CHRISTMAS SACRED & SPIRITUALS
CHRISTMAS
&
HOLIDAY
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His Light in Us—Kim Andre Arnesen.
Commissioned by the St. Olaf Choir for the
2016 St. Olaf Christmas Festival, this work
is a thanksgiving, a song about the gift of a
tiny child that suggests that only the nature
of love is changeless. It sings about our
renewed hope and how light now shines
because Christmas is a new and refreshing
gift; our hearts are renewed, and our hope
is renewed. This joyful reflection was written
for Christmas, but can be sung at any time of
year as a song of hope.
10773131 SATB . . . . . . . . . . . . . . . .M 2.10
Hodie—Jacob Narverud. Rhythmic and
dramatic, this exciting piece is the perfect way
to open your holiday concert. The traditional
Latin text is given a perfectly crafted modern
setting with optional body percussion and
driving piano accompaniment. A short
contrasting lyrical section and an optional
descant that soars above the final statement
bring breadth and sweep in a piece that will be
a holiday highlight. A separate score for the
body percussion and an accompaniment track
are available as free downloads.
11315855 SATB . . . . . . . . . . . . . . . .M 2.50
11315856 SSA . . . . . . . . . . . . . . . . .M 2.30
11315857 TBB . . . . . . . . . . . . . . . . .M 2.50
Hodie Christus Natus Est—Laura Farnell.
This work is built around the Latin Hodie
Christus natus est text (Today Christ Is
Born) and the Venite Adoremus from Adeste
Fideles (O Come, All Ye Faithful). The bridge
in English provides nice contrast in this
gorgeous, lush setting for younger voices. An
optional violin (or C instrument) obbligato adds
warmth and lyricism.
11397035 SA or SSA. . . . . . . . . . ME 2.50
10026730 TB . . . . . . . . . . . . . . . . ME 2.75
Hodie Fanfare—Sally K. Albrecht. Layers
of the traditional Latin Christmas text with
interjections of Joy to the World cleverly
intertwine in this modern original work. Shifting
meters, a rhythmic piano accompaniment, and
the addition of an optional snare drum part add
to the joyful energized setting.
11393300 SATB . . . . . . . . . . . . . . . .M 2.05
11393301 SSAA. . . . . . . . . . . . . . . .M 2.05
11393302 TTBB . . . . . . . . . . . . . . . .M 2.05
11393344 Multi-Song
Accompaniment CD . . . . . .44.99
Hold Out Your Light—arr. Stacey V. Gibbs.
Here is a spiritual that encourages one to be a
good humanitarian, a soldier for peace, and an
example of hope for others. A perfect message
of peace for advanced ensembles!
11376787 TTBB . . . . . . . . . . . . . . . .M 2.30
Hope for Resolution—arr. Paul Caldwell &
Sean Ivory. In its juxtaposition of a European
chant melody and a song from South Africa,
this work is a deeply moving celebration of
diversity. Combine your choral forces from
children to adults on this choral tapestry that
centers on Of the Father's Love Begotten
and Thula Sizwe (Nation, Do Not Cry) for
an unforgettable musical offering in your
December concert.
3186335 SATB . . . . . . . . . . . . . . ME 2.10
3295353 Instrumental Parts. . . . . . . . . 6.00
How Great Our Joy!—arr. Craig Courtney.
Give your choir and audience the privilege of
experiencing this traditional German carol as
never before! This setting for SATB choir, piano
and optional string quartet gently redefines
"joy" as it inspires everyone to a new level of
Christmas celebration!
10312008 SATB . . . . . . . . . . . . . . ME 2.50
10312009 SSAA. . . . . . . . . . . . . . ME 2.25
10312010 TTBB . . . . . . . . . . . . . . ME 2.50
10312011 Instrumental Parts
2 Violins,
Viola and Cello . . . . . ME 12.50
Hurry Now to Bethlehem—Ruth Morris Gray.
This fun original Christmas piece in the style
of a spiritual has syncopation and optional
percussion for shaker or other instruments.
Optional solos are sprinkled throughout, creating
call-and-response moments. The use of multi-
meter and repetition make it easy and fun to
learn, creating an impressive performance.
11348131 SATB . . . . . . . . . . . . . . ME 2.25
11348132 Three-Part Mixed . . . . ME 2.25
Hush, Be Still—arr. Roger Emerson. This folky
Christmas lullaby will be a special moment in
your holiday services or concerts. It features a
tender solo throughout, and the backing choral
harmonies sing beautifully with the piano
accompaniment - add in the acoustic guitar
and accordion for a truly unique sound!
11510948 SATB . . . . . . . . . . . . . . ME 2.30
11510945 SAB . . . . . . . . . . . . . . . ME 2.30
11510947 SSA . . . . . . . . . . . . . . . ME 2.30
I Saw Three Ships—arr. Craig Curry. Suitable
for both church and school choirs, this setting
of the traditional English carol is absolutely
exquisite and extremely well crafted. Each
verse has slight variations, and the use of
optional handbells (3 octaves) adds sparkle.
Dramatic dynamic changes, stunning piano
accompaniment, and accessible harmonies
build to a climax exclaiming, "Let us all rejoice
again on Christmas day!"
11397113 SAB . . . . . . . . . . . . . . . ME 2.70
10275912 Unison/Two-Part . . . . . ME 2.25
I Saw Three Ships—arr. Mark Hayes. This
spirited setting of the traditional English carol
for choir and four-hand piano opens with a
rousing choral fanfare. Verses follow with the
melody sung first by upper voices and then
lower voices. Next, a homophonic verse is
followed by a marvelously creative section in
which the primary carol partners with Lo, How
a Rose E'er Blooming. Building in intensity
towards the close, we hear successively the
"bells" and the "angels" before "all rejoice
amain." Some choral divisi enriches the score,
including rich chords in the finale.
11394786 SATB divisi,
with Piano Four Hands
Accompaniment . . . . . . .M 3.20
I Saw Three Ships—arr. John Frederick
Hudson. With a driving accompaniment for two
capable pianists, this powerful arrangement of
the traditional English carol is a perfect choice
to begin or end a Christmas concert or service.
It's also great for festival or massed choirs, with
optional children's choir or soloist. Available
accompaniment options include brass quintet,
percussion and handbell parts.
11202764 SATB . . . . . . . . . . . . . . . .M 2.35
11202765 Accompaniment CD . . . . . .24.95
11202766 Handbell Part 7 Octaves . . . 4.95
11202767 Brass & Percussion Parts. .30.00
I Saw Three Ships—arr. Russell Robinson.
This lively and singable version of the traditional
English carol shares the melodic material within
the textures of the full ensemble. The piano
accompaniment brings another voice to the
texture while remaining supportive. Simple to
prepare and perform, this is a wonderful choice
for developing choirs.
3298635 SATB . . . . . . . . . . . . . . ME 2.50
3298636 Three-Part Mixed . . . . ME 2.25
10871881 SSA . . . . . . . . . . . . . . . ME 2.75
11397062 TB or TBB . . . . . . . . . . ME 2.50
I Saw Three Ships—arr. Paul David Thomas.
Jolly and jaunty, rhythmic and fun, this
energetic Celtic setting of the traditional English
carol is sure to be a holiday favorite for your
choir. Accessible ranges and a supportive
accompaniment make this a great choice for
choirs of all ages. Add the optional frame drum
and flute parts for a more stylistic interpretation.
11501691 SATB . . . . . . . . . . . . . . ME 2.75
11198031 Three-Part Mixed . . . . ME 2.75
11197668 SA . . . . . . . . . . . . . . . . ME 2.25
10871875 TB . . . . . . . . . . . . . . . . ME 2.75
I Saw Three Ships—arr. Marshall Webb. This
19th-century English carol is given a theme-
and-variations treatment for a cappella divisi
mixed choir. With a blend of traditional and
modern harmonies and features for upper and
lower voices, it continues to build in texture until
it hits a grand ending that will ring in the season
with flair!
11510890 SATB divisi,
or SSAATTBB. . . . . . . . .M 2.25
I Will Light Candles This Christmas—Kim
Andre Arnesen. Featured at the 2018 St. Olaf
College Christmas Festival, this is a beautiful
and lush setting of the Howard Thurman text. It
reminds us that Christmas is a time of light over
darkness. The message in the carol inspires us
to become carriers of that light that brings joy,
hope, courage, peace, grace, and love.
10986385 SATB . . . . . . . . . . . . . . . .M 2.95
11398753 SSAA. . . . . . . . . . . . . . . .M 2.95
11169883E Instrumental Parts
Chamber, Strings &
Percussion ePrint . . . . . . . .50.00
11169882E Instrumental Parts
Full Orchestra ePrint. . . . .100.00
I Wonder as I Wander—arr. Ruth Elaine
Schram. This Appalachian carol has one of
the most beautiful and expressive melodies.
Set here for treble or mixed choirs, this lush
arrangement features beautiful harmonies, a
flowing accompaniment and an optional flute
obbligato that really enriches the arrangement.
A tender and expressive piece that will bring a
quiet moment of reflection to your Christmas
concert or service.
10031040 SATB . . . . . . . . . . . . . . . .M 2.50
10984557 SSAA. . . . . . . . . . . . . . . .M 2.50
Il Est Ne—arr. John Maclane Schirard. You've
never heard the traditional French carol like
this before! This eight-part divisi arrangement
can be performed entirely in French or with
an option for English in the second verse, with
jazz-inspired a cappella harmonies that pulse
and dance with syncopated ostinato lines
around the melody. A show-stopper for your
holiday concert!
11393047 SATB divisi,
or SSAATTBB. . . . . . . . .M 2.25
Il Est Ne Le Divin Enfant (He Is Born,
the Holy Child)—arr. Audrey Snyder. This
delightful setting really sparkles! With French or
optional English lyrics, simple harmonies, and a
very nice, bouncy piano accompaniment, this is
a strong choice for young voices!
11348290 Three-Part Mixed . . . . ME 2.10
3143666 Two-Part or
Three-Part Treble . . . . ME 2.10
In Dulci Jubilo—arr. Matthew Culloton.
A cappella choirs will enjoy this ethereal
arrangement of the traditional Christmas carol.
The melody is easily identifiable throughout,
and a quiet energy makes it an exciting setting.
10310929 SATB . . . . . . . . . . . . . . . .M 2.85
10606190 SSA . . . . . . . . . . . . . . . . .M 2.85
10606183 TTBB . . . . . . . . . . . . . . . .M 2.85
In the Bleak Midwinter—arr. Dan Forrest.
A magical carol setting that transports the
listener into Christina Rosetti's beloved
Christmas text written in London (listen for
the subtle hints of Big Ben!). Ethereal melodic
echoes eventually build to soaring vocal lines
before giving way to the tender final stanza,
"What can I give him, poor as I am? ..." An
intimate yet deeply moving arrangement.
11514056 SATB . . . . . . . . . . . . . . . .M 2.50
11514057 SSA . . . . . . . . . . . . . . . . .M 2.50
In the Bleak Midwinter—arr. Mark Hayes.
The well-loved Christina Rossetti poem and
Gustav Holst tune come to life in this stunning
arrangement that rises and falls in complexity
from the beginning solo soprano voice
to its return at the end. Scored for SATB
voices, solo, piano, and optional orchestra.
Hauntingly beautiful!
10907656 SATB . . . . . . . . . . . . . . . .M 2.50
10907657 Instrumental Parts
String Quartet
& Percussion. . . . . . . . . . . .25.00
10907658 Orchestration . . . . . . . . . . .80.00
It Came Upon a Midnight Clear—arr.
Marianne Forman. The traditional carol is
presented here in a new light with a gentle
tempo, colorful piano accompaniment, optional
violin, and contrasting original material. A
compelling blend of comforting familiarity
and fresh interest will make this a successful
addition to your Christmas programming.
11395405 SATB . . . . . . . . . . . . . . . .M 2.35
It Came Upon the Midnight Clear—arr. Daniel
Ficarri. This a cappella setting of the traditional
carol opens with a spotlight on the tenor
section with background choir "oohs." The
second stanza is more homophonic, and
in the third, the carol is sung canonically.
Delicate harmonic shading provides touches
of color as angels wing their way through the
night sky. Lovely.
11394789 SATB . . . . . . . . . . . . . . . .M 2.25
Let nothing stop you from singing!
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