J.W. Pepper Catalogs

2023-24 Fall Choral Catalog

J.W. Pepper Music Catalog

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CONCERT MUSIC Editors' Choice 2023 New Basic Library Large Print Edition A Cappella ePrint Downloadable (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision 84 Go to cart SACRED CONCERT & SPIRITUALS Jubilate Deo! Alleluia!—Michael Praetorious & Cristi Cary Miller. Based on the well-known Jubilate Deo canon, this accompanied setting adds a new B section melody to create a glorious concert opener or festival selection for younger choirs. The simple Latin text will allow singers the opportunity to practice unified vowel shapes to help create a more mature sound, and the layered canon will be easy for singers to learn yet sound sophisticated and exciting. 11368140 Three-Part Treble . . . . . . E 2.20 Just Can't Tell It All—Byron Smith. This gospel choral setting features lively piano accompaniment, percussion, and bass parts. The vocal scoring contributes in significant measure to the strength of this work. A great opener or closer! 11514218 TTBB . . . . . . . . . . . . . . . .M 2.95 Justitiae Domini—Michael John Trotta. Beautiful a cappella harmonies on a Latin text from Psalm 19 are a wonderful way to develop part independence and musical sensitivity. Opening on a simple unison note, the harmonies build in accessible counterpoint before a contrasting homophonic middle section. Lyrical and expressive, this piece is suitable for concerts, festivals, and services. 11415267 SSA . . . . . . . . . . . . . . . . .M 2.90 Keep Your Lamps!—arr. Andre Thomas. This exciting spiritual, with accompaniment for high, medium, and low conga drums, is an unusually appealing number suitable for a wide variety of uses, from smaller choirs to massed choir performances. 1428499 SATB . . . . . . . . . . . . . . ME 2.75 3303462 SSA with piano . . . . . . ME 2.25 10748272 TTBB . . . . . . . . . . . . . . ME 2.75 Keep Your Lamps Trimmed and Burning— arr. Greg Gilpin. If you're looking for something a little different to perform in the spiritual style, take a close look at this nicely rhythmic setting by Greg Gilpin. Interlocking vocals sing over a pulsating piano accompaniment that interprets a text of joyous anticipation, awaiting the Lord's coming. For school or church choirs, this is a refreshing and satisfying work that will be enjoyed by all who hear. 10452328 SATB . . . . . . . . . . . . . . . .M 2.05 10089322 SAB . . . . . . . . . . . . . . . . .M 2.10 3301917 Two-Part . . . . . . . . . . . . .M 2.05 Keep Your Lamps!—arr. Victor Johnson. Opening with "Keep your lamps trimmed and burning!" as a dramatic rubato statement, this incredibly creative arrangement then kicks into a driving, rhythmically intense feel that never lets up! A most welcome addition to the choral repertoire! 10519886 SATB . . . . . . . . . . . . . . ME 2.95 10028791 Three-Part Mixed . . . . ME 2.95 10810609 Two-Part . . . . . . . . . . . ME 2.95 10028792 SSA . . . . . . . . . . . . . . . ME 2.95 10028793 TTB . . . . . . . . . . . . . . . ME 2.95 10028794 P/A CD. . . . . . . . . . . . . . . . .26.95 Kyrie—Ehan Hartung. Walking the line between ancient and modern, this original setting of the well-known Kyrie text opens with a meditative accompaniment and chantlike vocal lines. Intriguing harmonies and accessible vocal writing will keep your singers engaged through the learning process. 11515440 SATB . . . . . . . . . . . . . . ME 2.95 Kyrie Ele, Eleison—Douglas E. Wagner. This contemporary rhythmic piece features melismatic melody and text pairings with intriguing syncopations. The primary melody is layered with long, lyrical countermelodies that allow for the opportunity to focus on vowel formation and placement. A perfect concert or festival selection! 11393889 SAB . . . . . . . . . . . . . . . ME 2.75 Kyrie Eleison, Alleluia—J.S. Bach/arr. Russell Robinson. A lovely lyrical selection for treble choir based on Bach's "Siciliano" flute sonata. With just three simple Latin words, the text is easily mastered so that the tone, phrasing, and expression shine through. This is an ideal piece for teaching musical sensitivity to developing singers. 11392384 Two-Part or SA . . . . . . ME 2.15 Lacrimosa Menuet—Christi Jones. This choral adaptation of J.S. Bach's "Suite No. 3 in B minor" is brief - only 36 measures long - but it is a lyrical showcase for developing choirs. Your ensemble will sound sophisticated and elegant when performing this at any concert or festival. Pronunciation guide and translation are provided for the Latin text. 11397069 SATB . . . . . . . . . . . . . . ME 2.25 11501659 Three-Part Mixed . . . . ME 2.25 10871901 SA . . . . . . . . . . . . . . . . ME 2.25 10585390 TB. . . . . . . . . . . . . . . . . ME 2.25 Lamentations of Jeremiah—Z. Randall Stroope. A stunning addition to any choral library, this expressive and dramatic work interprets the cries of the prophet with mournful chant and impassioned rhythmic fervor. It is a sublime musical statement. 3249323 SSATB. . . . . . . . . . . . . MA 3.20 The Last Words of David—Randall Thompson. What library would be complete without this exquisite piece by Randall Thompson? A dramatic work on the text of II Samuel 23:3,4 that runs the spectrum of dynamics and demands vocal control. 341016 SATB . . . . . . . . . . . . . . . .M 2.65 Laudate Dominum—Andy Beck. Inspired by Bach's Cello Suite No. 1, this beautiful setting stretches over the well-known accompaniment with lyrical lines and five simple Latin words. Independent melodies are introduced one at a time and then layered in a polyphonic style that is easily achieved. Cued notes provide flexibility for younger singers. A lovely piece for developing musical sensitivity against a familiar backdrop. 11393324 SAB or Three-Part Mixed . . . . ME 2.05 11393325 Two-Part or SSA . . . . . ME 2.05 11393344 Multi-Song Accompaniment CD . . . . . .44.99 Laudate Dominum—Dan Davison. A longtime standard for tenor-bass choirs, this original concert work in neoclassical style with a Latin text and optional string quartet is an excellent teaching piece as well as a very effective performance selection for any time of year. With a simple two-part texture, the variety of voicings make this accessible to almost any choir. 10276387 SSATB or SSAB (opt. Tenor) . . . . . . . . . ME 2.90 11415516 SAB or SA(T)B or Two-Part Mixed (opt. Tenor) . . . . . . . . . ME 2.90 10994244 SA . . . . . . . . . . . . . . . . ME 2.80 10067350 TB. . . . . . . . . . . . . . . . . ME 2.80 10067380 Instrumental Parts String Quartet . . . . . . . . . . .15.00 Laudate Dominum—Jacob Narverud. A modern mixed-meter setting of the Latin text, this piece begins with a simple yet stately unison statement. The piano accompaniment contributes to the contemporary feel with driving, syncopated rhythms. 11398058 SATB . . . . . . . . . . . . . . . .M 2.30 Laudate Dominum—Mark Patterson. This dynamic setting of the Laudate Dominum text is a perfect opening number for concert or festival. The opening fanfare-like section is complemented by a contrasting middle section before returning to the joyous opening statement to drive the piece to the stately conclusion. A Rehearsal Resource Page is available for download from the publisher. 11514661 TB. . . . . . . . . . . . . . . . . . . E 2.25 Laus Trinitati—Faith Zimmer. In a perfect blend of the ancient with the modern, this majestic work sets a text by Hildegard of Bingen with pentatonic chant-like melodies, parallel lines, and sections of counterpoint that are stunning. In Latin throughout, this sacred a cappella setting is a worthy challenge for more advanced mixed or tenor-bass choirs. 11337879 SATB . . . . . . . . . . . . . . . .M 3.00 11105249 TTBB . . . . . . . . . . . . . . . .M 3.00 Let Everything that Hath Breath—Jeffery L. Ames. It is impossible not to be inspired by this soul-stirring gospel original. The accompaniment is rock solid, and the choral parts are incredibly gutsy, with dramatic dynamic swells and accents that will shake the rafters! "Magnify the Lord with me and exalt His name together...Let everything that hath breath praise the Lord!" 10017215 SATB . . . . . . . . . . . . . . . .M 2.30 Let It Shine on Me—arr. Reginal S. Wright. Two traditional gospel songs - one creative arrangement for young choirs! This Little Light of Mine and Shine on Me are both presented in a stylized arrangement that features plenty of unison and simple harmonies, and then are partnered to great effect. The gospel-style piano accompaniment really helps set the groove, too, helping to make this a fun and powerful choice for concerts at any time of year. 11397042 SA or Two-Part . . . . . . ME 2.50 Let Me Fly—arr. Rollo Dilworth. In the traditional spiritual Let Me Fly, the chariot is presented as a symbol of freedom. This creative setting for mixed or treble choirs offers lots of opportunities for musical growth and expression with its steady marching accompaniment, interesting harmonies, strophic variation and well-crafted vocals. 10841945 SATB . . . . . . . . . . . . . . ME 2.35 10352261 Two-Part . . . . . . . . . . . ME 2.20

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