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Editors' Choice 2023 New Basic Library Large Print Edition A Cappella ePrint Downloadable (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision
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LIGHT CONCERT & NOVELTY SELECTIONS
Round and Round: A Collection of Rounds
for Emerging Choirs—arr. Vicki Tucker
Courtney. The six varied rounds in this
collection offer numerous choices for
developing ensembles. Rounds are a peda-
gogical staple that can develop ensemble
blend, tone, and unified vowels through the
introduction of the unison melody, and they
can also be included as easy-to-learn concert
selections. Whether performed a cappella
or with piano, this set of rounds will enhance
any choral library! Songs: Alleluia; Let Me
Fly; O Watch the Stars; the Lone Star Trail;
Grasshoppers Three; Debka Hora.
11370915 Unison . . . . . . . . . . . . . ME 3.00
Shake the Papaya Down—arr. Ruth Dwyer &
Judith Waller. A thoroughly delightful calypso
number which can easily be enhanced by
the addition of conga, maracas and/or claves
(suggested rhythms are included in the
performance notes). This is pure fun for three-
part treble voices!
1925650 SSA . . . . . . . . . . . . . . . . . E 2.05
Solfege Sonata—Audrey Snyder. Have fun
practicing solfege with this lighthearted spoof of
Mozart's famous Piano Sonata No. 16. Excellent
as a concert closer or encore, this piece will
make your audience chuckle as they learn a
little music trivia about Mozart and melody - plus
it's a lot of fun for your accompanist!
11381568 Three-Part Mixed . . . . . . E 2.35
11381572 Two-Part . . . . . . . . . . . . . E 2.20
Solfege Symphony—Cristi Cary Miller. Your
developing singers can perfect their solfege
skills while learning classical music with
this audience pleaser! Melodies (in solfege
with moveable do) include fragments from
Eine Kleine Nachtmusik, Haydn's Surprise
Symphony, Peer Gynt, Beethoven's fifth and
ninth symphonies, and the Hallelujah Chorus.
Great fun and great educational value - all
rolled into one dynamic selection!
10716127 Three-Part Mixed . . . . ME 2.25
10716137 Two-Part . . . . . . . . . . . ME 2.10
10760465 Teaching P/A CD . . . . . . . .22.99
A Song of Nonsense—Mark Patterson. Sing
in unison or optional two-part harmony in this
lighthearted original song based on four limericks
from Edward Lear's A Book of Nonsense. Great
for teaching diction and unison tone, it is sure to
brighten up any concert. And did we mention you
get to use kazoos?
11394020 Unison/Two-Part . . . . . ME 2.25
The Spider—Greg Gilpin. Look no further
for the perfect spooky concert offering for
Halloween or any time of year! This creative
original, set to a text by Jane Taylor, features
vivid imagery sparked by dynamic contrasts
and rhythmic interplay between parts. The
agitated, eerie atmosphere of the piano
accompaniment, punctuated by vocal gasps,
will definitely provide your audience with
moments of fun and fright!
11514684 Two-Part . . . . . . . . . . . ME 2.45
Take Me Out to the Ball Game—arr. Marshall
Webb. It's a home run! America's favorite
baseball song is presented in a jazzy four-part
setting that will help your school or community
bring a celebratory feel to any number of
occasions. Use as a concert novelty selection,
or support your baseball team by adding this
staple to your repertoire to sing at games and
stadium visits.
11393040 SATB . . . . . . . . . . . . . . . .M 2.25
This Ol' Man—arr. Greg Gilpin. This Ol'
Man has never sounded like this before! In
an incredibly clever way, Greg has taken
the original song into some unpredictable
directions, resulting in a novelty number
that is an absolute delight! Each verse has a
little musical treat, such as knee-slaps, bees
buzzing, or snippets of familiar tunes like Skip
To My Lou; Chopsticks and There's No Place
Like Home. There's even part of a "knock-
knock" joke thrown in! This will definitely be a
highlight of your program!
10589199 Three-Part Mixed . . . . ME 2.50
3130358 Two-Part . . . . . . . . . . . ME 2.50
3297703 P/A CD. . . . . . . . . . . . . . . . .26.99
Three Quotes by Mark Twain—Andrea
Ramsey. This delightfully provocative piece for
treble voices is based on three very short, witty
texts by Mark Twain: The Silent Fool; Telling
the Truth and My Dear Mother. The music
changes with each short section, moving from
ragtime to a waltz and finally to the blues. Great
fun for all!
10080294 SA or Two-Part . . . . . . ME 2.40
The Turn Off Your Phone Song—Adam Podd
& Matt Podd (and Pachelbel). Skip the droll
opening announcement about cell phones and
sing this instead! Based on Pachelbel's Canon
- which, face it, everyone loves - this piece will
make a lovely concert opener that also serves
a valuable (and comedic) purpose. The original
lyrics can be adapted, as well as the timing and
audience involvement. It's easily learned and
just downright hilarious. Don't miss it!
11416258 SATB opt. a Cappella . . . E 2.50
11416259 SAB opt. a Cappella . . . . E 2.50
11416260 Two-Part or SSA . . . . . . . E 2.50
11416261 Unison . . . . . . . . . . . . . . . E 2.50
Vox—Greg Gilpin. Part vocalise, part warm-up,
part novelty, part concert opener - all this
and more in this flexibly fun piece! Explore
a variety of vocal textures and articulations,
all on nonsense syllables that layer and
combine to be fun to sing for all. A perfect
opener, use as a processional, add some
movement, percussion, or the optional piano
accompaniment - whatever works for your
ensemble - and enjoy celebrating the voice!
11393380 SAB opt. Piano
Accompaniment . . . . . ME 2.05
11393381 SSA opt. Piano
Accompaniment . . . . . ME 2.05
11393344 Multi-Song
Accompaniment CD . . . . . .44.99
Wannabe (as an English Madrigal)—arr.
Nathan Howe. With this follow-up to the top-
seller All Star (as an English Madrigal), this
fun madrigal adaptation of the Spice Girls hit
from the 1990s is another fun way to teach this
genre to young singers, and sure to be a hit for
your audience! Clever part-writing techniques
and harmonic progressions make this familiar
melody a standout novelty selection!
11348135 SATB . . . . . . . . . . . . . . ME 2.35
11348137 SAB . . . . . . . . . . . . . . . ME 2.35
11348136 SSAA . . . . . . . . . . . . . . ME 2.35
The Warm-Up Song—Mark Burrows. Finally!
A useful concert opener that also gets your
choir warmed up! This hilarious blend of
choral warm-up routines is packaged into a
performance piece with piano accompaniment.
Your choir will love to impress their audience
with their perfectly executed choral technique,
and you'll love that your choir is really learning
something! And it's also useful as an actual
warm-up regimen.
11510596 Three-Part Mixed . . . . . . E 3.20
We're the Men—Jay Althouse. And now, a
song that pays tribute to those un-sung heroes
of the chorus..."The Men!" If your tenors and
basses don't get the respect that they deserve,
this novelty number will certainly bring their
dilemma to light. Feature them in your mixed
group, or have them branch out on their own
with the TB voicing. If your tenors and basses
are the prize of the choir, or even if they're not,
this is the perfect way to show them off!
1527316 SAB . . . . . . . . . . . . . . . . . E 2.50
3257342 TB. . . . . . . . . . . . . . . . . . . E 2.50
3257359 P/A CD. . . . . . . . . . . . . . . . .29.99
Whisper!—Greg Gilpin. "I need to whisper
something to you. Whisper, whisper something
now!" This creative, energetic, easy piece is
great for teaching dynamics and diction. Your
young singers will have lots of fun making
whispering sounds and going, "Shhh!" At the
end, everyone sings loudly, "Are you listening?"
It's very cute!
10810635 Three-Part Mixed . . . . ME 3.20
10190894 Two-Part . . . . . . . . . . . ME 2.95
10204626 P/A CD. . . . . . . . . . . . . . . . .26.95
Woodchuck—Mark Burrows. "How much
wood could a woodchuck chuck if a woodchuck
could chuck wood?" Posing this tongue twister
and age-old question, this humorous piece
features simple body percussion and unison
lines that repeat in two- and then optional
three-part canon. A lively section of interactive
harmony when counting and an emphasis on
diction are the names of the game. Sure to be
a favorite!
11510606 Two-Part
opt. Three-Part . . . . . . . . E 2.95
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