only). . . . . . . . . . . . 6.25
10310038 Instrumental Parts
String Quartet
(A and G Major). . . . . . . . . .22.95
Give Me Jesus—arr. Reginal Wright. A state-
ment of faith through the voice of the enslaved,
this straightforward and effective setting will
resonate with treble choirs at varying levels.
11514303 SSA . . . . . . . . . . . . . . . . .M 2.80
Give Me Oil in My Lamp—arr. Kyle Pederson.
This driving arrangement mashes up two iconic
melodies: Give Me Oil in My Lamp and Swing
Low. This work is accessible while still being
meaningful and fun to sing, with a message of
joy and peace that is appropriate for any season.
11195670 SAB . . . . . . . . . . . . . . . . .M 2.80
The Glastonbury Thorn—Z. Randall Stroope.
This curious text depicts a town in southwest
England with ties to the Arthurian legends, the
Holy Grail, and the story of Joseph of Arimathea.
Beautifully crafted, the music soars and weaves,
painting the many pictures of the beautiful story.
11514315 SATB or SSATB . . . . . . .M 2.80
Gloria—Randol Alan Bass. This vigorous
seven-minute work is a rhythmic yet lyrical
setting of the Latin "Gloria in excelsis" text that
will be a highlight of both sacred and secular
programs, especially at Christmas. Written for
the New York Pops, recorded by the Boston
Pops, it has been extensively programmed
by professional and non-professional
groups in a variety of venues. No solosts;
multiple accompaniments; full and reduced
orchestrations available by rental only.
1800374 SATB . . . . . . . . . . . . . . . .M 5.55
3295258 Concert Band
Score & Parts . . . . . . . . . .125.00
8058024 Instrumental Parts Brass,
Percussion & Organ . . . . . .70.00
Gloria (from the Lord Nelson Mass)—Franz
Joseph Haydn/arr. Russell Robinson. Give
your younger students a taste of real classical
music with this terrific festival opening selection
arranged just for them. Feature a trio of soloists
or a small group along with distinctive choral
writing that has been skillfully adapted from the
original version in the Lord Nelson Mass.
11389512 Three-Part Mixed . . . . ME 2.15
Gloria (from "Harmoniemesse")—Franz
Joseph Haydn/arr. Russell Robinson. Adapted
from the original, Hadyn's recognizable Gloria
from Harmoniemesse is accessibly set for SAB
voices. Lowered to G from the original B-flat,
these ranges sit comfortably in the voice, and
the classical harmonies and Latin text allow
the choir to explore the style while developing
solid choral technique. Suitable for services or
concerts. A playable piano part is crafted from
the original orchestral score.
11510842 SAB . . . . . . . . . . . . . . . ME 2.15
Gloria (from "Mariazeller Messe")—Joseph
Haydn/ed. Ryan Kelly. Haydn's eighth setting
of the ordinary of the Mass was composed in
1782 for performance in Mariazell, Austria. The
brief opening portion of the Gloria has been
selected for this anthem, featuring Haydn's
exuberant, straightforward homophonic
choral writing true to the Classical period. The
accompaniment is an approachable orchestral
reduction for piano with optional trumpets and
timpani. Accessible to most ensembles, this
anthem offers choirs the exciting opportunity to
sing an excerpt from a large-scale choral work.
11515557 SATB . . . . . . . . . . . . . . ME 2.75
11515572E Instrumental Parts 2 Trumpets,
Timpani ePrint . . . . . . . . . . .15.00
Gloria (from "Missa Romantica")—James
Q. Mulholland. This exciting setting of the Latin
text extracted from the larger Missa Romantica
appears in two versions: the first is accompanied
as it appears in the larger work; the second is an
a cappella version for mixed divisi choir. Either
setting can stand on its own. Also available as
an accompanied treble version, this jubilant and
festive work is a strong statement for concerts or
services. The orchestrated parts are available for
the larger work.
10376251 SATB
Accompanied Version. . .M 2.15
3280914 SATB
A Cappella Version . . . . .M 2.10
11409109 SSA
Accompanied Version. . .M 2.15
3701662 SATB Singer's Edition-
Missa Romantica . . . . . . . . . 7.50
10042440 SSAA Singer's Edition-
Missa Romantica . . . . . . . . . 7.50
Gloria—Noah Reese. Reese's a cappella
canon, based on a descending D major
scale, is fantastic for teaching unison singing,
reinforcing part singing, and developing choral
tone, all within the framework of conservative
ranges for the treble choir. The celebratory
Latin text adds an element of excitement and
maturity while helping to shape the vowels and
tone of young singers.
10990292 SSA . . . . . . . . . . . . . . . . . E 2.25
Gloria—Ondi Yohan Tambunan. With the
traditional Latin lyrics "Gloria in excelsis
Deo," this setting is anything but traditional.
Including some chant as well as stomping
and clapping throughout, this almost has the
feel of a Maori haka, and the music embodies
the joy of its lyrics.
11389037 SATB divisi . . . . . . . . . MA 2.25
11390316 TTBB . . . . . . . . . . . . . . MA 2.25
Gloria—Michael John Trotta. This energetic
choral work offers an introduction to the
traditional Latin text with compound meter
and accessible choral parts. Whether chosen
for its educational features, its lyric melody, or
its energetic accompaniment, it is a wonderful
way to open any concert. It can be used in
combination with Trotta's other Latin works
Kyrie; Agnus Dei and Sanctus to create a
Missa brevis.
10990313 Three-Part Mixed
or SATB . . . . . . . . . . . . . . E 2.50
10735245 SA . . . . . . . . . . . . . . . . . . E 2.50
11370897 TB. . . . . . . . . . . . . . . . . . . E 2.50
11162737 SA Choral Score Complete
Missa Brevis . . . . . . . . . . . . . 6.99
11397044 Three-Part Mixed Choral Score
or SATB Complete
Missa Brevis . . . . . . . . . . . . . 4.75
Gloria and Alleluia—Ruth Elaine Schram.
Two short contrasting movements may either
stand on their own or combine into one longer
setting. The Gloria setting is upbeat, rhythmic,
and fanfare-like, while the Alleluia is quiet,
introspective and set in a minor key. Both are
lovely a cappella settings that are achievable
by choirs in a school or church setting.
11501662 SAB . . . . . . . . . . . . . . . ME 2.25
3126158 Two-Part . . . . . . . . . . . ME 2.25
Gloria Deo!—Victor C. Johnson. Here is a
fresh-sounding concert work that is perfect
for developing treble or mixed choirs. With a
supportive accompaniment, the music ebbs
and flows with forward motion and positive
energy to a powerful ending. A top-notch
selection for concert or festival use!
10871861 Three-Part Mixed . . . . ME 2.50
10582862 SSA . . . . . . . . . . . . . . . ME 2.50
Glory, Glory! (I Feel Better)—arr. Adam
& Matt Podd. This new take on a traditional
spiritual is packed with uplifting energy from
beginning to end and is great for both sacred
and secular performances. The familiar tune
has been arranged with fun and infectious
repetition, easy-to-learn harmonies, and an
exciting accompaniment. Let your pianist get
their groove on, or use the accompaniment
track for a fuller sound.
11515372 SAB . . . . . . . . . . . . . . . ME 2.50
Go Down, Moses—arr. Judy Arthur. This
arrangement moves! Rhythmic drive, vocal
energy, and articulate piano lines distinguish
this setting from others, and your choir will
really sound impressive when they sink their
teeth into it! Dynamic!
11370909 SATB . . . . . . . . . . . . . . ME 2.50
3282365 TTB . . . . . . . . . . . . . . . ME 2.25
Go Down, Moses—arr. Kirby Shaw. Here's
a traditional spiritual with a contemporary
stamp that treble choirs will enjoy. The
powerful storyline is sung above a driving
accompaniment of piano, electric bass, and
hand drum, while full three-part harmony with
an optional descant moves back and forth from
longer notes to more rhythmic phrases with
intensity and excitement.
11374098 SSA . . . . . . . . . . . . . . . ME 2.35
God Be in My Head—Andrea Ramsey. This
lovely work for treble voices and piano is a lyric,
fluid rendering of the familiar text from the Book
of Hours (1541). Elegantly simple, it offers the
opportunity for young choirs to explore tone,
blend, and musical sensitivity while offering a
message of comfort. An ideal way to close a
concert or service.
10098665 SA or Two-Part . . . . . . . . E 2.50
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