CONCERT
BAND
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CONCERT MARCHES medium-easy / medium
Peacemaker—Karl King/arr. Swearingen. Karl
King was a true master at writing marches that
are playable by all grade levels, and this great
arrangement gives this classic a modern instru-
mentation along with accurate articulations,
dynamics and a full score. You just can't go wrong
with a Karl King march, and this one just bubbles
along and is extremely nice. A solid choice!
2478397 Band Set & Score . . . . . . . .60.00
Prestissimo (March or Galop)—Karl L. King /
arr. Swearingen. Here's a versatile march that
can fill several concert situations. Stylish and
appealing, this can be performed as a standard
march or as a pulse-racing, fast-moving galop,
and is perfect as a closer or encore selection.
The technical demands are modest so you can
create a tour de force without a lot of rehearsal
time. Outstanding!
10094200 Band Set & Score . . . . . . . .65.00
Rank and File (Fanfare)—Matthew R.
Putnam. Cleverly introducing new material with
each repeat, this great original concert march
has all the flair of a classic Fillmore or Sousa
march yet it's accessible to young players.
A must-have in your library!
11501863 Band Set & Score . . . . . . . .80.00
Rough Riders—Karl L. King/arr. Swearingen.
What a terrific march at this level! Sometimes
termed a galop, this is one of King's easier
marches, and James Swearingen's edition
for modern concert band is right on the mark!
Rough Riders will make a great choice for
concert, festival or contest use, and is sure to
be the hit of your next performance.
2347037 Band Set & Score . . . . . . . .60.00
Royal Air Force March Past—H. Walford
Davies. The official march of the Royal Air
Force written by Walford Davies is available
here in an accessible arrangement playable by
a wide range of ensembles.
11501994 Band Set & Score . . . . . . . .80.00
The Sea Dogs March—Brian Bankston.
Inspire your inner pirate to set sail with this
colorful and powerful march! Set in G minor,
the interesting interplay between instruments
and the adventurous dynamic scheme
provides something a bit different for your next
festival: a work that stands in contrast to other
standard marches. This one is indeed a map
that leads to a treasure chest full of teaching
opportunities. A pirate adventure as well as
musical fun and growth all in one package!
11518489 Band Set & Score . . . . . . . .85.00
Sortofa March—Gary Garner. This unique-
sounding work began as an exercise
intended to acquaint woodwind players
with essential alternate fingerings on their
respective instruments, but it quickly and
unexpectedly began to take on a march-like
character. Not exactly a march, but "sort of
a march." All sections enjoy exciting and
engaging parts. All woodwind parts have
suggested alternate fingerings.
11518695 Band Set & Score . . . . . . . .55.00
Spania! (Spanish March)—David Shaffer.
A real showstopper for developing bands!
A delightful and exciting Spanish march for
developing bands that's a real confidence
builder and effective teaching tool. Written in
the classic paso doble style, all sections have
interesting parts to play in this fiery original.
A real winner!
2481432 Band Set & Score . . . . . . . .59.00
St. Petersburg March—Johnnie Vinson.
This original march is reminiscent of the
Russian city's rich and exciting history of
intrigue, revolution and mystery. Expertly
scored for young bands, this unique and
fresh-sounding work paints a musical picture
of frigid winters, magnificent castles and
imposing cathedrals. A wonderful addition to
the march repertoire for band.
2481708 Band Set & Score . . . . . . . .60.00
Staunton Road March—Mark Grauer. A
delightful march written in the style of the
classic circus marches. The brilliant obligato
at the end showcases the talents of your
upper woodwinds. An excellent addition to any
concert program.
11517982 Band Set & Score . . . . . . . .85.00
Torch of Liberty—Karl L. King/arr. Swearin-
gen. Karl L. King was a master of writing tuneful
marches that are playable, yet "meaty" enough
for advanced bands. James Swearingen's
effective adaptation of this superb march
assures your band will know the thrill of playing
a King march, yet keeps the technical aspects
within reach of developing bands. You can't go
wrong with this great march!
2417277 Band Set & Score . . . . . . . .65.00
Valley Forge March—Karl L. King/arr. Swearin-
gen. A strong choice for concert or contest! Karl
King was a true master at writing easier marches,
and Valley Forge is one of his best! Just one time
through the trio and you'll know immediately
why this is one of King's most popular marches.
James Swearingen's new arrangement, with full
concert band instrumentation, subtle rescoring
and careful editing, guarantees that Valley Forge
will be a perfect choice for concert or contest
use. Unbeatable!
2284230 Band Set & Score . . . . . . . .60.00
Victory March—Bob Cerulli. This march
brings a fresh new sound to a familiar and
revered form. This is partially a function of its
tonal center and partially due to a sparkling
melody and a well-constructed harmonic base.
A splash of originality, the march fits well in just
about any spot on a program.
11518697 Band Set & Score . . . . . . . .55.00
Washington Post March—John Philip Sousa/
arr. Balent. This one is a "must-do!" If your
developing band hasn't had the thrill of playing
one of the most familiar marches of all time,
here's a great opportunity to expose them to
the magic of Sousa! On the easier side of this
grade level, you'll find this comes together
nicely for performance and will let your band
really shine! Outstanding!
2465383 Band Set & Score . . . . . . . .95.00
Concert Marches
Medium
2nd March from Gustave III (Act V)—
Daniel F.E. Auber/arr. John R. Bourgeois. A
powerhouse arrangement of this march for
the concert band! Written at an accessible
Grade 3.5, this march is sure to impress. As an
opener, closer, or mid-concert show-stopper,
this will be an audience favorite.
11411899 Band Set & Score . . . . . . . .95.00
Above the Line (Galop)—Bryce Newton. This
will be an audience favorite to open or close
your next concert! Playful harmonies and lively
melodic lines stand out immediately in this
energetic contemporary march. The attention
to scoring ensures a successful performance.
A fresh and exciting march!
11207596 Band Set & Score . . . . . . . .90.00
American Legion (March)—Charles Wesley
Parker/arr. Van B. Ragsdale. The classic
march has been wonderfully rescored for more
accessibility while maintaining the grandeur of
the original.
11393489 Band Set & Score . . . . . . . .75.00
Americans We—Henry Fillmore/ed. Fennell.
This famous, well-known and loved march by
Henry Fillmore, edited by Frederick Fennell
and now available in concert size, is basic to
any good band library!
2050656 Band Set & Score . . . . . . . .95.00
Americans We—Henry Fillmore/ed. Foster.
This may be one of the most popular marches
of the hundreds written by Henry Fillmore.
Inconsistencies in the original quick-step size
edition have been clarified and extensive
program notes on performing this marvelous
march have been included. New to this edition
is a full score not previously available. A
perfect addition to your school or community
band's library!
10279573 Band Set & Score . . . . . . .100.00
Amparito Roca—Jamie Texidor/arr. Winter.
The "Grand-daddy" of all Spanish marches!
This excellent work is unquestionably the
epitome of Spanish marches, and as such
deserves an active place in every good band
library. Highly recommended!
147512 Band Set & Score . . . . . . . .85.00
Arsenal—Jan Van der Roost. An exceptionally
grandiose and festive concert march.
2361665 Band Set & Score . . . . . . .100.00
Auld Lang Syne—Karl L. King/arr. Andrew
Glover. A great and authentic arrangement
of this King classic featuring the famous New
Year's Eve melody in the trio.
11517822 Band Set & Score . . . . . . . .78.00
The Black Horse Troop—John Philip Sousa/
ed. Frederick Fennell. Here's an excellent
example of a "proud," 6/8 Sousa march, edited
by Frederick Fennell and published in full
concert size.
987586 Band Set & Score . . . . . . . .82.00
Brighton Beach—William P. Latham. This
standard of the repertoire is indeed a fine
example of the great tradition of concert
marches. If you have not yet performed it
with your band, you should definitely consider
doing so. It's easy to understand why it's been
around for years, and is still going strong!
4014841 Band Set & Score . . . . . . . .77.00
Brown Bear—Kelly Bennette. The golden
age of marches in early 20th century gave us
a wealth of wonderful literature. That tradition
is still alive and well as can be seen with this
wonderful and tuneful addition to the repertoire.
Bass clarinet requires low E flat.
11518866 Band Set & Score . . . . . . . .75.00
The Chimes of Liberty—Edwin Franko
Goldman/arr. Schissel. One of the best
known marches by march master Goldman
in an excellent new edition by Loras Schissel.
Perfect as a contest march for better school
bands. And since it has not been simplified in
any way, it is appropriate for programming by
college and community bands.
2396265 Band Set & Score . . . . . . . .68.00
Circus Days—Karl L. King/arr. Loras
Schissel. Go ahead and sink your teeth into
this rip-snortin' circus galop! Loras Schissel's
new edition includes clear articulations for an
accurate "circus" style performance that will
thrill your audiences. And, if you prefer, Circus
Days can be performed at a regular march
tempo and still sounds great!
2378818 Band Set & Score . . . . . . . .65.00
Comic March—Stuart O'Neill. Everyone
loves a march. A march that is a little tongue
in cheek, however, is something extra special.
This one will grab you by the ears and shake
until you're laughing with delight.
11518868 Band Set & Score . . . . . . . .60.00
BEST
SELLERS
Concert Marches
Medium-Easy
Buy with confidence! These works, listed in
order of their popularity, are chosen most
often by directors.
Marche Diabolique—Brian Balmages.
10459831 Band Set & Score . . . . . . . . . . . . 60.00
Aces of the Air (March)—
Karl King/arr. Swearingen.
10280589 Band Set & Score . . . . . . . . . . . . 65.00
Alamo March—
Karl L. King/arr. James Swearingen.
2231751 Band Set & Score . . . . . . . . . . . . 60.00
Rough Riders—
Karl L. King/arr. Swearingen.
2347037 Band Set & Score . . . . . . . . . . . . 60.00
Spania! (Spanish March)—David Shaffer.
2481432 Band Set & Score . . . . . . . . . . . . 59.00
Amparito Roca—Jaime Texidor/arr. Fagan.
10052942 Band Set & Score . . . . . . . . . . . . 70.00
Midway March—John Williams/arr. Moss.
2306553 Band Set & Score . . . . . . . . . . . . 75.00
March of the Trolls (from "Lyric Suite",
op. 54)—Edvard Grieg/arr. Beck.
10093405 Band Set & Score . . . . . . . . . . . . 78.00
El Zorro Rojo (Concert March)—
Randall D. Standridge.
11001401 Band Set & Score . . . . . . . . . . . . 70.00
March of the Belgian Paratroopers—
Pierre Leemans/arr. Swearingen.
10033483 Band Set & Score . . . . . . . . . . . . 65.00
