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VOCAL JAZZ
Vocal Jazz
Almost Like Being in Love (from "Brigadoon")
—Frederick Loewe/arr. Roger Emerson. Filled
with jazz stylings from swing to scat, this
arrangement of the classic show tune from
Lerner & Loewe's "Brigadoon" is perfect for
developing choirs. Singers will love the bright,
upbeat setting with its smooth conversational
style and colorful piano accompaniment!
11419605 Three-Part Mixed . . . . ME 2.30
11419608 Two-Part . . . . . . . . . . . ME 2.30
Aura Lee—George R. Poulton/arr. Kirby Shaw.
This classic arrangement was originally scored
for mixed voices and is now available for treble
choirs! Jazz harmonies are found throughout
this lovely a cappella setting which is full of
opportunities to teach expressive singing and
vocal blend.
11513475 SATB . . . . . . . . . . . . . . . .M 2.15
11513476 SSAA. . . . . . . . . . . . . . . .M 2.15
Autumn Leaves—Joseph Kosma/arr. Ryan
O'Connell. Here's a lush, beautiful a cappella
setting of the old standard tune, with accessible
jazz harmonies and effortless voice leading.
This is a standout ballad for your jazz or
concert choir!
10363356 SATB . . . . . . . . . . . . . . ME 2.80
10363357 SSA . . . . . . . . . . . . . . . ME 2.50
Beautiful Dreamer—Stephen Foster/arr.
Russell Robinson. This beautifully elegant
setting of a beloved piece of Americana is
accessible to SATB ensembles of all sizes.
Not to be overlooked for concerts throughout
the year.
11411099 SATB . . . . . . . . . . . . . . . .M 2.25
Blue Skies—Irving Berlin/arr. Roger Emerson.
Irving Berlin's quintessential song is a classic of
swing style, and this straightforward, singable
arrangement brings Berlin's standard to vocal
jazz and show choirs of any level. The swing
groove is established in the beginning with
choral voices accompanied by finger snaps
and bass guitar. Later in the arrangement,
written-out scat solos will encourage younger
singers to try this vocal jazz technique.
1477165 SATB . . . . . . . . . . . . . . ME 2.30
3276862 Three-Part Mixed . . . . ME 2.15
3276870 Two-Part . . . . . . . . . . . ME 2.30
3276888 P/A CD . . . . . . . . . . . . . . . .26.99
Chili con Carne—Anders Edenroth. You have
to hear this to believe it! As performed by the
sensational Swedish vocal group The Real
Group, this is a cappella vocal jazz with clever
lyrics and delightful syncopations that are
much easier to feel than they look on paper.
It will be well worth the time you put into it, as
many satisfied vocal ensembles have already
found out!
10037659 SSATB . . . . . . . . . . . . . .M 3.20
10027630 SSA . . . . . . . . . . . . . . . . .M 3.20
Doctor Jazz—Joe "King" Oliver/arr. Anita
Cracauer. Based on the version from the
musical "Jelly's Last Jam" celebrating the life
of Jelly Roll Morton, this hidden gem is one of
the earliest examples of New Orleans jazz. Not
only does it provide a great teaching opportunity
for your students to learn about the genre, but
this fantastic arrangement gives you a chance
to feature a duet between a vocal soloist and
a muted trumpet, setting the stage for a burst
of enthusiastic, electrifying music that only
jazz can deliver! A complete digital bundle is
also available that includes all the voicings,
instrumental parts and an accompaniment
track, and part-dominant tracks.
11394568E SATB ePrint . . . . . . . . . .M 3.00
11394572E SAB ePrint. . . . . . . . . . . .M 3.00
11394576E SSA ePrint. . . . . . . . . . . .M 3.00
Don't You Worry 'Bout a Thing—Stevie
Wonder/arr. Roger Emerson. This Discovery
Jazz series edition of Stevie Wonder's 1973
song packs all the joyful Latin energy you
would want into an accessible arrangement
that is super cool and fun to sing. Great for
building skills and style, the voice-leading is
well crafted for your beginning and developing
jazz/pop groups.
10567899 SAB . . . . . . . . . . . . . . . ME 2.65
10567900 Two-Part . . . . . . . . . . . ME 2.30
10978012 SSA . . . . . . . . . . . . . . . ME 2.25
10567901 Teaching P/A CD . . . . . . . .26.99
10629325E Instrumental Parts ePrint . .20.00
Dream a Little Dream of Me (with Debussy's
"Clair de Lune")—Fabian Andre & Wilbur
Schwandt/arr. Andy Beck. Pink Martini and
the von Trapps have put a new spin on an old
standard. The piano opening quotes Debussy's
Clair de Lune before melting into a relaxing
presentation of the familiar tune. Create a
unique performance with the ukulele, string
bass, and melodica parts.
11503189 SATB . . . . . . . . . . . . . . ME 2.10
11503190 SAB . . . . . . . . . . . . . . . ME 2.10
11503191 Two-Part . . . . . . . . . . . ME 2.10
11503192 P/A CD . . . . . . . . . . . . . . . .29.99
11503193 Instrumental Parts Melodica,
Ukulele, & String Bass . . . .15.00
Fly Me to the Moon (In Other Words)—arr.
Roger Emerson. Written back in 1954, this
famous song has become a part of the Great
American Songbook, with Frank Sinatra's
1964 version becoming the standard. This
accessible arrangement brings plenty of
unison, well-placed harmonies, and a section
of choral scat that your singers will really enjoy
learning and performing.
11341723 Three-Part Mixed . . . . ME 2.75
11341722 Two-Part . . . . . . . . . . . ME 2.75
11500441 TB . . . . . . . . . . . . . . . . ME 2.75
For All We Know—J. Fred Coots/arr. Kirby
Shaw. This is classic a cappella jazz writing,
with great attention paid to phrasing, dynamics,
and expressive rhythms. Bring the emotional
words to life and feel the satisfaction of singing
a lush and lovely ballad. While recorded by
many artists, this arrangement is inspired
by Donny Hathaway's heartwrenching
performance. A touching choice for final
concerts or graduations.
11393284 SATB . . . . . . . . . . . . . . . .M 2.10
Gentle Lena Clare—Stephen Foster/arr.
Russell Robinson. Stephen Foster's tender
folk song has been crafted into a beautiful a
cappella choral arrangement with close jazz
harmonies and varied textures. There are
opportunities for solos and duets, and the
well-crafted voice leading allows the choir to
express musical sensitivity and blend.
11510892 SATB . . . . . . . . . . . . . . . .M 2.25
Georgia on My Mind—Hoagy Carmichael/arr.
Tripp Carter. Lush jazz harmonies and smooth
voice leading permeate this arrangement of the
legendary song Georgia on My Mind. The state
of Georgia officially designated Ray Charles'
version as the official state song in 1979, and it
remains part of the Great American Songbook
tradition. An absolute winner for jazz and
concert choirs who can handle it!
11421733 SSAATTBB . . . . . . . . . MA 2.30
Hand in Hand—Kait Kerrigan & Bree
Lowdermilk/arr. Anita Cracauer. This delightful
jazz shuffle by the musical theatre songwriting
team of Kerrigan & Lowdermilk sounds like
it could have come straight out of the Great
American Songbook. Short and sweet, the
whimsical lyrics celebrate the joy of new
love, and the melody follows suit by playfully
meandering up and down the scale. With an
opening solo and a big-band instrumental
dance break, this is a fun romantic number that
your audience is sure to enjoy. A complete
digital bundle is also available that includes
all the voicings, instrumental parts and an
accompaniment track, and part-dominant tracks.
11402563E SATB ePrint . . . . . . . . ME 3.00
11402562E SAB ePrint. . . . . . . . . . ME 3.00
11402564E SSA ePrint. . . . . . . . . . ME 3.00
Happy Birthday—Mildred Hill & Patty S. Hill/
arr. Derric Johnson. You haven't heard Happy
Birthday until you've heard this! A cappella,
upbeat, and full of divisi jazz harmonies,
this is the way that The Voices of Liberty at
Epcot in Disney World sing it to guests with
unforgettable style and pizzazz that will make
anyone feel special!
11393059 SATB divisi,
or SSAATTBB. . . . . . . . .M 2.25
If Ever I Would Leave You (from "Camelot")
—Frederick Loewe/arr. Kirby Shaw. The
cherished love song from "Camelot" receives a
classic choral treatment in this lush a cappella
setting. The end of this arrangement features a
solo or small group over choral backing and is
equally suitable for large ensembles or small
vocal jazz groups.
11502967 SATB . . . . . . . . . . . . . . . .M 2.10
11502968 SAB . . . . . . . . . . . . . . . . .M 2.10
11502969 SSAA. . . . . . . . . . . . . . . .M 2.10
It Had to Be You & You Made Me Love You
—arr. Adam Podd & Matt Podd. Two classic
songs from the 1920s have been stitched
together to make a perfect singing (and
swingin') valentine. Not just for Valentine's Day,
this fun, jazzy medley with full accompaniment
is a great way to introduce the jazz/swing style
to younger singers all year round. Easy to learn
and put together, and the accompaniment
MP3 or jazz combo chart help you make your
performance extra special. Also available as a
virtual choir kit.
11374414 SATB . . . . . . . . . . . . . . ME 2.50
11374415 SAB . . . . . . . . . . . . . . . ME 2.50
11374416 Two-Part or SA . . . . . . ME 2.50
11374417 Unison . . . . . . . . . . . . . ME 2.50
11515370 SSA . . . . . . . . . . . . . . . ME 2.50
11374419 Instrumental Parts Jazz Piano
Chart, Bass, Drums . . . . . .15.00
It's All Right (from "Soul")—Curtis Mayfield/
arr. Robert T. Gibson. Jon Batiste's cover of
the 1963 Impressions hit in Disney/Pixar's
"Soul" brings this early Curtis Mayfield song
to a whole new generation. Built on a soulful
groove, jazzy twists, and a feel-good vibe, this
choral arrangement is based on the Batiste
version from the film. Accessible to choirs of all
ages in a variety of voicings, it's sure to be a hit
at your next concert!
11347551 SATB . . . . . . . . . . . . . . ME 2.25
11347552 SAB . . . . . . . . . . . . . . . ME 2.25
11347553 Two-Part or SSA. . . . . ME 2.25
11347554 P/A CD . . . . . . . . . . . . . . . .29.99
It's Only a Paper Moon—Harold Arlen/
arr. Mac Huff. "Say, it's only a paper moon sailing
over a cardboard sea, but it wouldn't be make-
believe if you believed in me." This enduring
jazz standard from the 1930s is a great song of
friendship and support, set in an arrangement
specifically designed for younger voices with
both unison and easy part-singing opportunities.
11424807 Three-Part Mixed . . . . ME 2.30
11424808 Two-Part . . . . . . . . . . . ME 2.30
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