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2023-24 Fall Choral Catalog

J.W. Pepper Music Catalog

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CONCERT MUSIC Editors' Choice 2023 New Basic Library Large Print Edition A Cappella ePrint Downloadable (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision 96 Go to cart MULTICULTURAL & WORLD MUSIC Bashana Haba'ah (Next Year)—Nurit HIrsch/ arr. John Leavitt. This Jewish prayer for peace for the next year is presented in a masterful setting. As the simple, memorable Hebrew chorus is restated, the music unfolds in a rich and sonorous outpouring supported by a rich accompaniment. The recorded or live orchestration, including clarinet, violin, cello, and bass, will add an extra measure of authenticity to your performance! 1911205 SATB . . . . . . . . . . . . . . ME 2.30 1911213 SAB . . . . . . . . . . . . . . . ME 2.10 11513486 Two-Part or SA . . . . . . ME 2.30 1911221 SSA . . . . . . . . . . . . . . . ME 1.95 3011095 TTBB . . . . . . . . . . . . . . ME 2.25 1911247 P/A CD. . . . . . . . . . . . . . . . .26.99 1911239 Instrumental Parts . . . . . . . .20.00 Be the Change—Laura Farnell. With a multicultural flair, this energetic and rhythmic work conveys a singular force for change. Combining texts from Mahatma Gandhi, Dr. Martin Luther King, Jr., and Matthew 5:15 with original lyrics, the piece also incorporates This Little Light of Mine. An optional divisi descant will challenge younger choirs while remaining accessible. Optional djembe and shaker parts are included. 11203571 SATB divisi, opt. Piano Accompaniment . . . . . ME 2.30 11397402 Two-Part or SA. divisi, opt. Piano Accompaniment . . . . . ME 2.35 Bella Ciao—arr. Christi Jones. This arrangement of a traditional Italian folk song is a fun way to work on pure vowel formation and unity of tone. Whether sung with piano accompaniment or a cappella, this lighthearted, energetic selection is an approachable work for treble or tenor-bass choirs. 11394012 SA opt. a Cappella . . . ME 2.25 11198019 TB opt. a Cappella . . . ME 2.25 Bhombela—arr. Will Skaff/ed. Melissa Keylock. This traditional South African song is used to accompany a children's stick passing game. This lively arrangement, which includes entertaining choreography using rhythm sticks, will make an exciting multicultural addition to any concert. Fun! 10971340 Two-Part or SSA . . . . . ME 2.20 Bidi Bom—David Eddleman. You won't want to miss this delightfully festive little piece that is a superb way to introduce a multicultural perspective into your holiday programming. Independent choral lines build a lively counterpoint over an easily mastered piano part that keeps the dance moving throughout the work. The accelerando at the coda will give your performance a real jolt of pleasure! For holiday concerts, or any time of year! 3298641 SATB . . . . . . . . . . . . . . . .M 2.50 3298642 SAB . . . . . . . . . . . . . . . . .M 2.25 3298643 Two-Part . . . . . . . . . . . . .M 2.25 10048150 TTB . . . . . . . . . . . . . . . . .M 2.25 Bonk' abaphandle—arr. Michael Barrett & Mbuso Ndlovu. A tremendously fun arrangement by South African musicians Michael Barrett and Mbuso Ndlovu. This celebratory isiZulu song is a quick learn that will pay dividends for audiences and choirs! Add percussion, clapping, and ululations to make the most of this work. 11200701 SATB . . . . . . . . . . . . . . . .M 2.80 11200702 SSAA . . . . . . . . . . . . . . . .M 2.80 11200703 TTBB . . . . . . . . . . . . . . . .M 2.80 Bonse Aba (Traditional Zambian Song)— arr. Andrew Fischer. Here is an exuberant a cappella number that's loaded with African atmosphere! The traditional Zambian words are sung throughout with such a buoyant, rhythmic feel that you are transported into the center of a native celebration. The lyric translates as "All that sing have the right to be called the children of God." The song is brief, but may be repeated as many times as desired. Various voicing options are possible, and African percussion may be added as the piece progresses. Your choir will definitely want to improvise some celebratory whoops and shouts! 10012300 SATB . . . . . . . . . . . . . . . .M 2.50 10062620 TTBB . . . . . . . . . . . . . . . .M 2.10 Bonse Aba—arr. Victor C. Johnson. Sizzling with celebratory rhythmic energy, this Zambian folk song loosely translates as: "Those who sing have the right to be called the children of God." The only accompanying instruments are hand drum (treble drum), djembe (bass drum), and shaker, which add authentic flavor and opportunities for improvisation. The vocal parts are easily learned due to their repetition and call-and-response style. 10302661 SATB . . . . . . . . . . . . . . ME 3.20 10089711 Three-Part Mixed . . . . ME 3.20 10089722 Two-Part . . . . . . . . . . . ME 3.20 10307386 SSA . . . . . . . . . . . . . . . ME 3.20 10307387 TTB . . . . . . . . . . . . . . . ME 3.20 10089725 P/A CD. . . . . . . . . . . . . . . . .26.95 Bura Fera—arr. Ollie Lambert. Here is a traditional Yorta Yorta folk song from Australia that is full of energy and style. A cappella divisi harmonies surround this melody and will invite discussion of the language and cultural context of the music. A piece worthy of study with high- performance value! 11397412 SATB divisi . . . . . . . . . . .M 2.30 Can You Hear?—Jim Papoulis & Francisco Nunez. "Can you hear my cries? I am calling out to you." The global community of children speaks together in this dramatic call for a better future that uses worldbeat sounds, unified chordal harmonies, and occasional solos for a stunning effect. This is an inspiring way to close your concert or festival, or to set a tone for a dynamic new beginning for a season of music-making! 3300136 SATB . . . . . . . . . . . . . . ME 2.25 3701106 SAB . . . . . . . . . . . . . . . ME 2.15 3294677 Three-Part Treble . . . . ME 2.25 3302311 P/A CD. . . . . . . . . . . . . . . . .26.99 3297611 Instrumental Parts . . . . . . . . . 7.50 Cantar!—Jay Althouse. Cuban salsa music is sweeping the country, and Cantar! (which means "Sing!" in Spanish) is a stylistically authentic salsa work for choir. The text is a combination of English and simple, repetitive Spanish phrases, set to a rhythmically infectious melody. It's a cross-cultural song for general concerts, especially during "Music In Our Schools" month. The recorded accompaniment really sizzles! 3251592 SATB . . . . . . . . . . . . . . ME 2.05 3251600 SAB . . . . . . . . . . . . . . . ME 2.05 3251618 Two-Part . . . . . . . . . . . ME 2.05 10065134 SSA . . . . . . . . . . . . . . . ME 2.05 10352513 TB. . . . . . . . . . . . . . . . . ME 2.05 3251626 P/A CD. . . . . . . . . . . . . . . . .27.99 3251634 Instrumental Parts Brass . .20.00 Canto de Pilon—arr. Cristian Grases. With lots of clapping and other body percussion, this entertaining arrangement of a traditional Venezuelan song is sung in Spanish throughout. 11513219 SAB or Three-Part Mixed . . . . ME 2.95 10279602 Two-Part or SA . . . . . . ME 2.75 Canto Que Amabas (The Song You Loved) —Z. Randall Stroope. This moving selection features a smoothly flowing harmonic texture that courses throughout the piece. Warm and enveloping, The Song You Loved will be the song you love singing. 11406933 SSATBB divisi . . . . . . . . .M 2.50 Canto' e Libertad (Song of Liberation)— Diana Saez & Suzzette Ortiz. Composed in the Afro-Puerto Rican bomba style, one of the oldest musical traditions of Puerto Rico, this song of hope comes with an invitation to free ourselves of hate and prejudice. The music is pattern based and easy to learn with lots of repetition and percussion as well as a detailed IPA pronunciation guide. 11504086 SATB . . . . . . . . . . . . . . ME 2.60 Ceciliada—Marcin Wawruk. The patron saint of music, St. Cecilia, receives an energetic tribute with this delightful piece featuring a blend of styles and optional percussion. 11513239 SATB . . . . . . . . . . . . . . . .M 2.95 Chante Waste Hoksila (My Kind-Hearted Boy) —arr. Linthicum-Blackhorse. Here is a traditional Lakota lullaby sung by mothers to their young boys. The Lakota language has become nearly extinct, but composer/arranger Linthicum-Blackhorse has made it his life's work to bring the language back to life. In this arrangement, the IPA pronunciation guide is included in the body of the music in order to make it accessible to all singers and choirs. Dedicated to the victims of the Robb Elementary School mass shooting in Uvalde, Texas. 11413269 SATB . . . . . . . . . . . . . . . .M 2.60 Cherokee Morning Song—arr. Michael Yannette. Translation: "I am one with the great spirit." Equally suited for mixed, treble, or tenor-bass choirs, this flexible arrangement opens with a Native American flute, the sounds of flowing water, and tuned singing bowls. This setting features solo voices and an original refrain in English that is later paired with the authentic tune. 11503170 Two-Part any combination of voices. . . . . . . . . . . . ME 2.05 BEST SELLERS Unison/Two-Part Concert & Festival Selections These bestsellers are chosen most often by directors! Look online for the most current information on recordings, instrumental parts, large print and digital edition availability. Sisi Ni Moja—Jacob Narverud. 10776380 SA . . . . . . . . . . . . . . . . . . . . . .ME 2.20 Fly Away Home—Pinkzebra. 10679523 Two-Part . . . . . . . . . . . . . . . . .ME 2.65 Be the Change—Laura Farnell. 11397402 Two-Part or SA. divisi. . . . . . .ME 2.25 The Wellerman—arr. Jacob Narverud. 11390156 Two-Part . . . . . . . . . . . . . . . . .ME 2.25 Galop (from "Solfege Suite")—Ken Berg. 10028692 Unison/Two-Part. . . . . . . . . . .ME 2.60 The Moon—Andy Beck. 10047188 Two-Part . . . . . . . . . . . . . . . . . . E 2.05 Shine Like Stars—Pinkzebra. 11202350 Two-Part . . . . . . . . . . . . . . . . .ME 2.65 Lunar Lullaby—Jacob Narverud. 10535552 SA . . . . . . . . . . . . . . . . . . . . . .ME 2.40 Hero—Pinkzebra. 11392302 Two-Part . . . . . . . . . . . . . . . . .ME 2.65 Murasame (The Mists of Evening)— Victor C. Johnson. 10273543 Two-Part . . . . . . . . . . . . . . . . .ME 2.75 J'entends le Moulin (I Hear the Windmill)— arr. Emily Crocker. 10030298 Two-Part . . . . . . . . . . . . . . . . .ME 2.25 Sing to Me—Andrea Ramsey. 10291193 Two-Part . . . . . . . . . . . . . . . . . . M 2.40 Why We Sing—Greg Gilpin. 3303244 Two-Part . . . . . . . . . . . . . . . . .ME 2.50 The Fox— arr. Blake Richter & Taylor Shaeffer. 11121872 SA . . . . . . . . . . . . . . . . . . . . . . . M 2.80 Storm—James M. DesJardins. 10735244 SA or Two-Part . . . . . . . . . . . .ME 2.50 PLAN FASTER! Create, save and share your own playlists! jwpepper.com/mylibrary

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