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Editors' Choice 2023 New Basic Library Large Print Edition A Cappella ePrint Downloadable (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision
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SACRED CONCERT & SPIRITUALS
Hold Out Your Light—arr. Rollo Dilworth. In a
rollicking concert gospel setting, this
traditional spiritual really shines! The positive
text brings a spirit of hope and optimism to
the world, which is surely needed. The piano
accompaniment and gospel harmonies stack
so nicely - this is sure to be a welcome
addition to your program. Combine the two
voicings to create a big festival choir of
singers of all ages!
11424027 SATB . . . . . . . . . . . . . . ME 2.60
11424030 Two-Part . . . . . . . . . . . ME 2.30
Hold Out Your Light—arr. Stacey V. Gibbs.
Here is a spiritual that encourages one to be a
good humanitarian, a soldier for peace, and an
example of hope for others. A perfect message
of peace for advanced ensembles!
11376787 TTBB . . . . . . . . . . . . . . . .M 2.30
How Can I Keep from Singing? (A Gospel
S e t t i n g ) — G r e g G i l p i n . H e r e ' s a
supercharged gospel-style setting of a
traditional Quaker text - a marvelous new
look at a timeless American poem. This one
has it all - a wide-open solo for your best
gospel singer, an accompaniment that's fine
as is or can be embellished at will by your
pianist, and handclaps from the very first
measure that'll quickly spread through your
audience or congregation!
10352316 SATB . . . . . . . . . . . . . . ME 2.50
3298161 Three-Part Mixed . . . . ME 2.50
10352293 Two-Part . . . . . . . . . . . ME 2.50
10192345 SSA . . . . . . . . . . . . . . . ME 2.50
11370904 TTB . . . . . . . . . . . . . . . ME 2.50
How Can I Keep from Singing?—Gwyneth
Walker. This is an old Quaker hymn dating back
to the 1800s in the United States. References
to the persecution of Friends may be heard in
the lyrics, yet faith and courage prevail. This
arrangement emphasizes the celebratory and
life-affirming aspects of the song.
3062221 SATB . . . . . . . . . . . . . . ME 2.85
3270741 SSAA . . . . . . . . . . . . . . ME 2.85
10036808 TTBB . . . . . . . . . . . . . . ME 2.85
10355556 Full Score Brass SATB . . . .12.00
10355557 Full Score Chamber Orchestra
SATB . . . . . . . . . . . . . . . . . .19.90
10355558 Full Score Brass SSAA. . . .12.00
10355559 Full Score Chamber Orchestra
SSAA . . . . . . . . . . . . . . . . . .24.00
10291339 Full Score Brass Quintet
for TTBB . . . . . . . . . . . . . . .12.00
10291338 Brass Quintet &
Percussion Parts . . . . . . . . .16.80
10355560 Orchestration
For All Voicings . . . . . . . . . .73.45
How Can I Keep from Singing?—arr. Mark
Patterson. Now available in SAB voicing,
this is an a cappella arrangement of the
beloved Robert Lowry hymn. A combination
of sustained and descending vocal lines
creates harmonies that travel close together,
then farther apart in a fresh take on the classic
American style. Lyrical lines and effective voice
leading in each part create an experience that
is musically satisfying for your choir and has
high performance value.
11514627 SAB . . . . . . . . . . . . . . . ME 2.25
10996362 SSA . . . . . . . . . . . . . . . ME 2.25
How Good!—Michael Engelhardt. "How good
and pleasant it is when we dwell together in
unity!" This original contemporary gospel piece
embraces unity, diversity, and the joy of living
together in this world in love. The gospel style
in the choral lines and piano accompaniment
are indicated in the score, along with a lead
soloist who sings over the final chorus after a
stacking gospel bridge that the whole choir will
enjoy singing.
10356988 SATB . . . . . . . . . . . . . . ME 3.20
11408041 SSA . . . . . . . . . . . . . . . ME 3.00
How Lovely Is Thy Dwelling Place—
Johannes Brahms/arr. Russell Robinson. This
arrangement of one of the most beloved pieces
in the choral repertoire is now accessible to
SAB choirs. Not to be missed for a festival or
concert program!
11410887 SAB . . . . . . . . . . . . . . . ME 3.00
How Sweet the Sound—Christi Jones. A long-
time favorite, Amazing Grace gets a whole new
musical setting that is truly inspired. Upbeat,
with pleasantly syncopated lines and optional
percussion, this a cappella original surely
encapsulates the text "how sweet the sound"!
11501671 SATB . . . . . . . . . . . . . . ME 2.50
11501676 SSA . . . . . . . . . . . . . . . ME 2.50
11397037 TTB . . . . . . . . . . . . . . . ME 2.50
Hush!—arr. Stacey V. Gibbs. With a
slower introductory section, this a cappella
arrangement of the beloved traditional spiritual
really picks up in tempo and intensity. With
carefully crafted choral parts, the ranges are
limited and the homophonic setting is very
accessible to mixed choirs of any size -and it's
great fun to sing!
11425001 SATB . . . . . . . . . . . . . . . .M 2.40
I Believe—Mark A. Miller. Written in lyric
style, this beautiful choral can be used for any
occasion. The sentiment of the text "I believe
in the sun, even when it's not shining" springs
forth with inspiration and sends thoughts
toward hope.
10335690 SATB . . . . . . . . . . . . . . ME 2.60
10757190 SSA . . . . . . . . . . . . . . . ME 2.45
10907411 Instrumental Parts String Quintet
and Piano or Harp . . . . . . . .49.95
10907412 Full Orchestration . . . . . . .149.95
I Don' Feel No Ways Tired—arr. Stacey V.
Gibbs. "There's a better day a-coming" with
an exciting a cappella arrangement of this
traditional spiritual. With some divisi towards
the end, this will both challenge and inspire
your singers!
10015892 SATB divisi . . . . . . . . . . .M 2.70
11361607 SSAA . . . . . . . . . . . . . . . .M 2.50
I Feel Tired Sometimes—Judy A. Rose. This
original a cappella spiritual expertly blends
a variety of styles into an appealing package
that will be a standout selection for your
choir. Effectively combining spiritual, gospel,
contemporary a cappella, and even traditional
counterpoint styles along with rhythmic ostinati
and memorable melodies creates something
that is at the same time modern, traditional -
and very special.
11410682 SATB . . . . . . . . . . . . . . . .M 2.60
I Hear America Singing—Andre J. Thomas.
This dynamite selection quotes the spiritual Walk
Together, Children and offers driving rhythmic
excitement straight through to its exuberant
conclusion! A superb choice for concert, festival,
or patriotic programs for singers of all ages.
Impressive, especially with the optional parts for
wind ensemble or orchestra!
1873785 SATB . . . . . . . . . . . . . . ME 2.95
3303186 Three-Part Mixed . . . . ME 2.95
3294820 Two-Part . . . . . . . . . . . ME 2.95
10513109 SSA . . . . . . . . . . . . . . . ME 2.95
10810602 TB. . . . . . . . . . . . . . . . . ME 2.95
3303187 Concert Band . . . . . . . . . . .39.95
3302370 Orchestration. . . . . . . . . . . .69.95
I Need You to Survive—David Frazier/arr.
Rollo Dilworth. First recorded by gospel
legend Hezekiah Walker, this message of
togetherness and support rings true in a
powerful arrangement for treble choir.
11514305 SSA . . . . . . . . . . . . . . . ME 3.20
I Open My Mouth—arr. Adrian Dunn.
A powerful arrangement of this traditional
spiritual, the intensely rhythmic setting makes
it a great closer for advanced high school and
older choirs. Dedicated to Eric Garner and
George Floyd.
11512057 SSATBB . . . . . . . . . . . MA 3.15
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