CONCERT
BAND
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CONCERT & CONTEST very easy
A Jubilant Spirit—Carol Brittin Chambers.
Just as the title says, this original work is
uplifting and jubilant. Beginning bands will
enjoy many opportunities to expand their
musicianship, including meter changes,
harmonies, reinforcing concert E-flat, and a
wide range of dynamics and articulations.
Great percussion scoring as well, including a
bell solo. A perfect concert opener!
11392844 Band Set & Score . . . . . . . .50.00
Kye Kye Kule (Chay Chay Koo-lay)—arr.
Joseph Benjamin Earp. A traditional call-and-
response song originating in Africa and sung
by children around the world, this arrangement
provides a spotlight for a soloist (or multiple
soloists) or small groups while also highlighting
the full ensemble. Everyone will be sure to
enjoy this setting of an iconic children's song.
11518461 Band Set & Score . . . . . . . .55.00
The Lake of Sorrows—Randall D. Standridge.
"Tales from the Darklands" continues in this
cinematic and eerie offering that depicts an
abandoned lake of lost souls. Lyrical writing,
chromaticism, and orchestral scoring are
balanced with simple rhythms and achievable
ranges to create a vehicle that offers a mature
musical experience for developing players and
melodic moments for all wind groups.
11340606 Band Set & Score . . . . . . . .60.00
The Lake of Sorrows (Flexible Instru-
mentation)—Randall D. Standridge. Randall
Standridge's "Tales from the Darklands"
continues in this cinematic and eerie offering
that depicts an abandoned lake of lost souls.
Lyrical writing, chromaticism, and flexible
scoring are balanced with simple rhythms
and achievable ranges to create a vehicle
that offers a mature musical experience for
developing players and melodic moments for
all wind groups.
11342489 Band Set & Score . . . . . . . .65.00
Leading Light—Jack Wilds. Inspired by a
school's powerful growth in the arts, this piece
follows a single melody from a slow, quiet
beginning filled with potential into a faster
section crackling with energy. The theme
steadily builds momentum through each
variation until it reaches a joyful outpouring of
sound in the final bars. (3:45)
11511656 Band Set & Score . . . . . . . .70.00
Lift Every Voice and Sing—Chris Sharp.
James Weldon Johnson's inspirational hymn
dates back to the Harlem Renaissance.
This beautiful arrangement is scored to be
playable with voices or as a stand-alone
concert band piece. Accessible to bands of
all sizes and levels.
11515295 Band Set & Score . . . . . . . .65.00
Lionwind—George Sweet. Great percussion
writing and a strong heroic theme combine
to create this high-energy piece for beginning
players. Musical concepts like scales, intervals,
dotted quarter rhythms, and concert A-flat are
all reinforced.
11501979 Band Set & Score . . . . . . . .55.00
Lost Planet—Sean O'Loughlin. Take your
beginning band on a thrilling ride to the
deepest reaches of space. Written in C minor,
mysterious themes along with augmented and
diminished chords create otherworldly sounds,
while fermatas and tempo changes add to the
tension and excitement. Young players will
gain confidence playing concert A-flat and
concert E-natural as well as reinforce a variety
of playing techniques. Sure to be a favorite of
players and audiences alike!
11392838 Band Set & Score . . . . . . . .50.00
Majestica—Brian Balmages. Open your next
concert with a musical celebration! Triumphant
and bold, this work is well-crafted for young
bands. Dynamic contrast is aided by changes
in texture, and the short, powerful phrases let
students perform with a strong sound. This one
is a real confidence-booster!
10008905 Band Set & Score . . . . . . . .45.00
March from First Suite for Military Band—
Gustav Holst/arr. Story. Historically important,
the suite this comes from is one of the first
pieces written exclusively for military bands.
This arrangement is based on the second
theme of the March, a very lyrical melody
reminiscent of British folk music. This
accomplished setting brings this cherished
work to the stands of your beginners, a most
welcome addition to beginning band repertoire!
10279758 Band Set & Score . . . . . . . .56.00
Mercury Rising—Gene Milford. This is a
joyous representation of our celestial neighbor
with noble and dance-like episodes. With
plenty of opportunity for reinforcement of tutti
playing and nice melodic writing, this work
features many call-and-response moments
between the different sections.
11198562 Band Set & Score . . . . . . . .50.00
Midnight Sky (from "Midnight Suite")—
Brian Balmages. This sensitive setting is right
on target for developing musicality in young
performers! Set at a comfortable andante
tempo, the work is not technically challenging,
yet will help develop important expressive
performance skills. It's less than two minutes
long, so endurance is not an issue, making this
short, but very, very sweet. Three chorales are
included to expand the learning experience. It
also makes a great warm-up for older bands!
10008898 Band Set & Score . . . . . . . .45.00
Moonlight Bliss—Adrian B. Sims. Enjoy the
tranquility of the night and the stars above. A
memorable theme and stunning harmonies
encapsulate the view of the twinkling night sky.
This powerful yet approachable work will have
your students enthusiastic about playing more
lyrical music and is certain to have a stunning
impact on your audience.
11399664 Band Set & Score . . . . . . . .45.00
New Era (Concert March)—William Owens.
A stately and regal original work that differs
in form from the traditional march form. With
its strong theme, great percussion writing,
and accessible and engaging parts for all
instruments, this piece is perfect as an opener
for any concert or contest.
11501855 Band Set & Score . . . . . . . .55.00
Night Fury—Carol Brittin Chambers.
This creative work is full of adventure and
excitement, vividly conjuring images of dragons,
castles, and other legendary creatures. With
impressive writing influenced by dramatic film
scores, this epic composition is fast-paced yet
remains playable by young musicians.
10759593 Band Set & Score . . . . . . . .55.00
On to Victory (Based on "Anchors Aweigh")
—Charles A. Zimmerman/arr. Michael Kamuf.
Based on Anchors Aweigh with melodic
fragments of Eternal Father, Strong to Save (the
Navy Hymn), this bold and energetic fanfare
is the perfect setting to reinforce phrasing and
syncopation with your beginning band students.
An outstanding opening or closing selection for
your next performance! (2:00)
11511666 Band Set & Score . . . . . . . .55.00
Ostirock—Alexandre Carlin. Get your band
ready to rock and roll! Within the limited ranges
of very beginning players, every instrument in
the band has something fun and stimulating to
play. Suitable for a first concert, this rocking
blues tune will have the audience bobbing
heads, tapping feet, and raising a light!
11518469 Band Set & Score . . . . . . . .55.00
Outta Time!—Christina Huss. Filled with tension
and a sense of urgency, the constant pulse of
this exciting piece mimics that of a ticking clock,
steadily inching its way toward an unknown
conclusion. This is the perfect teaching tool for
a wide variety of dynamics and articulations
as well as dotted quarter-note rhythms. The
contrasting B section reinforces phrasing and
breath control while still maintaining the intensity.
Sure to be a go-to favorite!
11501857 Band Set & Score . . . . . . . .55.00
Phantom Code—Gregory D.V. Holmes. Great
energy abounds in this darkly intense work for
elementary concert band. Set in G minor, this
piece features a call-and-response concept
that is great for teaching ensemble listening
skills. This is also excellent for reinforcing
articulations and dynamics as well as giving
the trombones a good workout going from first
to sixth position.
11517864 Band Set & Score . . . . . . . .55.00
Prairie Dance—Zachary Docter. A simple tune
starts in the clarinets. As it's passed through the
ensemble, it grows louder before culminating
in a rhythmic Americana-esque hoedown that
would make Copland proud. After this spirited
climax, the tune winds down before ending
quietly with the clarinets, precisely as it began.
Every instrument group is featured in this
piece. Transparency allows students to gain
experience playing in thin textures, which may
be a new experience at this grade level. (1:50)
11511670 Band Set & Score . . . . . . . .65.00
A Prehistoric Suite—Paul Jennings. Beginning
groups will love this unique, programmatic suite
of four short movements, each of which portrays
a well known prehistoric creature (or two!).
Clever and very easy, it includes: Stegosaurus;
Brontosaurus; Pteradactyls and The Battle
(Tyrannosaurus and Triceratops). A really
different work at this level!
2185106 Band Set & Score . . . . . . . .50.00
Propulsion—Adrian B. Sims. This high-energy
work for developing bands has a motivational
message for all and directs students' attention
to style, articulation, and dynamic contrast. Very
engaging percussion and interesting parts for
all instruments. make for a thrilling work that
students are sure to enjoy. Absolute sheer force!
11411790 Band Set & Score . . . . . . . .65.00
United System
for Winds and
Percussion
A Mixed-Level Program for
Group & Individual Instruction
Peter Sciaino. This individual
or group lesson system was
specifically created to fit the need
for repertoire that is not only
flexible but at the same time multi-
level. It uses three progressive
levels within each book that
correspond to increased difficulty
within each lesson. Each of the
levels can be used progressively
or at the same time, depending
on the individual proficiency of
each student. As class size and
instrumentation in band programs
become increasingly uncertain,
this method will be a welcome
support for any situation.
11423118 C Instruments
High T.C. . . . . . . . . . . 9.99
11423119 C Instruments
Low T.C. . . . . . . . . . . . 9.99
11423120 High Bb
Instruments . . . . . . . . 9.99
11423121 Low Bb
Instruments . . . . . . . . 9.99
11423122 Eb Instruments. . . . . . 9.99
11423123 F Instruments . . . . . . . 9.99
11423124 C Instruments
High B.C. . . . . . . . . . . 9.99
11423125 C Instruments
Low B.C.. . . . . . . . . . . 9.99
11423126 Percussion . . . . . . . . . 9.99
11423127 Conductor. . . . . . . . . 34.99
