CHRISTMAS SACRED & SPIRITUALS
CHRISTMAS
&
HOLIDAY
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Sing We Now of Christmas—Mark Patter-
son. The traditional carol we all know and
love is presented here in an accessible
arrangement for young voices. Finger cymbals
and an interesting piano accompaniment add
excitement for all to enjoy!
10443291 Unison/Two-Part . . . . . ME 2.50
Sing We Now of Christmas—arr. Kyle Peder-
son. This ethereal setting of
NOEL NOUVELET
will surprise you with its mystical take on what
is normally a boisterous Christmas song. The
harmonic texture is modern, and the optional
oboe adds to the plaintive and dreamy
atmosphere.
11395418 SATB . . . . . . . . . . . . . . . .M 2.35
11395419 Full Score Oboe . . . . . . . . .17.95
Sleep Well—Greg Gilpin. Lovely harmonic
lines wrap this simple, tender text in a sweet
lullaby for the Holy Child asleep in the manger.
Exquisite lyrical phrases softly soar and crest
with delicate dissonance and clusters, creating
a moment of hushed wonder that will enhance
your Christmas concert or service.
11391376 SATB . . . . . . . . . . . . . . ME 2.20
Star Carol—John Rutter. The masterful pen of
John Rutter created this marvelous Christmas
selection that has become a Christmas
tradition for mixed choirs. Use of children's
choir or orchestration with SATB choir will only
enhance your presentation.
624247 SATB . . . . . . . . . . . . . . . .M 3.25
1480771 Unison . . . . . . . . . . . . . . .M 3.25
10652816 Violin 1 Part. . . . . . . . . . . . . . 8.99
10652817 Violin 2 Part. . . . . . . . . . . . . . 8.99
10652818 Viola Part. . . . . . . . . . . . . . . . 8.99
10652819 Cello Part. . . . . . . . . . . . . . . . 8.99
10652820 String Bass Part . . . . . . . . . . 8.99
6382774 Full Score . . . . . . . . . . . . . .34.50
6382782 Orchestration . . . . . . . . . . .77.99
11315679 Full Score Piccolo,
Oboe, Harp & Organ . . . . .43.25
Star of Wonder—Greg Gilpin. This original
a cappella work sings of the star of Bethlehem
leading all to the gift of love and light. Optional
percussion and body percussion is suggested
and encouraged, bringing rhythmic and visual
energy to the pulsed vocals. An outstanding
and accessible way to introduce a cappella
singing to younger voices while singing in the
Christmas season!
11501102 TB . . . . . . . . . . . . . . . . ME 2.20
Star of Wonder—Terre Roche. A relatively
recent carol, this piece works in both the
church and school holiday settings. Delicate
part writing and clear sections will make this a
bright spot in your Christmas program.
11514046 Three-Part Mixed
or SAT . . . . . . . . . . . . . . .M 2.25
11512081 SSA . . . . . . . . . . . . . . . . .M 2.25
11512082 TTB . . . . . . . . . . . . . . . . .M 2.25
Still, Still, Still—arr. Derric Johnson. The
beautiful traditional Austrian carol is sump-
tuously wrapped in warm, peaceful a cappella
harmonies in the signature style of the Voices
of Liberty arranger. In English throughout, the
divisi setting is peaceful and calming - it will
bring a moment of hushed reverence to your
Christmas concert or service.
11393066 SATB divisi,
or SSAATTBB. . . . . . . . .M 2.75
Still, Still, Still—arr. Norman Luboff. Norman
Luboff's arrangement of this lovely Austrian
carol has become a Christmas classic that
deserves a place in every choral library.
677526 SATB . . . . . . . . . . . . . . . . E 2.60
677708 SSA . . . . . . . . . . . . . . . . . E 2.40
677617 TTBB . . . . . . . . . . . . . . . . E 2.60
Still, Still, Still—arr. Noah Reese. The beloved
Austrian carol is cleverly arranged to break up
the melody between the two voice parts to keep
the ranges small for changing and developing
voices. Some interesting harmonic shifts and
descant-like features for the tenors bring a
freshness and lyrical quality to this setting. A
supportive piano accompaniment and English
lyrics throughout bring even more accessibility.
11397052 TB . . . . . . . . . . . . . . . . . . E 2.25
Stille Nacht/Silent Night—arr. Greg Gilpin.
This gorgeous arrangement of the beloved
carol incorporates American Sign Language
to create a lovely moment in your holiday
concert. Filled with wonderful harmonies, the
piece begins in German, sung first by a soloist
or in unison and then by the choir. The next
verse is sung in English, followed by a verse
being hummed or sung on "oo". The final verse
is signed and the piece comes to its poignant
conclusion in silence. Truly unique!
10880226 SATB . . . . . . . . . . . . . . ME 2.20
3080603 Three-Part Mixed . . . . ME 2.50
10880227 Two-Part . . . . . . . . . . . ME 2.10
10880228 SSA . . . . . . . . . . . . . . . ME 2.10
10880229 TTB . . . . . . . . . . . . . . . ME 2.10
Sussex Carol—arr. Elaine Hagenberg.
A brilliant arrangement of the traditional English
carol for SATB choir and piano or optional
chamber orchestra. This piece is high in
joyful energy from start to finish and certain to
become a regular part of the season for years
to come. "On Christmas night all Christians
sing to hear the news the angels bring!"
10907672 SATB . . . . . . . . . . . . . . . .M 2.50
10907673 Instrumental Parts. . . . . . . .30.00
There Is Faint Music—Dan Forrest. The
"faint music" is descriptive of Mary singing
lullabies to hush her baby's sleepy sighs.
This touching anthem paints a beautiful
musical picture of Mary and her newborn
Baby. "A shelter from the winter storm/ A
straw-lined manger, safe and warm/ And Mary
singing lullabies/ To hush her Baby's sleepy
sighs." Poetic and lyrical, this gorgeous
offering will be a blessing to your congre-
gation on Christmas Eve.
10068974 SATB . . . . . . . . . . . . . . ME 2.20
10068975 SSA . . . . . . . . . . . . . . . ME 2.15
10454207 TTBB . . . . . . . . . . . . . . ME 2.50
This Christmastide (Jessye's Carol)—
Donald Fraser. A popular choice year after
year, this charming piece has a timeless
quality, reflecting all the traditional beauty of
Christmas in a very special musical setting that
will never go out of style.
1680925 SATB . . . . . . . . . . . . . . ME 2.95
1673110 SSA . . . . . . . . . . . . . . . ME 2.55
This Endris Night—Sarah Quartel. This fresh
take on a familiar 15th-century Christmas text
is for unaccompanied voices with an optional
part for handbells, percussion, or the chime
stop on the organ. The dotted rhythms in 6/8
meter create a lilting feel, and the memorable
melody for the carol text passes through each
of the voice parts.
11193329 SATB . . . . . . . . . . . . . . . .M 3.25
10993554 SSAA. . . . . . . . . . . . . . . .M 3.25
11372352 TTBB . . . . . . . . . . . . . . . .M 3.25
This Little Babe—Benjamin Britten. This
exciting Christmas carol, originally for treble
voices, comes from Britten's "A Ceremony of
Carols." The accompaniment, written for harp,
may also be played by keyboard.
162636 SATB . . . . . . . . . . . . . . . .M 2.25
162545 SSA . . . . . . . . . . . . . . . . .M 2.15
Tidings of Comfort and Joy—arr. Audrey
Snyder. Here is a new twist on this traditional
English carol. The vocal writing is light and
rhythmic and will surprise your listeners. A
piano part is offered as an accompaniment
but this arrangement works just as well when
performed a cappella. Optional hand claps
and body percussion parts make this a special
piece within your winter concert.
11420029 SATB opt. piano
accompaniment . . . . . ME 2.15
10843657 Three-Part Mixed opt. piano
accompaniment . . . . . ME 2.10
10843658 SSA opt. piano
accompaniment . . . . . ME 2.10
10910241 Teaching P/A CD . . . . . . . .22.99
Tomorrow Shall Be My Dancing Day—John
Gardner. Since its publication in 1966, this
arrangement of a timeless carol has continued
to be a popular choice with mixed choral
groups at Christmas time.
624783 SATB . . . . . . . . . . . . . . . .M 3.25
Tomorrow Shall Be My Dancing Day—John
Rutter. Although based on an English Christmas
carol, the primary use of this John Rutter
arrangement for SSA chorus is as a deservedly
popular selection for contest or festivals.
4806493 SSA . . . . . . . . . . . . . . . . .M 3.65
Two Holiday Carols for Emerging Tenor-
Bass Choirs—arr. Noah Reese. Clever and
concise, these accessible arrangements of
I Saw Three Ships and We Three Kings are
perfect for the unchanged voices in your
choir or tenor-bass ensemble. Ample unison,
uncomplicated harmonies, and a piano
accompaniment that gives plenty of support
while also adding harmonic interest make
these arrangements a solid choice. Two for the
price of one!
11365818 Two-Part or TT
(Unchanged Voices). . ME 2.75
Veni, Veni Emmanuel (I Will Come)—
Michael John Trotta. A rhythmic ostinato on
"Veni, veni" and optional percussion (triangle,
tambourine and drum) infuse the traditional
Advent carol with such unrelenting energy,
the effect on the listener is mesmerizing!
Detailed performance notes give fascinating
historical perspective to the work. Includes
an English translation of the text, which is
Latin throughout. This is a unique take on
the ancient carol that will be an exhilarating
a cappella highlight of your holiday concert!
10509932 SATB . . . . . . . . . . . . . . . .M 3.50
10871946 Three-Part Mixed opt. baritone
and percussion . . . . . . . .M 3.00
11198194 SA opt. piano accompaniment
and percussion . . . . . . . .M 3.00
10584797 SSAA. . . . . . . . . . . . . . . .M 3.00
10944942 TTBB . . . . . . . . . . . . . . . .M 3.50
Veni, Emmanuel!—Zachary Steele. This twist
on the medieval French melody is a great
way to introduce singers to compound meter,
syncopation, and dissonance while working
with a familiar melody. Alternating between the
Latin and English texts, it is a cappella but for a
simple djembe or drum accompaniment and the
two-part version is flexible enough to be sung by
any kind of two-part choir, either mixed, treble,
or tenor-bass, with a little bit of divisi.
11513846 SATB . . . . . . . . . . . . . . . .M 2.15
11401354 Two-Part divisi,
or SA or TB . . . . . . . . . . .M 2.15
Veni, Veni Emmanuel—arr. Philip Lawson.
A dramatic a cappella arrangement of the well-
loved carol, it features a unison chant line for
the first verse followed by verses for upper,
then lower voices. The final verse rings with a
full harmonic texture, bringing a freshness to
the traditional harmonization. A beautiful choice
for concerts or service use.
11385857 SATB divisi . . . . . . . . . . .M 2.20
