CONCERT
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SACRED CONCERT & SPIRITUALS
Praise His Holy Name—Keith Hampton.
Captivate your choir and your audience with
this extraordinary gospel original that has
become a popular addition to concerts and
festivals nationwide. Masterfully written with all
the right ingredients, this is not an imitation, but
high-energy gospel at its finest! Electrifying!
3168358 SATB . . . . . . . . . . . . . . . .M 1.70
3295179 SSA . . . . . . . . . . . . . . . . .M 1.70
3300284 TTB . . . . . . . . . . . . . . . . .M 1.70
Praise the Lord—G. F. Handel/arr. Hopson.
Exhilarating and accessible to all choirs! From
Handel's "Judas Maccabaeus," this majestic,
triumphant song of adoration has become a
top choice year after year, and is useful for any
festive or celebratory occasion.
1200443 SATB . . . . . . . . . . . . . . ME 2.50
931840 SAB . . . . . . . . . . . . . . . ME 2.50
8052227 Two-Part Mixed . . . . . . ME 2.50
1944354 TTBB . . . . . . . . . . . . . . ME 2.50
Praise Ye the Lord—Dan Davison. Here's
an exciting work that will make a great concert
opener! Mostly in 7/8 meter, it will give a nice
but achievable challenge to your chorus. A good
selection for honor choirs and festivals! "Let
everything that hath breath praise the Lord!"
11514259 SATB . . . . . . . . . . . . . . . .M 2.80
10593324 TTBB . . . . . . . . . . . . . . . .M 2.25
A Prayer in Spring—Brad Nix. Robert Frost's
text is exquisitely set in this lush and beautiful
concert work. With a spring theme, the beauty
of nature and love is expressed. The music and
text pair perfectly in tone and emotion to create
a work of sophistication that will find a lovely
home in your spring concert programming.
11510539 SATB . . . . . . . . . . . . . . ME 3.20
Prayer of St. Patrick—Michael John Trotta.
This beautiful historic Irish blessing is a prayer
that is well known and loved the world over.
Set with a peaceful rhythmic simplicity, this
expressive a cappella setting allows the text to
shine through, bringing comfort and hope to all
who hear. The optional descant soars above
and is an ideal way to add additional shimmer
with solo voice or obbligato instrument. A lovely
way to close a service or concert.
11372333 SATB . . . . . . . . . . . . . . . .M 2.90
Prayer of the Children—Kurt Bestor/arr.
Andrea S. Klouse. An important contribution to
today's choral repertoire, this deeply moving
tribute to the children of Bosnia was given
national and international prominence with
Weston Noble and the Luther College Nordic
Choir. It will be a stunning concert feature for
your a cappella choir.
3032307 SATB . . . . . . . . . . . . . . ME 2.10
3283322 SSAA . . . . . . . . . . . . . . ME 2.10
3032315 TTBB . . . . . . . . . . . . . . ME 2.10
The Promise of Living—Aaron Copland.
Aaron Copland's quintet from "The Tender
Land" translates beautifully into this setting
for combined chorus with band! Although it
makes a perfect choice for Thanksgiving, the
wonderful vocal lines make it a magnificent
showpiece any time of year. The SATB choral
part can stand alone, and offers a piano 4
hands accompaniment. The optional concert
band accompaniment is at the medium level
and requires the choral part for performance.
It's a fantastic way to program music by a great
American composer!
982462 SATBB. . . . . . . . . . . . . . .M 3.25
2457109 Band Set & Score . . . . .M 65.00
2457117 Additional Score . . . . . . . . . . 7.50
Psallite, Exsultate—Douglas E. Wagner.
With an energetic setting and a traditional Latin
text, this piece is an ideal opening selection
for concerts, festivals, or services. Different
melodic themes overlay as countermelodies to
build and develop the choral texture, making
this a great choice for teaching and holding
harmony parts for new or smaller choirs.
11510581 SAB . . . . . . . . . . . . . . . ME 2.75
11510582 Two-Part . . . . . . . . . . . ME 2.75
Psalm 148 (from "Hallelu Yah: Three Psalms
of Praise")—Dan Forrest. Triumphant strains
of "Hallelu-Yah" wind and dance through
various meters as they build in rhythmic
excitement and texture. A contrasting middle
section offers quiet lyrical reflection before
resuming the exuberance of the opening
motive as the piece moves to a joyful
conclusion. Standing alone, or as the opening
movement of the work "Hallelu Yah: Three
Psalms of Praise." this is a work worthy of
inclusion in concerts and services.
11416629 SATB divisi . . . . . . . . . . .M 2.75
11416922 Full Score &
Percussion Part. . . . . . .M 20.00
11416630 Octavo-Psalm 147 SATB . . . 2.50
Psalm 150 (from "Hallelu Yah: Three Psalms
of Praise")—Dan Forrest. An exhilarating
accompaniment for piano with optional
percussion frames this dance in compound
meter that proclaims, "Let everything that has
breath praise the Lord" and "Hallelu Yah."
Divisi harmonies and lilting choral lines weave
through the exciting texture to a dynamic
conclusion. As a stand-alone piece, or as the
third movement of the ten-minute work "Hallelu
Yah: Three Psalms of Praise," this is a glorious
addition to your concert or service.
11416631 SATB divisi . . . . . . . . . MA 2.75
11416924 Full Score &
Percussion Part. . . . . . . . . .20.00
Psalm 23—Rollo Dilworth. This modern take on
the Psalm 23 text is nothing short of inspired!
Music and text unite perfectly, with unique
gospel chord progressions and lush harmonies.
11513727 SATB divisi . . . . . . . . . . .M 2.20
11517666 SSA . . . . . . . . . . . . . . . . .M 4.99
Requiem—Eliza Gilkyson/arr. Craig Hella
Johnson. Singer/songwriter Eliza Gilkyson
wrote Requiem as a song of grief following
the Asian tsunami in December 2004, and the
song found a renewed audience after Hurricane
Katrina devastated the Gulf Coast region. This
setting by Conspirare conductor Craig Hella
Johnson is powerful in its emotional impact.
10045096 SATB . . . . . . . . . . . . . . . .M 2.10
Ride On, King Jesus—arr. Moses Hogan.
Scored for mixed voices or women's voices
and piano, this exuberant work represents
some of Moses Hogan's best compositional
statements and is a powerful concert feature
for better choirs! Extraordinary in every way!
3209301 SATB . . . . . . . . . . . . . . . .M 2.15
3273117 SSAA . . . . . . . . . . . . . . . .M 2.10
Rise, Shine!—arr. Marques L. A. Garrett &
Tom Trenney. This rousing rendition of the well-
known spiritual begins slowly and crescendos
into a jubilant exhortation to let your light shine.
There are two versions of this piece: one is
SATB divisi acapella in F; the other is SATB
with piano in E-flat and less divisi.
11346668 SATB divisi
with opt. Piano. . . . . . . . .M 2.65
11346669 SATB divisi A Cappella. .M 2.65
Salmo 150 (Psalm 150)—Ernani Aguiar.
A very rhythmic work, with rapid articulations, this
is an exciting showcase for a cappella choirs.
Written by a well-known Brazilian composer, it
has a distinctive Latin American feeling that will
really light a fire under your singers!
5318514 SATB . . . . . . . . . . . . . . . .M 1.80
3128758 SSA . . . . . . . . . . . . . . . . .M 1.80
3299903 TTBB . . . . . . . . . . . . . . . .M 1.80
Sanctus—Greg Gilpin. This flowing setting
of the traditional Latin text includes a creative
piano motive that really keeps the piece
moving. Nicely written with simple harmonies,
this piece is rewarding to learn and craft into a
memorable choral experience.
11393898 Three-Part Mixed . . . . . . E 2.75
11510583 Unison/Two-Part . . . . . . . E 2.75
Sanctus and Benedictus—Rollo Dilworth.
The Sanctus, including the Benedictus, is a
joyful celebration and acclamation, part of
the Mass ordinary and canonical hours. Here,
as it stands alone, it is all of that and more.
This powerful and inspirational gospel-style
arrangement includes a piano accompaniment
that does not disappoint!
11398393 SATB . . . . . . . . . . . . . . . .M 2.20
11513756 SSA . . . . . . . . . . . . . . . . .M 2.20
Sanctus! Sanctus!—Christopher T. Gabel.
This dynamic and energetic piece is written
in an ABA style with comfortable ranges in
the voice parts. Making use of mixed meters
and solid homophonic harmonic writing, this
selection is appropriate for concerts year-round
and will work very well as a festival opener.
11501669 SATB . . . . . . . . . . . . . . ME 2.50
11501661 SAB . . . . . . . . . . . . . . . ME 2.50
11198018 TBB . . . . . . . . . . . . . . . ME 2.25
Scapulis Suis—Mark Burrows. For the more
advanced treble choir, this setting of a psalm
of hope calms and satisfies the soul, bringing
comfort to the listener. With a lovely ethereal
quality, the beautiful harmonic writing and
accessible ranges afford treble choirs of all
sizes opportunities to express compassion
and empathy.
11410889 SSAA . . . . . . . . . . . . . . . .M 2.25
Set Me As a Seal—Rene Clausen. Quiet and
relatively short in duration, this a cappella work
is pensive and wonderfully expressive. Often
selected for performance in contests and
festivals, it has earned its reputation as a 20th
century choral classic.
1735687 SATB . . . . . . . . . . . . . . . .M 2.50
3031390 SSAA . . . . . . . . . . . . . . . .M 2.50
Shall We Gather at the River—arr. David
Lantz III. Jazz harmonies and a vocal solo give
new interest and life to the well-loved Robert
Lowry folk hymn. Smooth voice leading means
your choir can focus on nuances of text and
phrasing for meaningful communication that
will resonate deeply with your audience.
11395417 SATB . . . . . . . . . . . . . . . .M 2.25
Shine on Me—arr. Rollo Dilworth. Once the
gospel swing gets started, it just never lets
up in this powerful selection that is a dynamic
musical statement for today's choirs. Its 9/8
meter coupled with an expressive, hopeful
text is compelling enough, but the bluesy
piano accompaniment and the generous use
of seventh chords make this a completely
irresistible choral feature.
3295344 SATB . . . . . . . . . . . . . . ME 2.15
3295345 SAB . . . . . . . . . . . . . . . ME 2.30
3295346 Two-Part . . . . . . . . . . . ME 2.25
3295343 SSA . . . . . . . . . . . . . . . ME 2.35
10092815 TBB . . . . . . . . . . . . . . . ME 2.10
3304107 P/A CD. . . . . . . . . . . . . . . . .26.99
3304108 Instrumental Parts . . . . . . . .25.00
Shout Glory!—Byron Smith. Shout Glory
lives up to its name, with a rip-roarin'
accompaniment and highly energetic choral
writing! Whether your featured soloist sings the
notes as written, or has improvisational skills,
this highly energetic gospel original is sure to
thrill the listener!
8058092 SATB . . . . . . . . . . . . . . . .M 2.95
10996219 SAB . . . . . . . . . . . . . . . . .M 2.95
10317253 TTBB . . . . . . . . . . . . . . . .M 2.95
10544141 P/A CD. . . . . . . . . . . . . . . . .14.95
10040582 Rhythm Parts. . . . . . . . . . . .10.00
Shut de Do—Randy Stonehill/arr. Mark Hayes.
Since its publication in 1984, this energetic
work has remained a popular piece in choral
repertoire, and for good reason. Call and
response vocal lines dance over Latin rhythms
which are enhanced with simple but effective
percussion instruments. Exuberant and joyful
at every chorus, Shut De Do continues to merit
our highest regard as music of exceptional
teaching and learning value.
4805925 SATB . . . . . . . . . . . . . . ME 2.75
10036658 P/A CD. . . . . . . . . . . . . . . . .29.95
